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IMDbPro

A Última Fuga

Título original: The Last Run
  • 1971
  • GP
  • 1 h 35 min
AVALIAÇÃO DA IMDb
6,6/10
2,8 mil
SUA AVALIAÇÃO
A Última Fuga (1971)
Car ActionActionCrimeDramaThriller

Um piloto de fuga sai da aposentadoria para fazer uma última corrida - uma que pode levá-lo a uma morte prematura.Um piloto de fuga sai da aposentadoria para fazer uma última corrida - uma que pode levá-lo a uma morte prematura.Um piloto de fuga sai da aposentadoria para fazer uma última corrida - uma que pode levá-lo a uma morte prematura.

  • Direção
    • Richard Fleischer
    • John Huston
  • Roteirista
    • Alan Sharp
  • Artistas
    • George C. Scott
    • Tony Musante
    • Trish Van Devere
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,6/10
    2,8 mil
    SUA AVALIAÇÃO
    • Direção
      • Richard Fleischer
      • John Huston
    • Roteirista
      • Alan Sharp
    • Artistas
      • George C. Scott
      • Tony Musante
      • Trish Van Devere
    • 48Avaliações de usuários
    • 31Avaliações da crítica
  • Veja as informações de produção no IMDbPro
  • Veja as informações de produção no IMDbPro
  • Fotos53

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    Elenco principal10

    Editar
    George C. Scott
    George C. Scott
    • Harry Garmes
    Tony Musante
    Tony Musante
    • Paul Rickard
    Trish Van Devere
    Trish Van Devere
    • Claudie Scherrer
    Colleen Dewhurst
    Colleen Dewhurst
    • Monique
    Aldo Sambrell
    Aldo Sambrell
    • Miguel
    • (as Aldo Sanbrell)
    Antonio Tarruella
    • Motorcycle Policeman
    Robert Coleby
    Robert Coleby
    • Hitch Hiker
    Pat Zurica
    Pat Zurica
    • 1st Man
    • (as Patrick J. Zurica)
    Rocky Taylor
    Rocky Taylor
    • 2nd Man
    Robert Rietty
    Robert Rietty
    • Miguel
    • (narração)
    • (não creditado)
    • Direção
      • Richard Fleischer
      • John Huston
    • Roteirista
      • Alan Sharp
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários48

    6,62.8K
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    Avaliações em destaque

    7unclecessna

    Atmospheric and Solid throwback to Bogart's Crime World

    This film almost should have been in black and white! Very solid throwback to the gritty film-noir gangster films of the 40's. The ever brilliant George C. Scott tackle's the Bogartesque protagonist with style - a retired gangland getaway-driver lured out of retirement by personal reasons for one 'Last Run' in Spain in which he has to transport a escaped killer and his moll across the border to France.

    Of course nothing ever goes quite as planned and Scott soon find's his assignment calling for him to make some tough choices in the face of mounting odd's and hidden dangers. This film benefits from it's strong cast, fantastic camera-work by the great Sven Nykvist(Bergmann films), great location scenery in Spain and an economical screenplay from the talented Alan Sharp(Night Moves). Underrated director Richard Fleischer gives the film a great Hemingway type atmosphere and does a good job with the action scenes. Interestingly John Huston started this film and left after three weeks into the production following rows with Scott, Sharp and the producers over wanting to have the script re-written by his eighteen year old son! Overall this is a good solid thriller that works and is waiting to be rediscovered.
    8udar55

    Time is not on his side

    Syndicate wheelman Harry Garmes (George C. Scott) comes out of a nine year retirement to do one last job that involves ferrying escaped con Paul (Tony Musante) and his girl Claudie (Trish Van Devere) over the French border. Naturally, things do go as planned as their rendezvous is a set-up to kill the duo and Harry takes action. If you like the misanthropy on display in other early 70s Scott flicks like RAGE (1972) and THE NEW CENTURIONS (1972), than this is for you. This is a great little action flick that is really working on two levels, kinda like the same year's VANISHING POINT (what a great time for fans of esoteric action!). Garmes laments about the enemy of time and the car he so meticulously takes care of becomes a symbol of the man himself as it slowly starts to wear down over this tough journey. Apparently Scott feuded so much with original helmer John Huston that he quit and was replaced by Richard Fleisher. Fleisher uses the beautiful mountain roads of Spain to stage some great car chases, all set to a fantastic score by Jerry Goldsmith.
    steppling

    the existential crime/road movie

    A really excellent film, written by the wonderful and neglected Alan Sharp (see Night Moves). Scott is great and in an era of endless explosions and car chases, this is a welcome, intelligent relief.

