Fuga do Planeta dos Macacos

I've always had mixed feelings about ESCAPE FROM THE PLANET OF THE APES. As a kid forty-five years ago, I saw all five original films on television and I loved them all. ESCAPE I enjoyed because I had a huge little boy crush on Kim Hunter, and I thought Dr. Zira was so brave, funny, and even sexy. On the other hand, this is the one movie in the series with no battle scenes, no gorillas on horseback, and no epic excitement or adventure. So on that level I'm sorry to say this was my least favorite Apes film . . . Forty five years ago.

So the other day I got all five films on Blu Ray for about 15 dollars. And when I watched ESCAPE as a 55 year old I was very impressed. It's not really a kid's adventure film, or even a science fiction spectacle. This movie is a tragedy, in the most profound sense of the word. In spirit it's much closer to CHINATOWN than the original PLANET OF THE APES.

Everyone remembers Zira and Cornelius as a cute, fun couple. That's how I remembered them too. But when you actually watch the film you see that they are really tragic heroes. When they flee the hospital with their baby there are Biblical overtones. (The President actually compares himself to Herod!) But what's still more disturbing is the way Zira herself owns up to the savage things that went on in her own laboratory in the future world. Her self-knowledge is a grim component of her eventual tragic fate. Her insistence on truth only makes her more admirable after she reveals some truly terrible secrets.

It's a waste of time to point out that Kim Hunter and Roddy McDowell both give career best performances as Zira and Cornelius. But what astonished me after forty-five years was the incredible intensity of Eric Braeden as Dr. Otto Hasslein. (He was just as spectacular as the doomed werewolf in a classic episode of KOLCHAK: THE NIGHT STALKER.) Dr. Hasslein is clearly meant to remind us of Nazi scientists and doctors who did unspeakable things in World War II. But at the same time he's like the tormented Christian heroes in THE OMEN movies, searching for the Anti Christ before the earth runs out of time. Each chilling thing he does is made more chilling by the fact that he's sincere in trying to stop what he thinks of as real evil. On the other hand, William Windom is surprisingly affable and humane as the President of the United States. STAR TREK fans will remember his epic meltdown in "The Doomsday Machine," but here he plays the voice of reason, a decent man who refuses to become hysterical in the face of mankind's doom.

Superb script, intense, haunting drama, beautiful tragic characters . . . All that's missing is the action, excitement, and gorillas on horseback!

No, this film is not as awe-inspiring as the original but it still maintains the viewer's interest despite the scaled down approach which was due to budget constraints. For much of the film the there is a humorous tone. Good performances were turned in by familiar faces (Braeden, Montalban, Mineo). The story, despite some holes, was quite riveting. I'm looking forward to the fourth installment. The sense of adventure and exploration (this time by the apes) and the continued presentation of parallels between this fictional world and our world still make for worthwhile viewing. 7/10.

Despite a conclusion showing the planet's destruction, 20th Century Fox requested another sequel, turning the films into a franchise.

Arthur P. Jacobs recruited Paul Dehn to a new script with a brief telegram: "Apes exist. Sequel required." Dehn immediately started work on what became the third film titled Escape from the Planet of the Apes. The film would once again change directors, Don Taylor was hired to direct and had a greatly diminished budget of $2.5 million dollars, which required a tight production schedule.

In the film, Zira and Cornelius are initially accepted by American society, but human fears that their child will bring about the destruction they predict to lead to their dates.

Compared to it's predecessors, Escape dwelt more heavily on themes of racial conflict, which became a primary focus through the rest of the series. The film opened on May 21, 1971, less than a year after the previous film and was well received by critics. It also performed really well at the box office, though not as strongly as the first two. Fox ordered a third sequel.

The story is just great, especially after the second film's poor story and the writer did a great job with creating this sequel's story. The direction and action is just amazing and cool. The film is really quick and amazing, but I just ran along with it.

The acting is just amazing in this one and the actors are just amazing. Kim Hunter and Roddy McDowall are good in there roles. Natalie Trundy is really good and is fantastic in her role. Bradford Dillman, Ricardo Montalban and Eric Braeden are really good in their new roles and they are fantastic and amazing.

