Atração Mortal

Where would the horror field be if it weren't for the legendary Hammer Studios? With their constant creativity and new variations on the general topic of vampirism they delivered some of the most important genre-films ever. Roy Ward Baker's film the Vampire Lovers is one of the most essential movies Hammer ever released and it meant a landmark turning point for the sub-genre of bloodsuckers. Due to THIS film, vampirism afterwards always got immediately associated with eroticism and lust. The Vampire Lovers influenced notorious directors like Jess Franco (Vampyros Lesbos, Les Avaleuses) or Jean Rollin (Lips of Blood, The Living Dead Girl) who practically made an entire career out of lesbian vampire movies. But this is the real thing! A stunning screenplay, based on a classic tale by Sheridan Le Fanu, solid acting performances and an atmospheric – almost dreamlike – photography. Ingrid Pitt plays the best, most memorable role of her career as the gypsy vampire Carmilla. Her sensual character seduces attractive young girls at the homes of prominent men where she's at guest and turns them into weak, lifeless slaves. The worried men have to uncover the origin of this vampire wench in order to destroy her forever.

'The Vampire Lovers' offers a nearly perfect combination of atmosphere, beauty and tension. Mostly thanks to the female cast led by Ingrid Pitt, this is the most bewitching horror tale Hammer ever told. The ravishing naked bodies of Pitt, Madeline Smith (Theathre of Blood) and Kate O'Mara (Horror of Frankenstein) will give this film a spot in your memory forevermore. And that's not a sexist remark; it just needs to be said. Other than the charismatic female appearances, this production also depends a lot on the eerie set pieces and the nightmarishly dark images of graveyards, ruins and castles. Overall, a splendid horror film and a must see for all fans of Hammer, vampirism or gorgeous beauties.

RELEASED IN 1970 and directed by Roy Ward Baker, "The Vampire Lovers" is a Hammer horror based on Irish novelist Sheridan Le Fanu's "Carmilla," which was published in 1872 and predated Bram Stoker's "Dracula" by 25 years. The story concerns a family of vampires, the Karnsteins, who prey on people in Austria by finding an excuse to leave their daughter at a rich manor. She then proceeds to patiently seduce the nubile woman of the abode as she drinks the blood of local peasant lassies and whomever else.

The main antagonist, Carmilla/Marcilla Karnstein, is played by Ingrid Pitt, who's effective, but a little too long-in-the-tooth for the role. While she prefers to prey on wealthy nubile girls and there are overt Sapphic undertones, she's just as willing to suck the blood of dudes when it suits her diabolic purposes. Her pretense of passionate romantic love is just that as she's intrinsically evil and referred to as a "devil" elsewhere in the movie. Make no mistake, she's solely out to find and feed off victims.

While vampires are fantastical, Carmilla is figurative of evil women who purpose to seduce or convert people and destroy them. This IS real life and I've seen it happen several times. The tale isn't for immature audiences because it's too convoluted, dramatic, weighty and mature. I saw it 15 years ago and wasn't impressed but, seeing it again, I now grasp it and it's virtually revelatory.

The female cast is superb, rounded out by: Madeline Smith (Emma), Pippa Steel (Laura), Kate O'Mara (The Governess, aka Mme. Perrodot), Janet Key (Gretchin, the maid), Kirsten Lindholm (the blonde vampire in the opening; also shown later), Olga James (Village Girl), Joanna Shelley (Woodman's Daughter) and Dawn Addams (The Countess/Karnstein matriarch). There's a little bit of tasteful top nudity and Pitt is shown totally nude on two occasions in a classy manner. She's a beautiful woman, for sure, but she doesn't trip my trigger.

As far as the male cast goes, Peter Cushing has a side role and Jon Finch is on hand as the gallant hunk. There are others.

FYI: "The Vampire Lovers" is the first part of the so-called Karnstein Trilogy, which includes the quasi-sequel "Lust for a Vampire" (1971) and the prequel "Twins of Evil" (1971).

THE MOVIE RUNS 1 hour, 31 minutes and was shot in Hertfordshire, England.

GRADE: B+/B

This film gets a lot of ribbing for the casual nudity that bedecks it. Not fair. This film is in many ways another Hammer classic with its good solid acting, its lush photography and costuming, and general sense of horror. It is based in part on Sheridan Le Fanu's classic female vampire story Carmilla about a young girl that befriends other young girls only to vampirize them. Ingrid Pitt plays the toothy(and toothsome) vampire wench in all her busty splendour. She is magnificent on the screen and oozes sex appeal. Yes, she goes topless as do her female co-stars....but although one sees that these scenes feel forced...they do not detract from the film(and for me they enhanced it greatly). The rest of the cast is good with Peter Cushing as a general in a small role and Harvey Hall as a servant standing out. The best part of the film for me is the eerie graveyard of the Castle Karnstein that we are introduced to in the prologue and again visited to in the epilogue. It really sets the mood of the story and was a pretty inspired rendition of the Carmilla tale.

Hammer Studios speeds up to the more sexually explicit times with Vampire Lovers, a sleek, beautifully filmed atmospheric filming of the vampire tale Carmilla by Sheridan Le Fanu. This wonderfully done film combines the traditional vampire legend with the more permissive sexual standards of the 70's resulting in a sensual yet frightening version of this well crafted story. Ingrid Pitt is breathtakingly beautiful & sensual as the main character Carmilla. She is the human embodiment of a sexually charged feline, and Peter Cushing is appropriately sincere as her nemesis The General. This film singlehandedly established Ingrid Pitt as the reigning queen of vampirism in the 70's. Vampire Lovers is well worth the time for a viewing.

Certainly a movie one would use the word "good" for rather than "great", but this movie does contain flashes of the unique attributes that made Hammer such a winner in the first place but which had been largely forgotten by the company in its rush to replicate the success of "One Million Years B.C." with cheap imitations. Ingrid Pitt is probably the film's greatest asset, along with the very well done sets and art design in general.

Pitt plays a vampire lesbian who uses various forms of deception to seduce the daughters of England's upper crust. She comes off great in the role of seductress and is just barely convincing enough as the "innocent" her character pretends to be.

Cushing makes only 2 brief appearances, not making much of an impression (but he's given very little to work with here in a role that just about anyone could have played).

Memorable, not as good as Hammer's best vampire film "Dracula" (aka "Horror of Dracula", US) but definately one of its better, if not its best, films of the 70s.