Billy Jack

I first saw this film as a 14-yr old just getting into martial arts training. I had already been a big Bruce Lee fan and respected the ideals that he stood for. The same is true for Billy Jack, the character and the film. Righteousness, honesty, honour, fellowship, brotherhood, elder guidance, environmentalism and respect for nature, godliness, good vs. evil.

Even though the film's portrayal of these themes was dated and perhaps unrealistically idealistic, it spoke of truth and sacrifice and one man's devotion to these ideals. billly jack is a hero. sometimes evil needs to be stamped out and billy did this with his feet. He always gave fair warning of consequences and a way out but inevitably they chose to side with evil and not good. the most compelling part of this movie was the love he shared

Well, Billy Jack was not at all what I had expected. I had heard of the movie and thought it was some kind of kung fu cult movie, but really didn't know what to expect. The movie blew me away! OK, so the acting can be a little cheesy at times, but how many movies from that era are not cheesy in some way? At any rate, Billy Jack is a true American hero. What I love about the movie is that it is focused on very important subject matter, but portrays it in such an unconventional and unique way. Billy Jack is a character of all characters. His mannerisms are hysterical. He shows such intense frustration when he knows he's going to have to kick someone's butt, and that makes his character what it is. He's an ex-green beret and he can surely kick some serious bad guy butt if he has to, but he is also a man with a big heart and his life's mission is to protect the native Americans and hippies who are either too weak or too peaceful to fight for themselves. And he loves Jean, loves her with all his heart and knows that he is the only one who can protect her and protect what is important to her. His character is portrayed in such a way that you can see the internal struggle in his eyes and hear it in his voice when he is faced with a situation where some biggot butts need kickin'. Billy Jack is a true classic and a movie that will stick with me for the rest of my life.

This movie takes me back to 1969 (when it was first started) Also: note the high school football schedule for 1969 on the ice cream shop door with the school name marked out to preserve its anonymity). You really had to live through these days to appreciate the fact that some people really did think and act like the actors in this film.While all hippies were certainly NOT non-violent, this film earnestly tries to present an enlightened message to an adult audience that at that time was not the most socially aware in the world. =)And yes, people really did say things like: "Damn hippies! They oughtta get their hair cut! they're ruining the country!!"

The New Left movement which really became influential around 1972 and years following was the hippie fringe in 69.

This movie is simply a lot of fun. To insist it be more than that is unrealistic. It was independently produced by a guy (Laughlin) who believed in his message, wrote it and called all the shots himself. Its really not bad taken in that context. The little blonde girl singing the anti-war song is Tom and Delores' real life daughter Theresa. The comedy troupes used to appear on shows like the Smothers Brothers and were considered "way out". =) (amazing how cynical we've become isn't it??) While most of America in those days was more like the townspeople than the school people, it is still very very entertaining to see those days played out again.

... and you have to love the anti-violence screeds followed by onscreen massacres.

The start of the film really has nothing to do with Billy Jack. It is a deputy in the town having his runaway teen daughter returned to him. She tells him she is pregnant and she has been with so many guys she doesn't even know the father's race. Dad explodes in anger and beats her. The deputy panics and dumps what may be her "body" for all he knows out in the wild. Billy Jack finds the girl and hides her at The Freedom School - a counterculture alternative school with mainly native students, but the school is open to any kid with problems.

So the rest of the movie is based on the deputy's lie that his daughter ran away again, that she is pregnant, and that a boy at the Freedom School is the father. And weirdly enough, deputy dad never recants this story, and seems to come to believe it himself.

Now things were never great between the counterculture pacifist school and the traditional townspeople, but the story of the deputy's daughter brings things to a boil.

And in the middle of all of this is Billy Jack, a half native American ex special forces vet who protects the school - as best as one guy can - with physical force when he has to, and plus he really seems to enjoy it too. And the film gives you two hissable villains, town political boss Posner and his bullying cowardly son Bernard, always retreating to the safety of dad's shadow when his misdeeds get him in bad with Billy Jack.

This film only cost 800K to make yet raked in 33 million with largely wooden acting, a script that meanders and often contradicts itself, and lots of on location shooting so that expensive sets were not needed. So why did people flock to this little indie in droves? Because if you want to understand the Vietnam era and counterculture movement of the late 60s/early 70s I would say watch this film rather than the more famous and acclaimed "All In the Family". The hypocritical and racist townsfolk - often to the point of being cartoonish - actually symbolize how the oldest crop of the boomers saw the establishment. Billy Jack really did symbolize a hero as he had to be, where Jean was a hero/heroine the way people would have liked to be. And it had much to say about the ugliness of racism practiced by everyday people.