Overall, ESCAPE FROM THE PLANET of the APES is really amazing and fantastic and it is one movie that definitely makes up for the previous film.

8/10.

In a brilliant solution for continuing the storyline after the ending of BENEATH THE PLANET OF THE APES, three intelligent chimpanzees from Earth's future take off in Charlton Heston's salvaged spacecraft just prior to Earth's destruction; they wind up hurled backward in time to 1973 California and - in an interesting twist on the original theme - now find themselves the strange visitors in a strange world ruled by bombastic human beings.

Lovable simians Zira and Cornelius (expertly played by Kim Hunter and Roddy McDowall) lose their friend Dr. Milo (Sal Mineo!) early on in a tragic accident, and find themselves in a strange situation when mankind first welcomes them as celebrities and garnishes them with gifts, but ultimately begins to fear when it is learned that Zira is pregnant with an ape offspring that could grow to overtake humanity.

We really grow to sympathize with the plight of the chimpanzee couple, and we fear along with them and the safety of their child when they become hunted fugitives later in the story. Eric Braeden is very good as the quintessential villain out to kill the ape family at any cost.

Some people enjoy picking on the APES sequels as they continued, but I've always felt this series consistently remained very intelligent and had something powerful to say about race relations and prejudice. People want to know how apes could ever manage to send Taylor's ship into orbit; I say that if you can suspend disbelief long enough to accept the notion of intelligent apes, then it shouldn't be that far a reach to accept that Dr. Milo was the genius of his time who just could pull it off; the Thomas Edision of his type, if you will.

The timeline in the five apes films is often admittedly contradictory, but there are ways that fans of the Apes movies have been able to make them work. For example, in this film Cornelius seems to talk about Ape History and Evolution in a way that actually doesn't follow suit during the next two installments. That's because the very arrival of Zira and Cornelius onto present-day Earth of 1973, and the subsequent birth of their baby, will accelerate the procedure from how Cornelius remembered it, as we'll see in the next two chapters. The circumstances for the future will be sped up and changed, and the apes will evolve at a much quicker rate.

Some of the other dubious complaints are aimed at the "lesser budgets," or supposed "TV Movie Look" of the sequels from this point on -- but this story in ESCAPE does not require mind-numbing special effects or hordes of CGI-rendered ape figures swarming Los Angeles to make it effective. It's got a lot of heart and good writing with characters we care about, and that's all it needs. ***1/2 out of ****

The 3rd film in the Apes series (after "Beneath..."), this one is easily the most whimsical, at least in the first half. The writers had to stretch believability in getting the two primary apes of the 1st 2 films into our present times from the future, when Earth is destroyed by a doomsday bomb, but the first few scenes are almost classic farce disguised as science fiction storytelling. We view our central characters first as 'ape-onauts' and then stuck in a zoo, followed by a brief turn at celebrity when our populace becomes enamored of the two as the latest fad. The best and most clever thing about this sequel is that it utilizes the already well-known captivating characteristics of the chimps, delightfully performed again by McDowall and Hunter. They're kind of like old friends by this time and seeing them get acquainted with our modern-day culture is just good times. It's also a neat reversal on the ape society of the first two films, which was visited by aberrant intelligent humans.

Things turn grim in the 2nd half, as the fad wears off and our leadership begins to take the threat of possible future ape domination rather seriously. The most interesting character becomes the chief human scientist, played by Braeden, who starts out typically dispassionate but soon reveals an intense personal desire to preserve the human race and society, to the point of fanaticism. In his coldly intelligent eyes, only he sees the truly apocalyptic threat presented by the chimps' pregnancy. He's the nominal villain, but he sees himself as the only one who gives a damn. Some of the sf plot lines regarding time travel are very clever, while others are a bit clumsy. It's clever that the two evolved time-traveling chimps may now be the cause of the future time-line ruled by an ape society. But they reveal to have a knowledge of their history that did not exist in the previous two films. Also, rather than letting events evolve over a century or more following what happens here, the next film accelerates everything to change the world in the next 20 years - see "Conquest of the Planet of the Apes."