Quase, Quase uma Máfia

Baccala is the rich, powerful mob boss of Brooklyn. His subordinate Kid Sally Palumbo (Jerry Orbach) hates getting cut out of the money and being disrespected. Baccala assigns him to supervise a six day bicycle race which is important for the Italian community. Mario Trantino (Robert De Niro) is one of the racers from the old country. He is coupled with Kid Sally's sister Angela.

This is an odd mix of very broad comedy, and an indie mobster movie. I wouldn't mind the indie mobster movie. The very broad comedy almost never works. The story telling is messy and there's a lion. I would cut out the bicycle thing. De Niro should simply be a young hustler from the old country. It is interesting to see him before he joined Scorsese and the early 70's NYC style. It does need to cut the attempted comedy and clarify the script.

My parents' taste in films they took me to as a kid was quite questionable. Yes, at age 4 I went with them to see "Rosemary's Baby". At 6, "Start the Revolution Without Me". And, at age 7, "The Gang That Couldn't Shoot Straight" and Woody Allen's "Bananas". No wonder I am a weirdo today.

I decided tonight to watch "The Gang That Couldn't Shoot Straight" as I can only recall tiny bits and pieces of the film...such as the mobster's wife starting his car each morning. After all, my parents loved the movie....and I have no idea if they were right or wrong about this one.

The first thing that struck me when I began watching was the very interesting cast. With the likes of Robert De Niro, Jerry Orbach, Jo Van Fleet, Lionel Stander and, of all people, Hervé Villechaize (who is badly dubbed) it certainly isn't a typical movie!

So is this story of two rival mobs fighting each other any good? At times, yes...as watching the idiot gangsters killing themselves when they try to make hits is kind of funny...like in "The Ladykillers". And, while the film isn't the rollicking comedy that they intended it to be, there was enough enjoyable about it to make it a worthwhile time-passer.

"Comedy" about two warring Mafia gangs in Brooklyn.

Purportedly the original book is hilarious and this movie has a great cast--but something went wrong. The jokes aren't very funny and the cast just seems to be unable to put across the punchlines. Flat direction doesn't help either.

I'm only giving it a 3 for Leigh-Taylor Young and Robert DeNiro (who are both very good and play a very appealing couple) and Jo Van Fleet who has the movie's only funny lines in a very broad, over the top, amusing manner.

But, all in all, this really isn't worth seeing.

I don't read much in the way of fiction, but one of the exceptions was Jimmy Breslin's wry novel The Gang That Couldn't Shoot Straight. It was based in part on Joey Gallo's buccaneering crew in South Brooklyn challenging the big Mafia bosses. It didn't Breslin any fans, but Gallo would soon be in no position to exact any vengeance.

The film has some good moments, but overall it should have been a lot better. Jerry Orbach is the Gallo character who thinks he and his crew hasn't been getting enough of a split from the big capo Bacala played by Lionel Stander.

In the meantime a young Italian bicycle rider just come to this country gets caught up in the war mainly because he's interested in Orbach's sister Leigh Taylor-Young. The bicycle rider is Robert DeNiro who would really make his mark in these kind of films.

Two blacklisted people of note are prominent in The Gang That Couldn't Shoot Straight. Lionel Stander who had up to the mid 60s been doing films in Europe and screenwriter Waldo Salt.

Two performances really stand out. One is Jo Van Fleet as Big Momma who is Orbach's and Young's mom. I'd worry about getting on the bad side of that woman. The second is crusading for the camera District Attorney Philip Sterling. I've seen so many politicians like him.

A lot of the subtleties from Jimmy Breslin's work are missing here. Nice Brooklyn location shooting helps. It's good entertainment, but it isn't the classic it should have been.

This movie is a complete misfire, and a very talented cast (Jerry Orbacj, Lionel Stadler, George Loros, Joe Santos) is wasted thanks to a bad script and very sloppy direction. Comedy sequences fall flat; some scenes are so incomplete you can only guess they failed to get some shots; Herve Villacheve's dubbing is almost painful to watch.

The only reason to see this today would be if you are studying Robert DeNiro's acting career and want to see him in some early roles. He's actually quite good as an Italian biker come to New York who gets involved in a gang war. But he's not enough to save the movie, at least not for me.