Laranja Mecânica

A disturbing but yet very beautiful piece of film-making, Kubrick has created the ultimate study of mind manipulation in this film. It is a protest against reform programs that take away freedom of a choice, and the message of the film in terms of paying for one's sins in all eternity is inescapable, evident to a large extent in the sardonic nature of the tale. Although set in the future, it hardly feels like it is, this being because the message of the film is overwhelmingly powerful and capable of applying to any age. The film has a number of possible hidden meanings to it – a feat equaled on scale only by Kubrick's former film '2001: A Space Odyssey'. Besides for the meaning behind the film, there are still the marks of a masterpiece. Kubrick's direction is superb alongside the good photography, capturing shadows and angles needed to establish tone. The editing is excellent too, done in a flashy, brainwashing style at times to have relevance to the film. The choice of cast is again inspirational, however the film achieves the most in terms of music. Kubrick manages to use one of the earliest forms of art, classical music, and give it an unforgettable style and importance in the film. It is truly a difficult task to explain what is so great about a film such as 'A Clockwork Orange' – it is maybe best explained by watching the film itself.

i just saw this movie about a day ago, and it completely blew me away, namely the main character, protagonist, hero? Alex. we love, hate, and or just plain utterly confused about how we feel of Alex. Alex is the greatest villain ever because he is ourselves, he is the worst of ourselves. hes the deep dark place inside you that rises to the surface eventually, and then pushed down just as fast because it terrifies you. the way Alex stares into the camera in the first scene just freaks me out, he has a little smirk on his face that seems to say you may hate me, but you'll never be rid of me, because there can never be good without the bad, and i am the bad.

Clockwork Orange, A (1971)

**** (out of 4)

Set at some point in the future, British teen Alex DeLarge (Malcolm McDowell) spends most of his time hanging with his goon friends, raping women and causing other violent harm but after he's caught he volunteers for an experimental therapy that doesn't quite work as planned. Sick, shocking, crude, violent, nauseating and vulgar are just a few of the words that many will use when describing this film but I'd call it a true piece of art that rightfully deserves its high reputation. Many people have said that a Kubrick film would never be a Kubrick film if it wasn't an ego-maniac you took his sweet time to make sure what made it to the screen was his vision and only his vision. There's something beautiful about a painter taking his time to make sure his painting has all the right colors and vibes yet if a filmmaker does this he's often criticized for it. There's no doubt in my mind that Kubrick was a mad genius and that's never more evident in this adaptation of the Anthony Burgess novel. To me the greatest thing about this movie is its sick and twisted sense of humor but also the visual look of the film. It's amazing what Kubrick can do in the matter of seconds but the masterful and now legendary opening sequence only lasts a few seconds yet it pulls you into this bizarre world of sex and murder. These two objects are never a funny thing yet Kubrick pulls us into this world where we can laugh at them and follow our "hero" Alex as he rapes one person after another, murders and fights only for us to eventually come to see him as the good guy and a victim. I'm sure one could make this film a very political one and many arguments have been raged about the meaning of the ending but everyone who watches the film will draw something different from it and I'm sure ones own opinion on what's done to our hero will have you seeing the ending in different ways. For me personally, the film has always been an incredibly dark comedy that works simply because the world we're watching might be set in the future but you could call it ahead of its time just like METROPOLIS was. It takes place in the future with the bizarre sets and weird culture yet at the same time the subject matter is so today that you can't help but feel you're in the middle of some nightmare. McDowell's performance is a truly great one as he perfectly plays both the psychotic Alex but also the victim. I thought some of McDowell's greatest work here comes once he's cured and can no longer tolerate violence. What's even better is the narration, which is downright superb and wonderfully used by the director with the actor perfectly delivering the lines and helping one get into the story. You'll also never hear "Singin' in the Rain" the same way again. Some people call the film overindulgent, which is probably is but I see this as a good thing. This just helps create this strange world and in the end it's really unlike any movie ever made and there's just something so unique in its vision that you can't help but feel this is something from the future. Kubrick's vision has never been questioned and fans could debate on which of his features has the greatest look but for my money it's this film. That's not to say this is the director's greatest film but I do think it has the great look and feel. It's certainly a very violent movie but the director gives the violence such a pleasant nature that it just seems normal and rather light. The strange music selection, crazy camera shots and overall strange tone makes it a one of a kind and that's why A CLOCKWORK ORANGE will always be a timeless work of art.

