De Poeta e Louco... Todo Mundo tem um Pouco

A forgotten gem from 1970, Up in the Cellar is a time capsule piece that wonderfully captures the time period of the late 60's / early 70's struggle on and off the college campus in America. The movie is a comedy but tackles multiple issues of the time including: government, higher education, capitalism, revolution. Suicide, communication and sex. Wes Stern portrays the perfect representation of the everyday weakling of the time period. The average lost youth of the lost generation, Wes Stern is nothing less than a riddle on screen as well as off. His type of Actor has disappeared from cinema. In this story, his oddness adds to the realness of this fairy tale told in a satirical setting of 1969 America. 50 years later, this movie is important to examine on where this society has become.

this movie contains some scenes that are significant to residents of Las Cruces, NM, where it was filmed. The opening scene shows the first phase of the downtown remodeling of the late 60's a former county commissioner has a small speaking part. The explosion of the radio tower was part of the move of a local station, KOBE, from one part of town to it's current location. Cutaways during the showing of the "porno film" have locals who were lured to the filming being told they would see the 'Sound of Music' not realizing there reactions would be cutaways in the porno angle of the film. The New Mexico State University band was put in the film in the basketball arena which was a year old at the time. The film is a typical 60's farce and probably not as interesting to those who aren't from here

This movie is one of my faves, it captures the essence of the late 60's/early 70's perfectly. It's a lighthearted look at the whole student activism era, and the generation gap, us-against-them attitudes of young people at that time.

I'm sorry but I would have to disagree with Richard about the New Mexico shooting location - I think the movie wouldn't be the same without those desolate, wide-open, huge blue sky and mountains backdrops and stark university buildings. It makes the movie for me and if I ever came to America NMSU and Las Cruces would definitely be on my list of places to visit. I think it symbolises the hopelessness of one student against the president of a university with the blind faith of a whole state behind him.

Joan Collins, Larry Hagman, Judy Pace and Nira Barab are lots of fun but it was pretty obvious that the character of Colin Slade was one of the first big roles for Wes Stern.

If you're thinking of buying Angus Hall's novel "The Late Boy Wonder" because the movie is based on it then you might want to think again. After searching for the book for years I found it on the Barnes and Noble site and bought it. I wish I hadn't because first of all it is so different to the movie and secondly it has an ending which is nothing like the spirit of the movie at all.

Originally called up in the cellar, this was later known as three in the cellar. Both larry hagman and joan collins had been in hollywood since the 1950s. But wes stern only had thirteen roles, and seems to have disappeared pretty quickly. In this tale, slade (stern) loses his college poetry scholarship, and goes after the school president (hagman) for revenge. By sleeping with his wife (collins). His daughter. Even his mistress. It's a parody of the 1960s, 1970s protest movies. Female nudity. Lots of it. It's silly, and over the top. Even a reference to the killings at ohio state. It's pretty good, if you go along with the joke. Of course, hagman and collins would both be huge stars in their own television series in about ten years. Camber's daughter was played by catlin adams, who you may recognize as the circus chick from "the jerk". It's pretty funny, but some of the references are probably a little dated by now. That probably explains the low-ish rating as of today. Directed by ted flicker. Based on the book by angus hall. David arkin, who played hugo, died young at 49.

1960's period piece. Strictly a snapshot of late 60's culture, made in the haphazard style that was briefly popular in the late 60's-early 70's. Of course it is irreverent- but I really don't see any relevance. It is yet another 1960's attempt to present mere irreverence as something relevant, but it wasn't relevant then, and isn't now.

However, when I saw this film in a theater in 1970 I laughed out loud, as did most of the audience. Laughed despite viewing the worst film actor I have ever seen (Wes Stern) and nothing from actress Nira Barab. The plus factor is Larry Hagman, who is energetic, extremely charismatic and funny. Joan Collins is good here too.

I would like to watch this movie again if they could edit out Wes Stern, but unfortunately he is in too many of the scenes.

As far as 1970-era culture, this movie won't make us nostalgic for those days but can only serve as a time capsule.