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IMDbPro

A Dor e a Piedade

Título original: Le chagrin et la pitié
  • 1969
  • PG
  • 4 h 11 min
AVALIAÇÃO DA IMDb
8,1/10
4,3 mil
SUA AVALIAÇÃO
A Dor e a Piedade (1969)
Home Video Trailer from Milestone
Reproduzir trailer2:01
1 vídeo
18 fotos
DocumentárioGuerraHistória

Adicionar um enredo no seu idiomaAn in-depth exploration of the various reactions by the French people to the Vichy government's acceptance of the German invasion.An in-depth exploration of the various reactions by the French people to the Vichy government's acceptance of the German invasion.An in-depth exploration of the various reactions by the French people to the Vichy government's acceptance of the German invasion.

  • Direção
    • Marcel Ophüls
  • Roteiristas
    • André Harris
    • Marcel Ophüls
  • Artistas
    • Helmut Tausend
    • Marcel Verdier
    • Alexis Grave
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    8,1/10
    4,3 mil
    SUA AVALIAÇÃO
    • Direção
      • Marcel Ophüls
    • Roteiristas
      • André Harris
      • Marcel Ophüls
    • Artistas
      • Helmut Tausend
      • Marcel Verdier
      • Alexis Grave
    • 43Avaliações de usuários
    • 25Avaliações da crítica
  • Veja as informações de produção no IMDbPro
    • Indicado a 1 Oscar
      • 6 vitórias e 2 indicações no total

    Vídeos1

    The Sorrow and the Pity
    Trailer 2:01
    The Sorrow and the Pity

    Fotos18

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    Elenco principal66

    Editar
    Helmut Tausend
    • Self, former Wehrmacht Captain
    • (as Helmuth Tausend)
    Marcel Verdier
    • Self, pharmacist in Clermont-Ferrand
    Alexis Grave
    • Self, Yronde farmer
    Louis Grave
    • Self, Yronde farmer, Résistance Fighter
    Pierre Mendès France
    Pierre Mendès France
    • Self, Former Prime Minister Of France
    Emile Coulaudon
    • Self, Former Head of the Auvergne Maquis
    Walter Warlimont
    • Self, General, adjutant to the Wehrmacht Supreme Command
    Georg Stumme
    • Self, general in the Wehrmacht
    • (cenas de arquivo)
    • (as General Stummel)
    Tausend
    • Self
    • (as Frau Tausend)
    Anthony Eden
    Anthony Eden
    • Self, Winston Churchill's foreign Secretary 1940-1945
    Sepp Dietrich
    • Self, SS commander
    • (cenas de arquivo)
    • (as Zepp Dietrich)
    Roger Tounze
    • Self, journalist for La Montage newspaper based in Clermont-Ferrand
    Adolf Hitler
    Adolf Hitler
    • Self
    • (cenas de arquivo)
    Albert Speer
    Albert Speer
    • Self
    • (cenas de arquivo)
    Mr. Leiris
    • self, Former Mayor Of Combronde
    • (as Monsieur Leiris)
    Christian de la Mazière
    Christian de la Mazière
    • self, an aristocratic ex-fascist and Veteran of the French division of the Waffen SS
    André Harris
    • Self, interviewer
    Philippe Pétain
    Philippe Pétain
    • Self
    • (cenas de arquivo)
    • Direção
      • Marcel Ophüls
    • Roteiristas
      • André Harris
      • Marcel Ophüls
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários43

    8,14.3K
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    Avaliações em destaque

    shell4849

    Powerful, spell-binding, four hour documentary about the resistance in occupied France in World War Two

    Stunning, honest, in-depth look at the real people who formed the resistance movement against the Nazis in France during the second world war. We hear also from those who felt resistance unnecessary, and those who collaborated with Nazi Germany. Examines all the nuances that make up the very different viewpoints from those involved. The camera just looking at the wife of a former German officer as he recounts his version of events is incredibly telling, although she never says a word. The film is full of moments like this one that allow the viewer to see the truth. A must see if one wishes to understand history. Never boring, in spite of its length. A bit hard to read the white on white subtitles at times.
    trpdean

    Fine though un-systematic look at French in city during German Occupation

    This is a fine documentary. Marcel Ophuls, the interviewer and director, is never too intrusive, never too opinionated - like a Ted Koppel or Jim Lehrer, he doesn't try to censor the views of those he interviews but to ask questions to help elucidate them.

    The documentary selects a few dozen people to interview - virtually all with different roles and attitudes during the Occupation. I found particularly interesting:

    the French doctor with "7.5 children" (?) who was concerned primarily with feeding his family throughout the Occupation and was thrilled when hunting began after a two year moratorium,

    the champion bicyclist who began against great competition in 1943 because of the number of French riding bicycles due to the absence of gas to run their motorbikes or cars (and who said he didn't see many Germans around Clermont-Ferrand in Vichy France)

    the extraordinarily gentlemanly and rather shy-seeming Resistance chief who refused to cooperate with the Communists in his ferocious anti-Nazi work,

    the British transvestite singer who became a secret agent for the British in occupied France and broke up with his German soldier lover for fear of compromising him,

    Anthony Eden's extraordinary tact and intelligence,

    Pierre Mendes-France's wonderful restraint, objectivity, humor and

    absence of recrimination,

    the German father of the bride at a wedding reception whose attitude toward his (undoubtedly brave) service in the War is wholly uncolored by the fact that the country for which he fought was the aggressor, totalitarian, and vigorously persecutor of groups - (I actually suspect that if one were merely a soldier and had not personally acted dishonorably in the War, this is the attitude that most would have -whether a German or Russian soldier - despite extending one's own horrible system into the rest of Europe).