Anyone looking to watch A Clockwork Orange might be wanting to revisit some of Stanley Kubrik's work and might be interested in studying this film. Those who have already seen this film tend to already have strong opinions regarding this dark sci-fi movie but for me, I approached this film recently to obtain an opinion for myself and study one of the great masters of cinema.

The fact that this film was regarded as one of the most controversial films ever made (rightfully so) sparked genuine curiosity to give this flick a full viewing and while I have large issues with the film, the experience as a whole was both satisfying and a learning experience.

This story centers on "Alex" our main protagonist and his gang of hoodlums set in a not so distant, dystopian Great Britain. The beginning portion unfolds Alex's dark and twisted soul as we watch him and his gang fight, rape, and kill. When he's eventually caught, he undergoes controversial "treatment" to be cured of his dark soul.

I first appreciated the inmate concepts of this story and the type of questions the story attempted to raise to the audience. Furthermore, much of the psychological ideologies surrounding freedom, choice, good vs evil, and selfishness were extremely thought-provoking. It had a way of making me feel self-exploratory despite the character's complete inability to relate with (hopefully) any viewer.

Performances were top notch; especially from the lead: Malcom McDowell. His performance felt so authentic there's never a single moment that feels fake or forced with his dark character. As always, Stanley Kubrick directs the hell out of this. His commanding and authoritative shooting style is apparent in every frame of the picture and he does a wonderful job at sucking the viewer into this terrible world to the point of enthrallment.

While all these positives make for a great movie-going experience and when Kubrick is at the director's helm not much can go wrong, the film's biggest downfall is indeed its controversy. Disturbing subject matter in this piece is indeed vital to the essence of the story but taking off the gloves when it comes to fighting, rape, and killing (especially the rape) make this so incredibly disturbing that it's difficult to muscle through. I found that A Clockwork Orange was not only offense because of its disturbing content, it was personally offensive in so many ways. Frankly, these extremely rare and offensive movie experiences are not quite the reason I enjoy films in the first place; stories can still be thought-provoking while not morally offend and damage the viewer internally. In addition, a viewer looking to study the work of Stanley Kubrick can still experience some of cinema's greatest and transcendent experiences without feeling like their conscience has blackened.

It's understandable that not everyone feels this way; just as stated before, opinions about this film are all across the board. As time has passed however, A Clockwork Orange has stood out has one of Kubrick's finest and has been adored by die-hard fans so much its fan base has grown over the years.

The best advice to give is to see it for yourself. Much like all other Kubrick films, relying on anyone's opinion won't help one bit. Seeing it and deciding for yourself is the best course of action. That being said, despite it's strong artistic merit, I wouldn't recommend seeing it simply because of the morally offensive and sickening content that most don't appreciate. Overall, it's been the hardest one to review in a long time because it's not a simple: see it or don't see it. There's much more to this picture than that. If you do decide to see it though, be warned and well prepared. If not, that's probably just fine too.

Few films are as sensational or infamous as Stanley Kubrick's "A Clockwork Orange". It's impossible to sit through ACO and not have a reaction; whether it be shock, disgust or amazement. The savage tale of a brutal young droog and his subsequent "reformation" by the government is as shocking and thought-provoking as ever.

While the film's depictions of violence and sex are what it's most known for, ACO works on far deeper levels. The disturbing portrayal of youth and its satirical depiction of a government's attempts to create a better society are brilliant, but the most fascinating aspect of ACO is the questions it poses about good and evil. While the crimes Alex commits at the beginning of the film are atrocious, what the government does to him is worse. The film presents the absolute worst aspects of man, but shows that even these are still favorable to a man without the choice. People can denounce the film because of its brutal content, but the importance of the questions it poses can't be denied.

Equally excellent to the film's content is the effort by the crew. Kubrick's perfectionism pays off well, as ACO in one of his most visually striking films. Malcolm MacDowell is nothing short of amazing as Alex. Kubrick's use of surreal imagery and set pieces, as well as the ingenious use of music to compliment the on-screen action, creates a world that perfectly reflects the protagonist's behavior and the government's policies.

A Clockwork Orange is by no means an easy film to get through, as many will be turned off by the scenes of violence and rape. But this masterpiece is far more complex than a simple romp through a world of youthful violence. It's a rare example of film-making that demands that the viewer actually think. Real horrorshow all around, Oh my brothers.