Qual o Caminho para a Guerra?

I clearly remember being bereft at the age of about 10 when I read that Dean Martin and Jerry Lewis were splitting up. I think it was my first lesson in the world being cruel, I was truly shocked at that age as these were my comedy heroes. They'd had a string of hits finishing with Pardners and Hollywood or Bust and I just couldn't conceive of a world without Martin & Lewis. Jerry went on to make many comedies which got great acceptance as I remember in Europe, but not so much in the USA. He was regarded as a kind of modern day Chaplin and an acquired taste, mainly due to his obstinance in doing his own thing. This fortunately came to a head with the original Nutty Professor, a truly great comedy. I wish he'd left it there as Which Way To The Front, which I've just viewed is dreadful. An awful script, let down by amateur acting from the so called comedic actors supporting him, a ghastly performance by Jerry himself, screaming for most of it, and in this day and age, politically incorrect to the extreme. I smiled in two or three places and that was it. Best to avoid unless like me, you're a Jerry Lewis completist and just had to watch to the end. It seemed about as long as the second world war in which it was set.

Written by brilliant Monkees' TV writers Gerald Gardner and Dee Caruso,WHICH WAY TO THE FRONT was the last of the "Jerry Lewis" movies until "Hardly Working" almost a decade later. Jerry's comedy is evidently an acquired taste, and admittedly he can occasionally be his own worst enemy when he helms as producer/director--but even in the dreariest of his films, there are always moments of brilliance.

WHICH WAY manages to be amusing,entertaining and yes,quite funny. It is somewhat unlike any of the typical Lewis films.The pace is very upbeat and ther are lots of excellent supporting players--a kind of JERRY DOES HOGANS HEROES.The whole thing looks kind of like an unsold TV pilot and you will either love it or hate it---but hopefully YOU VILL LAUGH

The idea behind "Which Way to the Front" - a millionaire rejected for military service during World War II deciding to form his own army platoon and fight the war his way - is definitely one that is original and has a lot of potential for humor. Unfortunately, the execution here is lacking, to put it kindly. Watching it, I often got the feeling that star and director Jerry Lewis was not trying very hard. For example, while the movie is set in 1943, the movie has a very 1970s feel to it from the costumes to the sets.

A bigger problem is that the movie is simply not that funny, especially in the first half. The movie starts off very slowly, taking both forever to set the situation up and then to get Lewis and his team into the field. And while this is going on, one attempted gag after the other lands with a thud.

The second half of the movie is a bit more successful. There is an injection of serious energy by both Lewis the star and Lewis the director. And this energy does end up generating a few (mild) giggles. (But I certainly didn't laugh at the offensive last scene; you'll see for yourself when you watch the movie.) While there are worse comedies out there (both with or without Lewis), it's easy to see why Warner Brothers only gave the movie a limited release in North America. Though the movie did extremely well in a number of foreign countries, suggesting there's an audience for just about any movie.

I had watched this as a kid but, not being much of a Jerry Lewis fan, I had completely forgotten it (not that it's in any way memorable). The film revolves around impersonation (which seems to be in the curriculum of every comic star!) - in this case a German officer - and, while not as bad as Leonard Maltin claims (awarding it a BOMB rating), it's not exactly classic stuff either - certainly leagues behind Chaplin's THE GREAT DICTATOR (1940), even if comparably narcissistic! Ironically, the scenes prior to the appearance of the would-be wacky General offer more felicities than the rather forced humor at Nazi expense!

The film was really Lewis' last gasp during his heyday; in fact, this proved to be his last vehicle to be released for 10 years (it's painfully apparent here that his particular brand of foolishness wouldn't pass muster in the age of Mel Brooks and Woody Allen)!

The idea of a rich man, rejected by the army as 4F, then creating his own military experience, has possibilities. It could be a funny movie.

This wasn't. Lewis' vision of the comic bits has no sense of timing. It moves along at a snail's pace, and includes myriad supporting scenes that just aren't funny. Each scene has a punch line, but most of them were a waste of film. Evidently, firing a mortar and then blandly declaring "We just blew up a Texaco station" just doesn't pack the comedic punch it used to.

Jerry stammering gibberish was barely tolerable in his early days. In this film, it just looks tired.

While the film is set in 1943, hair styles, colloquial expressions, mores, costuming, and just about everything else are firmly rooted in the late 60s.

To get picky, the freeze frame method of ending scenes, as used in this film, is just odd.

I actually got pained looks from my wife when I held on past the first twenty minutes hoping that it would eventually get to the "good part". Twenty-two minutes after that I finally gave in and stopped watching this mess.