Adicionar um enredo no seu idiomaA playboy novelist, who has had a spell of work with an intelligence agency as a sideline, leaves, but finds himself performing new missions around the world.A playboy novelist, who has had a spell of work with an intelligence agency as a sideline, leaves, but finds himself performing new missions around the world.A playboy novelist, who has had a spell of work with an intelligence agency as a sideline, leaves, but finds himself performing new missions around the world.
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I enjoyed Department S when I discovered it on DVD, so decided to give its spin-off series a try, even knowing going in that it was not as well-regarded. I very quickly found out why!
What made Jason King (the character) work in Department S was that he had two relatively normal sidekicks - who appear here only in the briefest of stock footage flashbacks in one single episode - to bounce off, making him seem like an eccentric in a more or less everyday world. Given his own series and shorn of anyone to keep him in check, however, Jason becomes absolutely ludicrous, a camp comic-book creation with barely even one toe in reality. That he's at all bearable to watch is entirely down to Peter Wyngarde's charm, as the scripts frequently make him casually sexist and even racist in a cringeworthy 1970s way. (One episode actually has him say "Ah so, dlagon rady" to a Chinese woman... a Chinese woman played by a British actress in yellowface and false eyelids. Horrible!)
The stories are also bottom-of-the-barrel stuff. Since he's no longer part of a law enforcement agency, every contrivance imaginable is needed to force Jason into the plots. He unwittingly uses a codeword meant to identify an arms dealer. He's hypnotised. He's mistaken for a hit-man because he's carrying a rose. He picks up a hitch-hiker involved in a crime. He's impersonated (twice). He's blackmailed by MI6 (several times). He's kidnapped (repeatedly). In the laziest example, he just so happens to know *three* different people - from different countries - who are trying to obtain a stolen statue, none of whom have any connection to each other.
The scripts are not the only thing that were cheap. To pay for location shooting in Europe (Jason visits Paris, Hamburg, Vienna, Venice and other cities - mostly wandering around in front of famous landmarks just to prove that yes, they really sent their leading actor there for the day) the show was shot on 16mm film rather than ITC's usual 35mm, and it looks terrible. 16mm can be decent quality - look at the restored DVDs of the Jon Pertwee era of Doctor Who - but here everything is muddy and astonishingly grainy. The same sets appear over and over (every rich character seems to share a room with a blue domed ceiling), as do even cars. There's a silver Vauxhall Viva that follows Jason to almost every country he visits!
Amazingly, a halfway-decent story does occasionally manage to force its way through the dross; 'As Easy As ABC' sees two criminals using the plot of one of Jason's own novels to carry out a robbery and frame him for it, 'To Russia With Panache' plays like a lost Department S script as Jason investigates a bizarre murder in the Kremlin, and 'Wanna Buy A Television Series?' amusingly bites the hand that feeds it by ridiculing the same US TV networks that ITC depended upon to fund its shows. But most of the episodes are empty, silly and, worst of all, *boring* nonsense that not even Wyngarde's charisma can save.
What made Jason King (the character) work in Department S was that he had two relatively normal sidekicks - who appear here only in the briefest of stock footage flashbacks in one single episode - to bounce off, making him seem like an eccentric in a more or less everyday world. Given his own series and shorn of anyone to keep him in check, however, Jason becomes absolutely ludicrous, a camp comic-book creation with barely even one toe in reality. That he's at all bearable to watch is entirely down to Peter Wyngarde's charm, as the scripts frequently make him casually sexist and even racist in a cringeworthy 1970s way. (One episode actually has him say "Ah so, dlagon rady" to a Chinese woman... a Chinese woman played by a British actress in yellowface and false eyelids. Horrible!)
The stories are also bottom-of-the-barrel stuff. Since he's no longer part of a law enforcement agency, every contrivance imaginable is needed to force Jason into the plots. He unwittingly uses a codeword meant to identify an arms dealer. He's hypnotised. He's mistaken for a hit-man because he's carrying a rose. He picks up a hitch-hiker involved in a crime. He's impersonated (twice). He's blackmailed by MI6 (several times). He's kidnapped (repeatedly). In the laziest example, he just so happens to know *three* different people - from different countries - who are trying to obtain a stolen statue, none of whom have any connection to each other.
The scripts are not the only thing that were cheap. To pay for location shooting in Europe (Jason visits Paris, Hamburg, Vienna, Venice and other cities - mostly wandering around in front of famous landmarks just to prove that yes, they really sent their leading actor there for the day) the show was shot on 16mm film rather than ITC's usual 35mm, and it looks terrible. 16mm can be decent quality - look at the restored DVDs of the Jon Pertwee era of Doctor Who - but here everything is muddy and astonishingly grainy. The same sets appear over and over (every rich character seems to share a room with a blue domed ceiling), as do even cars. There's a silver Vauxhall Viva that follows Jason to almost every country he visits!
Amazingly, a halfway-decent story does occasionally manage to force its way through the dross; 'As Easy As ABC' sees two criminals using the plot of one of Jason's own novels to carry out a robbery and frame him for it, 'To Russia With Panache' plays like a lost Department S script as Jason investigates a bizarre murder in the Kremlin, and 'Wanna Buy A Television Series?' amusingly bites the hand that feeds it by ridiculing the same US TV networks that ITC depended upon to fund its shows. But most of the episodes are empty, silly and, worst of all, *boring* nonsense that not even Wyngarde's charisma can save.
Finally we have a digital channel that is not afraid to run the old ITC pulp series from the late 60's and early 70's. These are the ones we 50-year-olds grew up with!
They were, of course, formulaic having the two-man/one girl teams (almost always with the Canadian/American Hero in order to sell over the pond). With the popularity of the formula it was surprising that 'Department S' spawned an untypical offshoot - Solo British Hero with very few Transatlantic guest parts. This was harking back to the glory days of 'Simon Templar'.
