The Homecoming: A Christmas Story

I have good memories of seeing this on TV many years ago, and I'm happy to read reports of a DVD. I believe this to be the pilot for The Waltons, either by design or by accident. This is a more realistic portrayal of the Great Depression that is usually shown. It was cleaned up considerably when the TV series was produced. Patricia Neal's character is a woman who knows hardship. Her face registers much pain, and even though she was/is a beautiful woman, that careworn look shows through. Her husband (wonderful Andrew Duggan who only shows up at the very end) is away looking for work, which was fairly typical of the 1930's. And she has too many kids, and they're all living with grandma & grandpa. They will have to accept charity from clueless missionary ladies at Christmas. These people are POOR! Nice to see Edgar Bergen in a rare, late career, character role as Grandpa (not Will Geer). All of the writing shows more edge than the series, even carrying over to the children. I guess that TV children can't get mixed up with moonshiners. It is, perhaps, unfair to compare this to the television series. They clearly are two different animals. Think M*A*S*H, and you'll know what I mean. This should be an annual holiday movie.

I was only six years old when I first saw "The Homecoming: A Christmas Story" in December 1971. This is a heartwarming Christmas story of a family waiting for the arrival of their patriarch, John Walton, during the early years of the Great Depression.

The values upon which this nation was built are alive and well in this movie and the highly successful CBS series that followed. While the Waltons are not financially wealthy, they have an abundance of love in their home and community.

Richard Thomas' character "John-Boy" is perhaps one of the best known characters in television history. Patricia Neal is excellent as the loving yet strict disciplinarian mother, Olivia Walton. Judy Norton's portrayal of teenager "Mary Ellen" is quite believable; one moment she seems mature and on the verge of womanhood, and the next moment she is whining and bickering with her siblings (typical teen). Ellen Corby is an excellent supporting actress in her role as Grandma.

In my view, "The Homecoming: A Christmas Story" is one of the best Christmas movies of all time because it is not about Santa, a snowman, nor an abundance of gifts. On the contrary, the Waltons Christmas movie is about family, love, discipline, friendship, responsibility, and the birth of our savior, Jesus Christ, the reason for the season.

I've had this movie in my Christmas movie VHS/DVD collection since the early 1990s. "The Homecoming: A Christmas Story" is in the same category as "It's a Wonderful Life", and I highly recommend this film.

The pilot episode of The Waltons can be considered a major classic, up there with all the biggies - It's a Wonderful Life, Miracle on 34th Street, Christmas Story, White Christmas, and perhaps Die Hard. Funny to see different cast members not from the TV series. Great family film for the holidays!

"The Homecoming" is steeped more in nostalgia and familial love and faith rather than empty sentiment. It also contains a very strong Christian message, which stems from the beliefs of its characters, not out of some ham-handed political agenda on the part of its producers.

It's essential for the children to see that there are people like Charlie Sneed (The Robin Hood Bandit) or the Missionary Lady in the world; people who in some way corrupt the meaning of Christmas, in order to realize the blessings they have. Hawthorne, the minister, is flawed, too, of course; he's not exactly doing the Lord's work by making whiskey runs for the old lady bootleggers. But, as he says, you can't feed your kids on faith.

Patricia Neal is the real treasure in this story. She was only 45; a reasonable age for a woman whose 7 children's ages span ten years. In 1965, when she was 39, Neal suffered a near-fatal stroke which left her temporarily paralyzed. She had to learn to talk over again. She had made a screen comeback in 1968 in "The Subject Was Roses," but this film was her *real* homecoming.

This depiction of Hamner's nostalgic story glows thanks to veteran actors and careful evocation of the Depression era in the hills of Virginia. Avoiding excessive sweetness it recalls the struggle of a "common" Amercan family of the period. Patricia Neal, though she may seem somewhat too old for the part, rewards with a gripping performance as always. The ending may seem rather pat but along the way there are many delights. It would be a cold heart indeed that would not warm at least a little to this story.