Qual o Caminho para a Guerra?

The idea of a rich man, rejected by the army as 4F, then creating his own military experience, has possibilities. It could be a funny movie.

This wasn't. Lewis' vision of the comic bits has no sense of timing. It moves along at a snail's pace, and includes myriad supporting scenes that just aren't funny. Each scene has a punch line, but most of them were a waste of film. Evidently, firing a mortar and then blandly declaring "We just blew up a Texaco station" just doesn't pack the comedic punch it used to.

Jerry stammering gibberish was barely tolerable in his early days. In this film, it just looks tired.

While the film is set in 1943, hair styles, colloquial expressions, mores, costuming, and just about everything else are firmly rooted in the late 60s.

To get picky, the freeze frame method of ending scenes, as used in this film, is just odd.

I actually got pained looks from my wife when I held on past the first twenty minutes hoping that it would eventually get to the "good part". Twenty-two minutes after that I finally gave in and stopped watching this mess.

Which Way to the Front? (1970)

BOMB (out of 4)

Insanely awful film has Jerry Lewis playing Brendan Byers III, the richest man in the world. He gets drafted to join WWII but he fails his physical and becomes a 4-F. When he can't get into the war he decides to start his own Army with various other 4-F's and soon they are going after Hitler.

WHICH WAY TO THE FRONT? would turn out to be the last Jerry Lewis film to see a theater for a decade. This here is without question the worst film I've seen from Lewis and it even managed to be worse than his comeback films HARDLY WORKING and CRACKING UP. With three incredibly awful movies, it makes me wonder how bad THE DAY THE CLOWN CRIED if Lewis was willing to keep that movie on the shelf yet release these three.

Why did WHICH WAY TO THE FRONT? deserve a BOMB rating? I will admit that it's actually better made than many Lewis movies but this film was completely worthless to me because I didn't laugh a single time. Usually Lewis is very forceful in regards to his comedy style but that's not the case here. The comedy is much more laid back but that doesn't mean it's any funnier. The entire film is just very poorly paced and lacks any laughs. In fact, there really wasn't a single scene where it seemed like they were even going for laughs.

I'm really not sure what Lewis and company were thinking when they made this turkey. There's really not a single funny moment throughout the incredibly long 96 minute running time. Just check out the scene where Lewis is messing around with Hitler to see how bad the comedy fails. WHICH WAY TO THE FRONT? is without question one of the worst comedies ever made but it does succeed at many many other bad Lewis films appear better than they actually are.

I clearly remember being bereft at the age of about 10 when I read that Dean Martin and Jerry Lewis were splitting up. I think it was my first lesson in the world being cruel, I was truly shocked at that age as these were my comedy heroes. They'd had a string of hits finishing with Pardners and Hollywood or Bust and I just couldn't conceive of a world without Martin & Lewis. Jerry went on to make many comedies which got great acceptance as I remember in Europe, but not so much in the USA. He was regarded as a kind of modern day Chaplin and an acquired taste, mainly due to his obstinance in doing his own thing. This fortunately came to a head with the original Nutty Professor, a truly great comedy. I wish he'd left it there as Which Way To The Front, which I've just viewed is dreadful. An awful script, let down by amateur acting from the so called comedic actors supporting him, a ghastly performance by Jerry himself, screaming for most of it, and in this day and age, politically incorrect to the extreme. I smiled in two or three places and that was it. Best to avoid unless like me, you're a Jerry Lewis completist and just had to watch to the end. It seemed about as long as the second world war in which it was set.

After Which Way To The Front was released Jerry Lewis ceased making films as a star attraction. With a few funny moments involved, there were more eggs laid at this film than a chicken farm on a slow day. It's not a horrible film but it's definitely not among Lewis's best and in the lower tier of his work.

Jerry plays one of the richest men in the world who for some reason I can't fathom wants to serve in the ranks. So it rankles him that he's declared a 4-F something around the time that this film came out many young men would have sold their souls for. As he and three fellow 4-Fs Jan Murray, Steven Franken, and Dack Rambo sit and commiserate about their fate Lewis has a brainstorm. He's rich enough, he'll form his own army and equip it. I will say he designs some snazzy uniforms for his troops which also include his butler John Wood and his chauffeur Willie Davis of the Los Angeles Dodgers.

Those flashback sequences involving Murray, Rambo, and Franken are the best part of the film. Even for an audience in the middle of the Vietnam War, those guys all have excellent reasons for wanting to leave their current situations.

Unfortunately the rest of the film isn't as good. The guys train on Lewis's palatial estates, get the best chow any army ever had and then decide on their own mission which is based on Jerry Lewis's resemblance to Field Marshal Kesselring. If you believe their account they actually break the stalemate on the Italian front and later participate in the bomb plot against Hitler.

Hitler was played by Sidney Miller and his scenes with Lewis as Kesselring are taken straight from The Great Dictator. I'm not sure Charlie Chaplin really liked this particular homage.

A lot of World War II film clichés are dealt with here. The coda to this film with Lewis impersonating one of those bucktooth Japanese that were popular at the time I'm not sure was really needed. Nor was it all that funny.

Jerry came up short with this film.

I had watched this as a kid but, not being much of a Jerry Lewis fan, I had completely forgotten it (not that it's in any way memorable). The film revolves around impersonation (which seems to be in the curriculum of every comic star!) - in this case a German officer - and, while not as bad as Leonard Maltin claims (awarding it a BOMB rating), it's not exactly classic stuff either - certainly leagues behind Chaplin's THE GREAT DICTATOR (1940), even if comparably narcissistic! Ironically, the scenes prior to the appearance of the would-be wacky General offer more felicities than the rather forced humor at Nazi expense!

The film was really Lewis' last gasp during his heyday; in fact, this proved to be his last vehicle to be released for 10 years (it's painfully apparent here that his particular brand of foolishness wouldn't pass muster in the age of Mel Brooks and Woody Allen)!