ITV4 has now re-run a number of these old 'Jason King' episodes most recently a two-parter entitled "All That Glisters.." I am absolutely convinced that Clinton Greyn's character of 'John Mallen' was voiced-over by Shane Rimmer, although no mention of this occurs in the credits. Anyone familiar with these stock actors would surely recognise the substitution instantly, unless Greyn had cultivated a mid-Atlantic accent of remarkable similarity during his time in the USA.
If true it is a shame that Rimmer (who, I believe has been unwell recently) received no accolade for the performance. Such 'Lip-Sync' on live actors must be far more demanding than marionettes and is to be admired!
Can anyone out there shed any light on this?
They were, of course, formulaic having the two-man/one girl teams (almost always with the Canadian/American Hero in order to sell over the pond). With the popularity of the formula it was surprising that 'Department S' spawned an untypical offshoot - Solo British Hero with very few Transatlantic guest parts. This was harking back to the glory days of 'Simon Templar'.
ITV4 has now re-run a number of these old 'Jason King' episodes most recently a two-parter entitled "All That Glisters.." I am absolutely convinced that Clinton Greyn's character of 'John Mallen' was voiced-over by Shane Rimmer, although no mention of this occurs in the credits. Anyone familiar with these stock actors would surely recognise the substitution instantly, unless Greyn had cultivated a mid-Atlantic accent of remarkable similarity during his time in the USA.
If true it is a shame that Rimmer (who, I believe has been unwell recently) received no accolade for the performance. Such 'Lip-Sync' on live actors must be far more demanding than marionettes and is to be admired!
Can anyone out there shed any light on this?
This is by way of a comment on one of the other reviews.
The episode "All that Glisters..." was playing recently on a TV that I could hear but not see. "Thunderbirds!" I thought since I could clearly hear the voice of Scott Tracey. On going in to actually watch the TV I was amazed to see that it was Jason King rather than Thunderbirds and that bizarrely Clinton Greyn was speaking with Scott Tracey's voice. The lip-sync was excellent but it was clearly a dubbed voice since the acoustic was different. And of course, rather than Greyn's rounded Welsh tones we were getting the distinctive Canadian sound of Shane Rimmer. Cant understand why they did this - and then not credit it? Weird.
The episode "All that Glisters..." was playing recently on a TV that I could hear but not see. "Thunderbirds!" I thought since I could clearly hear the voice of Scott Tracey. On going in to actually watch the TV I was amazed to see that it was Jason King rather than Thunderbirds and that bizarrely Clinton Greyn was speaking with Scott Tracey's voice. The lip-sync was excellent but it was clearly a dubbed voice since the acoustic was different. And of course, rather than Greyn's rounded Welsh tones we were getting the distinctive Canadian sound of Shane Rimmer. Cant understand why they did this - and then not credit it? Weird.
After the huge success of 'Department S', in which the character of Jason King had quickly become dominant, a spin-off series was developed called (not surprisingly) 'Jason King'.
King had left Department S and was working on his novels - the 'Mark Cain' stories. The rest of the cast of Department S did not appear at all, and were never mentioned.
The general premise for the show was that King wandered around the world living a playboy lifestyle and each week was somehow drawn into a crime which he neatly solved in time for the end credits. British Intelligence were often hounding him to work for them as a freelance which he generally resisted until they reminded him of his back-taxes. The series was made on location around Europe, in contrast to Department S which never left the back-lot at Pinewood.
Overall the series lacked much of the original sparkle and zest of Department S, the plots were much thinner and less original, and Wyngarde was becoming to old to play the part of a trend-setting playboy convincingly.
King had left Department S and was working on his novels - the 'Mark Cain' stories. The rest of the cast of Department S did not appear at all, and were never mentioned.
The general premise for the show was that King wandered around the world living a playboy lifestyle and each week was somehow drawn into a crime which he neatly solved in time for the end credits. British Intelligence were often hounding him to work for them as a freelance which he generally resisted until they reminded him of his back-taxes. The series was made on location around Europe, in contrast to Department S which never left the back-lot at Pinewood.
Overall the series lacked much of the original sparkle and zest of Department S, the plots were much thinner and less original, and Wyngarde was becoming to old to play the part of a trend-setting playboy convincingly.
Having just read the write up on this site.. I'm not sure I agree. ITV4 has started showing a lot of old ITC progs, including Department S and Jason King. Watching it now at age 54.. I remember it when first shown.. but now.. I'm enjoying it all over again. I'm surprised they were hour long episodes... but find I have really enjoyed them. Many will compare them to modern series.. well, I view everything with the thought of, they were of their time. I've found what I've seen so far humorous.. and knowing what I know now of Peter Wyngarde, am STILL thoroughly enjoying them? Tongue in cheek.. STYLE.. charm with the ladies.. a laugh.Entertaining. Its a shame modern series with hi tech effects.. often overshadow characters. These shows HAVE characters. Now I know there were 26 episodes, I know a mate who told me there were only 6.. must have read a miss print.
Você sabia?
- CuriosidadesUnlike its parent series Department S (1969) (shot entirely on 35mm film), this series made use of the cheaper 16mm stock as a cost-cutting move by ITC. This was something of a trade-off, as star Peter Wyngarde was able to be genuinely seen in international location shots interacting with local landmarks. The writing team could then decide how to best integrate this footage in their scripts.
- ConexõesFeatured in The Greatest: 100 Greatest TV Characters (2001)
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Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- O Mundo de Jason King
- Locações de filme
- Betchworth Quarry, Betchworth, Reigate, Surrey, Inglaterra, Reino Unido(scene of Olivier's car driving off a precipice - episode 'Toki')
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
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