Adicionar um enredo no seu idiomaParis...at the turn of the century. Inspector Vidocq investigates a series of unexplained murders at a Grand Guignol-type theatre...where the players have suddenly become real-life victims. ... Ler tudoParis...at the turn of the century. Inspector Vidocq investigates a series of unexplained murders at a Grand Guignol-type theatre...where the players have suddenly become real-life victims. Based on the story by Edgar Allan Poe.Paris...at the turn of the century. Inspector Vidocq investigates a series of unexplained murders at a Grand Guignol-type theatre...where the players have suddenly become real-life victims. Based on the story by Edgar Allan Poe.
- Direção
- Roteiristas
- Artistas
- Gabrielle
- (as Rosalind Elliott)
- Madam Adolphe
- (as Maria Martin)
- Member of Repertory Company
- (as Rafael Hernandez)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
When there are several murders by acid of people connected to Cesar, the prime suspect of Inspector Vidocq (Adolfo Celi) would be Cesar's former partner Rene Marot (Herbert Lom). But Marot murdered Madeleine's mother (Lilli Palmer) many years ago and committed suicide immediately after.
"Murders in the Rue Morgue" is a boring and dull movie with terrible screenplay and wooden performances. There are many clichés; rip-off of scenes and concepts from "The Phantom of the Opera" and "Sherlock Holmes" and Christine Kaufmann is awful in the lead role. There is one terrible dreamlike scene where Madeleine looks to her dress before jumping into the carriage. My vote is four.
Title (Brazil): Not Available
** (out of 4)
British version puts a twist on the story (and previous versions) of Edgar Allan Poe. In this version, a stage troupe is putting on a version of Murders in the Rue Morgue when real murders start to happen. The lead actor (Jason Robards) and Inspector Vidocq (Herbert Lom) try and track down who is responsible. This version of the Poe story has been ripped to pieces over the years but having skipped it for thirty-plus years I was well aware that several liberties were taken. I can't say I blame director Gordon Hessler for wanting to change things around considering there had been several versions of the story already done. The biggest problem is that with the changes nothing too exciting is done and nothing here is as entertaining as what Poe wrote. I think the biggest thing going against the picture is the fact that it's rather dull and only comes to life during the opening sequence and the final one. Everything in between is rather lifeless and really drags to the point where you just simply don't care who's doing the killing. The version I viewed was the 97-minute director's cut, which restores some eleven-minutes that AIP had originally cut out. I don't know the whole history of the film so I can't say which version is better but I have to think that a lot of the material here was just filler. You'd think that having actors like Robards and Lom would have been a positive but it's really not. Yes, it's fun seeing them in a film like this but at the same time both are clearly just here to cash a paycheck. Robards seems extremely uninterested in anything going on and the same can be said about Lom who seems to be rushing through every scene just to get it over with. There are a few good things about the film including its colorful look as well as the atmosphere but this here just isn't enough to recommend it to others.
A pedestrian, very free and complex adaptation of Edgar Allan Poe that has been remade vary times , though it really nothing to do with the classic novel, Murders in the Rue Morgue . In fact , this film seems to be more Phantom of Opera by Gaston Leroux than Murders in the Rue Morgue by Poe . The action slips forth and back bewilderingly from the play that the protagonists perform to the real events , including some gory scenes. There are style and fascination enough in the weird dream sequences alone to hold the attention for the surprising spectator. Interpretations are uniformly midddling . Jason Robards plays the main actor associated with the production and married to the upsettling Christina Kauffman who becomes involved with a man who killed her mother . While Herbert Lom gives the best acting but repeating his role of Phantom of Opera . With good supporting help including Adolfo Celi as the famous Inspector Vidoq , Lili Palmer , Maria Perschy , Michael Dunn, Peter Arne . Being an US/Spanish coproduction here appears ordinary Spanish secondaries as Victor Israel, Imma de Santis , Maria Martin , Rafael Hernández, and Jose Calvo. There are other better versions about Edgar Allan Poe novel : 1932 by Robert Florey with Bela Lugosi , Sidney Fox and 1986 by Jeannot Szwarc rendition with George C Scott , Rebecca de Mornay .
It packs a colorful and evocative cinematography by Manuel Berenguer , an expert cameraman who had an important career photographing international coproductions . As well as suspenseful and frightening musical score by Waldo de Los Ríos. The motion picture was regularly directed by Gordon Hessler (Scream and scream again, The Oblong box , Cry of Banshee , Golden Voyage of Sinbad).
The main problem with this movie lies in casting Jason Robards in the role of Cesar Charron. He's not a horror actor and is completely out of his element (drama). The obvious choice for such a role would have been Vincent Price, who would have torn into it with gusto. Robards, a fine actor otherwise, comes off as languid and disinterested.
On the upside, the manner of the homicides is novel, and though the story is quite padded out, it does lead up to a decent twist at the end...
Você sabia?
- CuriosidadesIn an interview included on the movie's the DVD, director Gordon Hessler said that he thought the majority of people knew the ending of the source short story (the film is a remake and had been shot more than once before), so Hessler thought he would re-imagine the story, and as such introduced new story elements.
- Erros de gravaçãoJust before a performance, Charron tells his wife to "break a leg." That very American expression originated in the 1920s, and thus certainly would not have been spoken in 19th-Century Paris.
- Citações
Rene Marot: Yes, Madeleine. There stands the axe-man of your dreams.
- ConexõesFeatured in Deadly Earnest's Nightmare Theatre: Murders in the Rue Morgue (1978)
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Detalhes
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- US$ 700.000 (estimativa)