Mania de Grandeza

French comedy has a fine tradition of frantic physical performance, and Louis de Funes represents the epitome of this art. Backed up by a strong supporting cast, this film contains some delightfully absurd and inventive physical humour, with timing that shames many contemporary comedy actors. The gags are natural and spontaneous, the musketeer-era sets and costumes are fine, and the final resolution is both satisfying and unpredictable.

This is such an effortless film to watch, it would be easy to dismiss it as lightweight. This film is pure gold however, and the skill of Funes and Montand is undeniable. If the more recent 'Les Visiteurs' appealed to you, this film will be well worth seeking out.

A great performance from France's Charlie Chaplin - Luis de Funes. This movie is about a money-loving ruthless tax collector in the renaissance Spain, who loses his job and is determined to get it back. One of de Funes' best acts, and a very good job by Yves Montand as his servant. If you don't die laughing while watching this film you may safely assume that you don't have a sense of humor.

Another one of those 4 euro VHS specials from the dusty bin, but one I was looking forward to seeing. I thought it was pleasantly passable and will watch it again. Highlights: Defunes is funny as always, squeaking and quacking like a broken duck call. To quote from one of the earlier films "Il m'epate!" he's astonishing in being able to deliver so much physical comedy. Bouncing around like a beach ball, puffed up like a banty rooster, barely able to keep his giant ego intact while being chased by peasants with pitchforks or trying to escape a bedroom peccadillo. And I love his mugging - especially the greedy glitter in his squinty eyes.

Yves Montand is surprisingly funny. The final scene where he and Defunes are stuck on the windlass as human donkeys in some nameless North African desert is hilarious. But all in all I think Bourvil did this kind of role better. Montand is suave and dumb, while Bourvil is dumb yet impossibly suave, and has a touch of human kindness. I do like Montand as Papet in the Florette films, and even more so with a cigarette hanging from his lips in Wages of Fear. I like him here, too, but he does suave and sinister best.

All in all, entertaining. But I'll watch the Corniaud several times before I watch this again.

You don't need to be a Francophone to enjoy this one...but it helps. The film, which has stood the test of time, remains one of the best satirical comedies about power and the idiots who crave it. If you pay close attention to the dialogue (or subtitles), you'll discover dozens of witty lines that are still pertinent today. The film is set in 16th century Spain, but it could have been set in any contemporary society. Do you want to make fun of government? Watch this!

As all other comments have pointed out, this is a real delight, thanks to top acting and directing talent, great dialogs, clever parody of Morricone and spaghetti westerns... I know the film by heart, as it has been on french TV at least once a year since it was made: 30 years ago! I'd really be interested in knowing what kind of entertainment value people from the USA, people who are neither living near France nor in a french speaking environment, find in this movie. Because it seems so very specifically french to me...

And I noticed that more or less every comment here comes from someone who's got either a language or some other European strings attached helping them getting the movie's humor.

Louis de Funès is a cult figure in France, he is an artist apart from everyone else. I love him, and I would be so curious to know what effect he, as well as that french comedy style, have on someone who doesn't have my cultural background...

Anyway, to anyone who has the opportunity to see this film, it's quite a curiosity, unique in its own way!