    For one, such as myself, who does believe the Communist Party, especially in those days of Stalin, to have been as great a menace to the world as the Nazi Party, the documentary's failure to ever ask the Communist officials interviewed about their beliefs about substituting one horror for another is disappointing. I could not forget as I watched the interviews of Communists, the 14.5 million recently killed by the Russians in Ukraine as the result of the terror famine imposed on that region - or the Great Terror that killed more millions and concluded just as the War began. In fact, M. Ophuls discomfits the Resistance leader who defied Orders from the Free French in London to cooperate with the Communists against the Nazis - I felt like applauding his behavior!

    I'm sure for most, the most fascinating character is M. de la Maziere, the extraordinarily candid, intelligent, disarming and charming aristocrat and former Fascist youth who, at the end of the War, volunteered to serve on the Eastern Front in the German Waffen S.S. - from which only 300 of the 5000 survived. He was quite remarkable to hear - he'd obviously spent a great deal of time thinking about what he had done, why, and although regretful, was unsparing in his description of what he knew and what he had done. However, in interviewing him in a German castle used between the Wars by the Kaiser, and in 1944 for Petain and Laval, the documentary makes it appear as if the castle somehow relates to de la Maziere - as if he owned it - when in fact Ophuls simply took him there for the interview. It's the one dishonest seeming moment in this wonderful documentary.

    I strongly recommmend that others see it - you will wonder how you would react, and think about what those in your own country would react to foreign occupation.
    ItalianGerry

    Profound sadness.

    How truly compelling is "The Sorrow and the Pity," a monumental 4 ½-hour documentary about one of the saddest realities of World War II: the almost placid collaboration of the French with their occupying German conquerors. The movie was created by Marcel Ophüls (son of the great Max Ophüls) and portrays a devastating picture of the collective compromise of morality under duress. We are brought into intimate contact with the times by way of newsreel footage and interviews with present-day survivors of all persuasions as they recall the events of the past, corroborate or contradict others or even themselves. We see the danger that comes with historical amnesia and the refusal to see that there is a potential for great evil as well as great good in all of us. This is a profound movie, and a profoundly disquieting one. It does not substitute facile attitudinizing for intelligence and integrity. It demands that we push the limits of our vision beyond the borders of the screen masking in the theatre. It would be a sorrow and a pity not to see it…and think about its implications for all of us.
    10Mrs.Mike

    Stunning, enlightening and unforgettable!

    If you are a movie buff, you have probably gotten the impression from the bulk of movies about WWII that the French populace as a whole fought bravely to resist the Nazi Occupation. "The Sorrow and the Pity" makes it clear that such was not the case. This stunning documentary includes interviews from people from all shades of the spectrum politically, philosophically and socially. The interviewers did a great job of coaxing the truth from these people by being friendly rather than confrontational. Some of the most amazing footage is from German newsreels, with the ghastly "pure race" prejudices being illustrated with a very sarcastic commentary on some of the French prisoners of war. I think that every high school student in The United States should see this film so that they understand that you can't always just " go along to get long". Of course, with the average high school student's attention span, it would have to be shown in shorter installments. This film is completely worthwhile and never boring!
    8politfilm

    Film banned in France for more than ten years because it showed the extent of the collaboration and the burden of historical responsibility

    This two-part documentary analyzes the occupation of France in World War II through the example of a city with a population of approximately 100,000 people. The spirit of the time is quite well conveyed with the use of archive materials, as well as interviews with members of the resistance movement, collaborators with the occupying forces, and German soldiers who participated in the occupation. Everyone is given the space to express their views and explain the logic that guided them during the war. A side of French history, today mostly hidden, is presented: dark and shameful collaboration, but also the heroic resistance to the occupation - all this in the context of a true civilizational tragedy. The film has been banned in France for more than ten years (it wasn't aired on TV until 1981), supposedly because it was too one-sided, but in fact because it showed the extent of the collaboration and the burden of historical responsibility for the committed crimes - a history that was rushed to be forgotten, in order not to disturb the post-war social consensus and the re-established status quo.

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    Enredo

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    Você sabia?

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    • Curiosidades
      Originally intended for French television. However, French broadcasters refused to show it arguing the documentary depicted occupied France as exclusively populated by traitors.
    • Citações

      Dr. Claude Levy: France is the only government in all Europe whose government collaborated. Others signed an armistice or surrendered, but France was the only country to have collaborated and voted laws which were even more racist than the Nuremberg laws, as the French racist criteria were even more demanding than the German racist criteria. It's not something to be proud of.

    • Conexões
      Featured in Noivo Neurótico, Noiva Nervosa (1977)
    • Trilhas sonoras
      Ça Fait d'Excellents Français
      Music by Georges Van Parys

      Lyrics by Jean Boyer

      Performed by Maurice Chevalier

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    Perguntas frequentes

    • How long is The Sorrow and the Pity?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 14 de abril de 1971 (França)
    • Países de origem
      • Suíça
      • Alemanha Ocidental
    • Central de atendimento oficial
      • BFI
    • Idioma
      • Francês
    • Também conhecido como
      • The Sorrow and the Pity
    • Locações de filme
      • Clermont-Ferrand, Puy-de-Dôme, França(Main location)
    • Empresas de produção
      • Télévision Rencontre
      • Société Suisse de Radiodiffusion et Télévision (SSR)
      • Norddeutscher Rundfunk (NDR)
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Faturamento bruto nos EUA e Canadá
      • US$ 13.082
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 5.224
      • 26 de fev. de 2023
    • Faturamento bruto mundial
      • US$ 13.082
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      4 horas 11 minutos
    • Cor
      • Black and White
    • Mixagem de som
      • Mono

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