Terra 2

This was sort of a cross between 2001 and Marooned. It made a very early attempt to make a scientifically accurate sci-fi series. The station was populated by people from all nations. They set up thier own government, and they led very politically correct lives. Any adult could disagree with the station's government and put the disagreement to a vote via an interactive TV. The show had some very interesting ideas about the future development of technology. Early in the show, a national election takes place by people turning on their home lights, and an spaceship in orbit counts the votes. Worth seeing if you can.

Everyone is talking about how EARTH II was ahead of its time with special effects, scientific imaginings, and the like. I was, however, a little more down to earth. The people who worked up this film did not have their feet on the ground.

Here's the premise: An international project sends up a huge space station and populates it with about a hundred people from various nations. The USSR is represented but not China - because the Chinese had a bad attitude about it. Instantly the US President (Lew Ayres) tells the inmates of this space station that they are now a new and independent nation, he (evidently without the advice and consent of Congress) is recognizing it as a new nation and he's going to have the UN make it a member state. This is absurd on a number of levels include any business about the exchange of ambassadors.

Additionally, the technology pretty much does their thinking for them. In a ship-wide video discussion of a crucial problem of international relations, the ship's computers analyze each person's argument and put subtitles on the screen with disparaging labels about their contribution -- e.g. "Appeal to authority".

Apart from this, the interesting stuff (the special effects) is about a Chinese nuclear satellite that is being used to the homelands of the inmates of this space station.

So, comic book logic, impressive special effects.

The effects were handled by the same folks who gave us "Marooned" but with a superior edge in design and technical know how. 2001,s Gary Lockwood (Frank Poole of 2001} is cast as a space rescue pilot.

The space shuttles in this feature bare a striking resemblance to our current shuttle design and the space suits are straight out of the NASA play book as the producers used technical help from major sources to ad realism.

One exciting scene of a race against time shows astronauts chasing down a Chinese nuclear satellite as it re-enters earths atmosphere, this scene incorperated early video image technology to generate a shower of sparks creating a burning effect that looked 3-dimensional and will remind you of the slit scan effects used by Douglas Trumball in 2001.

Intended as a TV pilot for a possible ABC series it is not to be confused with The short lived series Earth II 1993-94 featuring Clancy Brown and Tim Curry.

I was enthralled at a network movie of the week of this quality and have seen it repeated on CBS,s Late show in the early 80,s Catch it if you can on sci-fi channel but good luck finding it on DVD or VHS. This picture is still contemporary in style and is worth a look.

One of my sci-fi/horror/fantasy reviews written 50 years ago: Directed by Tom Gries; Screenplay and Produced by Allan Balter and William Read Woodfield for MGM release, telecast by ABC-TV. Photography by Michel Hugo; Editing directed by Buddy Small and executed by Henry Berman; Music by Lalo Schifrin; Special Visual Effects by J. McMillan Johnson;Technical Advisor: R. Buckminster Fuller. Starring: Gary Lockwood, Tony Franciosa, Mariette Hartley, Scott Hylands, Gary Merrill, Hari Rhodes, Inga Swenson, Edgar Bell, Lew Ayres, Bart Burns, John Carter, Diana Webster and James Hong.

Straight sci-fi extrapolation, made with NASA cooperation, extensively uses "2001: A Space Odyssey" techniques (especially docking in space seen externally and internally with models) in telling a story of a space station/"nation" orbiting Earth and facing nuclear bomb difficulties with Red China. Direction is good but story is too straightforwardly told, with soap opera lapses, to be a current theatrical release. Slipups: in the first reel a key plot feature assumes that Red China is not in the UN. Presence of numerous guest stars and a minor episode plot indicate that this is a TV pilot.

A couple of years before Gene Roddenberry was trying to start new series with his movies "Genesis II" and "Planet Earth" (or is that "movie"?), this superior film with the oddly similar name paved the way. Alas, the road came to a dead-end, as all movies of this kind in the early '70s failed to understand that good story is better than bad sfx. This one is about a space station that has a unique social structure intended to eliminate conflict. The concept was handled in a simplistic way, but it nevertheless had a kind of wistful hopefulness about it that seemed not entirely incredible in 1971.

Like Roddenberry's films, this one fits into a short-lived era of TV sf that seemed suspended between Chesley Bonestell's airbrushed vision of the near future of space colonization, and Ralph McQuarrie's grittier, plumber's-nightmare versions that would soon follow. A bit of "2001" can be seen here and there as well (for example, when the characters walk "up" a wall).

If you liked the kind of austere models and similarly inornate acting (scripts, too) of early '70s sf, you'll like this one. The dilemma faced by the characters is familiar, as is its solution (but please overlook the glaring error involving the sun, the Earth, and the station's rotation). Still, there's a lost sense of "coming real soon now" in modern sf that this film might bring back to your memory. In 1971, it seemed we were _all_ going to fly in space and get to walk up walls. You know what happened next, but you didn't see it coming when this movie was new, so you believed it more then than you would today. See it again, if you get the chance, and ask yourself how we lost interest in going into orbit ourselves.