Equinox

Come on, people! This was a zero-budget student film, for God's sake! You can't assess this movie like you would the latest big-budget studio blockbuster. This was an earnest effort of some FX-crazed kids, who did their damnedest to get some cool stop-motion monster sequences on film as a showcase of their talents. Dennis Muren went on to STAR WARS fame and many Oscars, and the late lamented David Allen enlivened many a crappy Charles Band flick (that's actually a redundancy) with superb effects that always belied the pitiful budget he was given to work with. All I know is, my younger brother and I, both stop-motion fans, saw the trailer for EQUINOX at some long-ago Saturday matinée and KNEW we had to see this film. And when we finally did we thought it was COOL! I'd rather see a continuity-challenged, amateur FX effort like this than any multimillion-dollar CG crapfest like VAN HELSING any day of the week!

It's a fun spooky movie with a different look and without the usual nighttime menace. It's also an independent production that managed some notoriety, mainly for surprisingly impressive special effects. Actually, Equinox was sort of the Blair Witch Project of its day—a bunch of unknowns hitting it lucky with a shoestring effort. If memory serves, the film even had a run at one of the prestige theatres along Hollywood Blvd. The effects are not so impressive by today's digital standards; however, by 1970's norms, they were the unexpected equal of any A-production.

The story itself is pretty well structured in flashback with an effective "hook" to get viewers interested. The plot doesn't make a whole lot of sense, but then it doesn't have to, since we've got King Kong's albino brother, a castle that comes and goes, a lost book of the occult, and a shape-shifting forest ranger who's definitely not Smoky the Bear. Most of the scenes are well staged, except when the ranger gets in the girl's face, contorts his lips, and slobbers, in what I suppose was a wacky metaphor for supernatural sex. Sharp-eyed viewers may recognize Frank Bonner (Boers) from TV's WKRP in Cincinnati as Jim. He's easily the most accomplished of an uneven cast.

In fact there's an appearance of a time warp between the clothing fashions worn in the movie and the 1970 release date. In short, the hair styles and skinny pants of the movie are a long pre-Vietnam way from the bell-bottoms and long hair of counter-cultural 1970. I don't know what accounts for this apparent disparity unless release was held up for several years. Anyway, except for the rather hollow sound of the dialogue dubbing, this accomplished little indie remains an underground original.

Bad, good, it doesn't matter. This is one of the great film labors of love. Rent the criterion edition and do as I did. Listen to the commentary over the Muren cut of the film. Then Switch to the Jack Harris, Jack Woods commentary over their cut. I was under the false impression as I watched the kids cut that Woods did not add much when he made his cut. Watching Woods cut you see how much effort went into shaping the final theatrical cut. It's amazing that the actors, unpaid for 2 years, already constantly returning to remote sets to incrementally add to to the shot count, would ALL reassemble for the extra shots that Woods would want to add. Listening to Muren, Danforth and McGee knock their own acting and talent is a real crack up. Everyone involved obviously loved the doing of this film. I am still impressed by the high quality of illusion achieved, especially the forced perspective work and the matte painting by Danforth.

"Equinox" is a low-budget and wholly independent precursor of Sam Raimi's "The Evil Dead" about a group of teenagers,who accidentally unleash supernatural forces after reading passages from a mysterious book Necronomicon found in the woods.The main difference between "Equinox" and "The Evil Dead" is that the latter is drenched with gore and violence,whilst"Equinox" plays more like 50's creature feature combined with cheesy stop-motion monster roaming the woods.I must say that the stop motion monster effects are pretty impressive as are the split screen effects.The acting is amateurish and the writing leaves a lot to be desired.Who would of ever guessed that Park Ranger Asmodeus would turn out to be Satan incarnate.Still strong 8 out of 10.

Four friends, David, Vicki, Jim and Susan, head out into the woods to visit David's professor, Dr. Waterman. They find Waterman'home destroyed, the professor missing, and a mysterious book. It soon becomes apparent that in meddling with the book, Waterman accidentally opened a portal to another, hellish dimension, and now the demon Asmodeus (posing as a park ranger) wants to acquire the powerful book. The four friends must fight against a variety of ghoulish monsters sent after them by Asmodeus, and eventually Asmodeus himself, in order to make it back to civilization alive.

Often considered one of the best-worst movies of all time, Equinox was a student film made by a young Dennis Muren which producer Jack Woods picked up for cinematic distribution, casting himself as Asmodeus and shooting some new scenes. On the one hand, this seems like a strange movie for Criterion to release, especially in a two-disc set, however despite its ineptitude it features some charming stop-motion animation for the various monsters (and some impressive forced-perspective shots to turn an ordinary stuntman into a blue-skinned giant) and it's also certainly worthy of being preserved if only because Dennis Muren and his friends had such a piddly budget to work with that it' a miracle they even had a completed (albeit rough) film, even before Jack Woods came along.