Mania de Grandeza

You don't need to be a Francophone to enjoy this one...but it helps. The film, which has stood the test of time, remains one of the best satirical comedies about power and the idiots who crave it. If you pay close attention to the dialogue (or subtitles), you'll discover dozens of witty lines that are still pertinent today. The film is set in 16th century Spain, but it could have been set in any contemporary society. Do you want to make fun of government? Watch this!

This movie is something my mother and her brothers have talked about since I can remember myself. It was showed on TV here in Iceland some 30 years ago and after few minutes when they realized how funny it was, they threw a videotape in to own it. Couple of years later the Adventures of Jacob the Rabbin was also showed and of course they made sure to own that one too. Since then they've been on the lookout for French comedies. I finally saw this movie 2 weeks ago.

I don't speak French (besides "oui", "mademoiselle" and "monsieur") but just looking at Louis de Funès and Yves Montand talking and acting is hilarious! The plot is more than in many comedies today, it's timeless in a way, you only need to have eyes or ears to enjoy this film! The second time I saw this film I was laughing before the scenes had happened.

Truly a masterpiece. I'm beginning to adore French movies, I think.

I've seen many comedies with Luis De Funes and have been his fan as long as I can remember. His participation in a movie promises good time, plenty of physical comedy, funny mess of grandiose proportions and up roaring laughs. He was "The man with the forty faces per minute", the little volcano or small but powerful dynamo machine whose energy could supply electricity to a town of the average size , whose hilarious hyperactivity, perfect for a comic ever-changing face, and the ego of gigantic size in such miniature frame always produced a highly comic effect. All his trademarks are in full display in the updated version of the tragedy by Victor Hugo Ruy Blas, La folie des grandeurs (1971) or Delusions of Grandeur. Ruy Blas has been adapted to the screen several times including 1948 film with Jean Mairet and 2002 version with Gerard Depardieu. Oury's film formally follows the Hugo's story but with De Funes in the cast, you would not expect it to be a serious political drama, and you will be absolutely right. The film takes place in 17th century Spain and centers around a practical joke played on the queen of Spain by Don Salluste de Bazan, the rich, greedy and backstabbing tax collector for revenge. Don Salluste disguises his servant Blaze (Ives Montand) as a nobleman and takes him to the king's court. Attractive, funny, and suave, Blaze saves the king from the bomb, becomes popular, is appointed a tax collector instead of Salluste, and conquers the queen's heart. Don Salluste returns to take his revenge by notifying the king with the anonymous letter about queen's infidelity. The final act that brings together Salluste, Blaze, Salluste's nephew Don Cesar de Bazan whom his loving uncle sold as a slave to the Sahara barbarians, the furious jealous king, the queen who is in love with Blaze and her Cerberus like dueña, old virgin Donna Juana (very funny Alice Sapritch) who is also passionately in love with Blaze is non-stopping laugh that left me in stitches. La folie des grandeurs, directed by Gérard Oury, adapted by Oury's daughter Danièle Thomson, and starring Louis de Funès (Don Salluste) and Yves Montand (Blaze) is based on the serious drama but it is so deliciously silly, dizzyingly fast, absurd, and hilarious that you would laugh even when you know how silly it is. Ives Montand replaced Bourvil who was initially meant to play Blaze, and who had a great chemistry with De Funes on the screen nicely balancing latter's super activity and aggressiveness with his gentle naiveté and kindness. But as Bourvil died in 1970, Yves Montand ultimately got the role and proved to be quite good in a comedy even though the viewers were used to see him playing the cool and cynic characters in the thrillers and dramas.

As always with De Funes, he practically owns the movie. While watching " La folie des grandeurs" for the first time last night I could not help laughing hard and loud even knowing how silly and over the top the movie was but laughing even more because of it. This morning, I began laughing again just recalling De Funes' face and him losing his voice and making some impossible quacking and squeaking noises when caught by surprise in the most hilarious scene of the film. "La folie des grandeurs hold the record as the most successful French film of 1971, the fact that does not surprise me at all.

French comedy has a fine tradition of frantic physical performance, and Louis de Funes represents the epitome of this art. Backed up by a strong supporting cast, this film contains some delightfully absurd and inventive physical humour, with timing that shames many contemporary comedy actors. The gags are natural and spontaneous, the musketeer-era sets and costumes are fine, and the final resolution is both satisfying and unpredictable.

This is such an effortless film to watch, it would be easy to dismiss it as lightweight. This film is pure gold however, and the skill of Funes and Montand is undeniable. If the more recent 'Les Visiteurs' appealed to you, this film will be well worth seeking out.

As all other comments have pointed out, this is a real delight, thanks to top acting and directing talent, great dialogs, clever parody of Morricone and spaghetti westerns... I know the film by heart, as it has been on french TV at least once a year since it was made: 30 years ago! I'd really be interested in knowing what kind of entertainment value people from the USA, people who are neither living near France nor in a french speaking environment, find in this movie. Because it seems so very specifically french to me...

And I noticed that more or less every comment here comes from someone who's got either a language or some other European strings attached helping them getting the movie's humor.

Louis de Funès is a cult figure in France, he is an artist apart from everyone else. I love him, and I would be so curious to know what effect he, as well as that french comedy style, have on someone who doesn't have my cultural background...

Anyway, to anyone who has the opportunity to see this film, it's quite a curiosity, unique in its own way!