For film history buffs, I would say this film is worthwhile. It also has many quotable quotes, and if you look carefully you'll see Howard Hesseman (Doctor Johnny Fever of WKRP in Cincinnati) in a very small and early role as a drama teacher at the school who shows up at a hearing about closing the school and recites a speech that he at first claims is by George Washington, and then reveals it was written by Adolph himself. Not that this speech had anything to do with what the hearing was about, and such is the disorganized symbol of an era that this film became.

The movie's theme song "One Tin Soldier" was covered by Coven from the original 1970 tune by Original Caste. In it, the valley people covet supposed riches of the mountain kingdom. The latter wish to share, but the valley people, wanting it all, attack and slay their neighbors. But they find no riches. One tin soldier rides away, the legend of Billy Jack.

Billy Jack (Tom McLaughlin) martial arts expert and ex-Green Beret, is a "half-breed" who has authority to uphold the law on an Indian reservation in Arizona or New Mexico. Billy Jack's girl is a strong- willed woman, a pacifist, Jean Roberts (Delores Taylor, his wife in real life) who runs the Freedom School. This progressive reservation school for troubled young folks welcomes all youth regardless of ethnicity; it is a rainbow. There are three main rules: (1) no drugs, (2) everyone must pull his/her own weight, and (3) a student must create something, like a painting about his/her heritage, weaving a blanket, creating a film, etc. One may surmise that the Indian reservation and school represent the mountain people of the song.

In contrast to the school is the nearby town outside the reservation. The folks who live and work there are hostile to the reservation school as they cannot relate to its unorthodox teaching methods. As they consider the kids to be outcasts, they make no attempt to hide their various prejudices. In reality the deck is stacked: all of the virtues belong to the school population with the exception of one or two oddballs. By contrast, all of the negative qualities are possessed by the narrow-minded townsfolk nearly without exception. They do not like "long-haired weirdos." Chief among the town-folk are the Posners, businessman father and purposeless son. The former, Stuart Posner (Bert Freed), is plain rotten; the latter, Bernard (David Roya), is a disdainful rich kid. At the beginning Stuart Posner thinks there is nothing wrong about illegally rounding up wild mustangs on Indian land and slaughtering them for profit. Although Bernard initially seems to stand up to his father, he later shows his vile side as he degenerates into murder, rape, and even near-pedophilia. Although Sheriff Cole (Clark Howat) is decent enough, his deputy Mike (Ken Tobey) is a snake. One may surmise that the town represents the valley people of the song.

As pacifist Jean tells Billy, he needs to control his violent temper. In turn, Billy feels he needs to use violence to get justice for his people. An example relates to a group of Freedom School teens who take the school bus to town for shopping. At an ice cream store they suffer an intolerable injustice that goes beyond the owner not serving them. By the way, if a store-owner wants to make money, why does he not sell to everybody? This attitude has always seemed self-defeating. Anyway Billy Jack throws the biggest bully ("Dinosaur") through a plate glass window. Pow! The store owner merely stands by and watches. After that someone tampers with Billy's jeep. Then Billy Jack is outnumbered 12 to one in fight with some townsmen. In the course of the film, tensions will escalate until the inevitable conclusion of the struggle between the townsfolk and the school (Billy Jack).

Although Tom McLaughlin is heavy-handed, his screen presence is huge. Reserved and athletic, he represents the ideal Caucasian-Indian hero: tough, unshakable, and aware of his Indian roots. He is at ease whether on horseback or motorcycle. Delores Taylor, slender and with long hair, but also sad-eyed and plain-faced, is appropriate as the school administrator. Although her acting is uneven, she is a central figure of the story in many ways. For it is she who began the school and both encourages and relates to the young people. It is she who helps Billy Jack come to his senses at the end. The independent film could have used experienced editing, especially for the school skits, and the script could have been tighter. The singing and guitar-playing are sometimes difficult to take. And it is understandable that Stan Rice, the actor who plays the Indian Martin, has no other silver screen credits. The movie running time is too long, and some of the dialogue and attitudes are outlandish. For instance, at the board meeting the young girl credits the "law and order" quote to Adolf Hitler. Thus the inferred message is that anyone who supports upholding our laws extols that dictator. Despite amateurish acting, the film does display a charm of its own. White-booted Susan Foster (Cindy/"Up Yours") is very attractive. Always beautiful are southwestern USA shots. The Paiute Wovoka friendship dance is colorful, while the Shoshone Indian snake ceremony is most unusual. The Billy Jack story line does maintain interest and the theme song is well done.

By the way, note the yellow-colored Dr. Pepper poster advertisement on the ice cream store door when Billy Jack enters. It illustrates the upcoming school football schedule for 1969, the year when filming began. "Billy Jack" was released in 1971 and again in 1973. A movie costing under a million dollars to create grossed many times that number. This popular cult film even resulted in two sequels; its predecessor was "Born Losers" (1967).