A Ermitã do Kung Fu

Lady Hermit (Pei-pei Cheng) was injured in a fight against a man called Black Demon 3 years ago. Avoiding the rematch, she hides disguised as a serving maid in the house of Master Wang where Chang Chun (the ubiquitous Lo Lieh) also works. Young Cui Ping (Szu Shih) comes to town, as she wants to become Lady Hermit's student in the martial arts. Of course, she does not recognize the maid. But rumors come to Black Demon that Lady Hermit is back, and after he kills Master Wang, Lady Hermit and Cui Ping want revenge - but the problem is, they are both in love with Chang Chun and have to settle this matter between them first...

Wonderful movie. Everything you'd expect from a genre classic of the early 70s is there, blood and tears, love and hate, fights and drama. Not unusual for the time period, violence is close to the edge of cartoon style. Pei-pei Cheng has one scene when she tells 3 rogues she will cut an arm, a leg and the head off one of them each. A few seconds later - whoosh, slash, aaargh - guess what's lying on the floor? An arm, a leg and a head. But there are always the emotional moments, too, which make the characters interesting, for example the storm scene, when the roof is torn off and Lady Hermit offers shelter to Chang Chun. Memorable and highly recommended.

THE LADY HERMIT (1971) offers two wonderful swordswomen for the price of one. Shaw Bros.' top female martial arts star of the late 1960s, Cheng Pei Pei (COME DRINK WITH ME, GOLDEN SWALLOW), stars as the title character, a famous veiled crusader who fights bad guys with her sword but has dropped out of sight when the film opens. Shih Szu plays an eager, whip-wielding aspiring swordswoman who seeks to track down Lady Hermit and become her student. To make a long story short, the master-student relationship is forged and Lady Hermit does indeed teach the young girl her skills, including "flying tiger" style. This is a rare martial arts film in which both master and student are female. Lo Lieh (FIVE FINGERS OF DEATH) plays a young man who is in love with Cheng's character and who is, in turn, loved by both women. During the time he spends with them, he learns new techniques as well.

The villains are a gang of evil Taoist monks, led by Lady Hermit's old adversary, Black Demon, who operate a racket whereby they sell Taoist charms at high prices to households seeking to ward off ghostly nighttime attacks. The gang then goes out in the dead of night to raid houses that have refused to buy the charms. Lady Hermit and her two followers engage the gang in a series of extremely lively sword battles which are spread throughout the entire film. There are several great setpieces, including a bit where the characters fight on one of those perilous rope bridges across a gorge and the bad guys cut the ropes and Shih Szu has to hang on to the dangling remains of the bridge and climb and fight her way to the top. The climactic battle in a towering pagoda is quite spectacular. There is a good mix of location work with studio sets.

Fans of Cheng Pei Pei from films such as DRAGON SWAMP, THAT FIERY GIRL, THE THUNDERING SWORD and the two mentioned above will, of course, enjoy this one just as much. But the real find here is Shih Szu, who starred in a number of martial arts films in the late 1960s and early '70s, beginning when she was still a teenager. She is bright-eyed, round-faced, beautiful and all smiles, as well as being quite an agile and energetic fighting performer. She appeared in the Hammer Films/Shaw Bros. collaboration, LEGEND OF THE SEVEN GOLDEN VAMPIRES. Curiously, after a few good starring roles, she was relegated to supporting roles at Shaw Bros. for the rest of the 1970s. Which makes this film all the more valuable for providing a rare opportunity for fans of female martial arts performers to discover this delightful unsung star.

Having been injured by her enemy Black Demon, the legendary swordswoman Lady Hermit has been in hiding. This is known to young Tsui Peng, who has decided to seek her out to become her student. Tsui Peng's search takes her to a small town where she is taken in by a family after meeting their servant – totally unaware that the servant is indeed the Lady Hermit she seeks. Tsui Peng learns that the Black Demon is running a scheme of selling very high priced protective trinkets in a temple to offer protection from spirits – and people are happy to pay since those that don't buy them get murdered by ghosts in the night. When she learns that these "ghosts" are the Black Demon's men, she intervenes which forces the Lady Hermit to reveal herself – starting a master/student relationship which is not always smooth and is filled with danger.

This is quite a lively film which has the added appeal of having two female leads and all the male characters tending to be supporting players. The plot is quite nice and it doesn't overdo the "living in secret" thing more than is reasonable. From this point the training is quite good and the series of fight sequences are mostly enjoyable. The climatic fight on and around a pagoda is the best but all the skirmishes are enjoyable (and there were plenty). The one thing I didn't care for was some of the graphic gore – so people taking needles to the eyes and the like, it felt unnecessary and a bit gaudy. The "normal" violence was well done and I liked that it had a certain dramatic impact due to some main characters being in real danger. There are little moments of comedy too, but mostly it is a harder film in terms of action and events.

The cast is pretty good. I liked Cheng Peipei but I did think she did look a little too young for the role; the irony is that I think she was over 30 when she did this film, but she looks a lot younger and it didn't fit my vision of this legendary master. Shih Szu is must better cast; she has a sass of youth to her and has the bright eyes of enthusiasm which can give way to hurt or disillusionment well. Lo Lieh works well with both of them and, although a bit hammy, I enjoyed Wang Hsieh as the villain of the film. The filming is professional and makes good use of external locations and the action is well put together without being excessively choreographed.

Some of the violence didn't really work for me personally, but other than this I did enjoy the characters, the plot and the action. It was an added bonus to have it be all female leads and for both actresses to be good in their roles (although Shih is the better of the two.

The Lady Hermit is pretty straightforward martial arts stuff, so I can keep the review brief. I could only find the English dub, which hurt the film a little, but I'm not marking it down for any feeling of incoherence caused by the dub. However, I do wonder whether it would've also been a bit nonsensical if I'd watched it in the original language and with subtitles.

But does that matter? The action generally delivers, with the bridge set piece near the end being particularly great (and I also wonder whether it influenced The Temple of Doom, or if Temple of Doom was merely referencing another film/serial with a big bridge collapse fight sequence).

It's also funny how whenever you watch an old martial arts movie, you're likely to find something that certainly - or potentially - influenced some scene or small moment in Kill Bill. I do love that duology, and it probably got me interested in eventually checking out more martial arts cinema when I first watched it, but it is remarkable how much Tarantino stole/borrowed from this wonderful genre when it was at its peak (the 1970s, essentially; let's face it).

Although the main plot is the standard "young inexperienced student trains under master to defeat evil overlord" story, the fact that both heroic kung fu masters are female adds a welcome turn of events. The fact that they are also engaged in a love triangle also adds another dimension to the plot. Both Cheng Pei-pei and Shih Szu look fabulous in this film and it marks an interesting point in both their careers.

At this point, Cheng Pei-pei had been a major star for the Shaw Brothers for a few years. Enter Shih Szu, only 16 when this film was made. The theme of "young student taking over where master leaves off" is very appropriate for this film as Shih Szu became the Shaw's newest female star.