    Richard Fleisher did several good early noir films before his late career as a hack TV director. Also, this background reminds one of Frears film The Hit. (or is it The Last Hit?)...anyway,the writing is first rate, as always with Sharp and the characters quite memorable. Why is it so overlooked? This is the kind of genre piece that simply doesn't get made anymore. All performances are solid --- and I also have to wonder at the career of Richard Fleisher. From something as good as this, to his late work will remain a filmic enigma.
    7Cueball_Col

    The Scott Show

    I caught this George C Scott vehicle on TCM last night and thought I'd venture forth with a few thoughts about it. The title pretty much covers the the central plot here, you've got George C Scott as an ex-getaway drive who has spent the last nine years trying his hand at retirement in a Portugese fishing village. The first 15 minutes of the film are very economic in the way they set up what is to come and lay out all the necessary background information on this character without it coming over as clunky exposition. His house betrays a life spent not always in solitude, and a visit to a grave tells of a previous tragedy. A post coital conversation with a local hooker allows Scott to demonstrate his intelligence, charm and dissatisfaction with his current lot that has led him to accept this 'one last job'.

    The job in question is to ferry to France an escaped convict (Tony Musante) and his girlfriend (Trish Van Devere, later to become Mrs Scott in real life). Cinematic convention tells us that we're not going to be in for a smooth ride. Prior to leaving for the job Scott's character all but tells us that he doesn't expect to come back and wouldn't be altogether fussed if that were the case. It's the last hurrah of a forgotten man, the battle cry of a warrior finding his voice again. Apart from some well shot and staged chase sequences that show the skill of our protagonist, Scott is the main reason to be watching this (see the first look of joy on his face in the entire film as he gets back to doing what he does best). He's a man of integrity and pride but also the ultimate weakness of compassion and love that at once reignites his passion for life whilst putting it in danger.

    I wouldn't be altogether surprised if the makers of The Transporter expressed a fondness for this film, as it certainly shares certain baser elements with the later Statham-starrer, but is certainly less one dimensional. As far as performances go this is the Scott show and his supporting act is unfortunately rather less than stellar. I'd recommend it, especially for Scott fans and those that enjoy a good car chase that doesn't feel the need to flip upside down underneath a crane. 7/10
    Oskado

    A splendid film for those with a taste for existentialism

    Other viewers' comments, both negative and positive, have aptly classified this film's genre. Those with inclination toward existentialist thought (e.g., why are we here and what are the best options before embracing the void?) generally like it. I think the film great and wish it were available on DVD. Others find it vapid. Yet I think the theme similar to that found in Blade Runner or Pierrot le Fou - though different from, say, Kafka's Metamophosis, or The Trial, or from Camus' The Stranger, etc., in that this film's protagonist undergoes emotional development - along with another character who fears her fate and sees no other path to follow.

    Our protagonist's past life as an underworld character is significant not in the cops-and-robbers sense, but rather as an earmark of his "loner" personality - like Camus' Stranger. He's a retired individualist - like Blade Runner's Deckard - who after a career on the "outside" is sucked against his will into a melee of action and intrigue. All he'd longed for was to finish out his days in peace - in Portugal - though one can wonder if his automotive hobby (his surrogate child) and petty daily ritual could really have sustained him - yet such is the trap some see themselves born into; perhaps an earlier, unexpected coup de grace isn't to be under-appreciated.

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      George C. Scott stars with two wives from three marriages. At the time the movie was filmed, he was near the end of his second marriage to Colleen Dewhurst. He married Trish Van Devere the next year.
    • Erros de gravação
      Tony Musante's hair goes from short to long several times during the film. This is because he keeps taking off the curly wig he is supposed to be wearing as a disguise.
    • Citações

      Paul Rickard: I never called anything a her in my life. It, a car is an it.

      Harry Garmes: With you, Rickard, everything is an it.

    • Conexões
      Featured in Portrait of an Actor (1971)
    • Trilhas sonoras
      The Last Run
      Written by Jerry Goldsmith, Mack David and Mike Curb

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    Perguntas frequentes14

    • How long is The Last Run?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 24 de setembro de 1971 (Japão)
    • País de origem
      • Estados Unidos da América
    • Idiomas
      • Inglês
      • Português
      • Espanhol
    • Também conhecido como
      • The Last Run
    • Locações de filme
      • Marbella, Málaga, Andalucía, Espanha
    • Empresa de produção
      • Metro-Goldwyn-Mayer (MGM)
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • US$ 2.030.000 (estimativa)
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      1 hora 35 minutos
    • Mixagem de som
      • Mono
    • Proporção
      • 2.35 : 1

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