Orelha

i saw this at a university art screening years ago and this is one of those rare glimpses into what one can only wonder as being one of many practically lost gems as i have never seen it available on video or screened ever again, yet this is a truly classic film. i sadly don't remember much of the plot, but this film is about the very real fear that the main character's home is bugged by state police (the ear in question). the black and white cinematography is great, but this film is all about tension. it deserves to be seen.

This is an outstanding film, even by the standards of the Czech New Wave and a hundred times better that The Lives of Others which covers similar ground and won much acclaim and the Oscar for Foreign Film- which just confirms that the process of critical evaluation and film recognition is grossly unfair. The only reason Ucho is not on any Best Film lists is because is was made in the wrong place at the wrong time. In fact I am also baffled that it every got made at all- I see how it got banned, but how did anyone get the studio to make it?

So what makes the film outstanding?...well everything really: Like all the Czech films of this period, it is great in every department.

Very good photography cutting from the pitch black house (shot entirely by candlight- no mean feat technically) to the crossly overlit party. At the party, there is a lot of virtuosic hand held camera and wide angle point of view shots as the man slips in uncut sequence from intense gossip huddle to gossip huddle. These shots alone are remarkable.

Acting- the core of the film is the disintegrating relationship between the man and his alcoholic wife – it's like Who's Afraid of Virginia Wolff but with the added edge that every accusation she makes of him is overheard and potentially going to destroy them. It's very well acted.

Music and sound- typically of Czech films, a minimalist modern score with a very skillful post dub sound edit and mix

Script- beautifully nuanced...maybe drags a little in the middle, but it takes on a huge challenge and it does it very well

As other reviewers mentioned, there are indeed echoes of "Who's Afraid of Virginia Woolf", so this movie is WAOTVF + a political drama thriller. If that sounds interesting to you, watch it, it definitely won't disappoint you. It takes place in one night, it's very interesting, script is "tight", not a single second is wasted, good use of flashbacks and the acting is great.

It's not a masterpiece though like WAOTVW. Furthermore, i won't say that some things didn't make sense but i didn't get convinced entirely, i mean, during the last 20 minutes or so, a character was too hostile against the other and this character's transition was not so smooth. It didn't feel real, whereas during the first hour, it was like watching a real couple arguing with each other.

Despite these flaws, this is a good movie.

Most impressive feature, made at the end of the 60s, with Russian troops already on the streets, and not released until 1990. Shot in stark b/w, very much with the look we came to expect of the Czech New Wave of the 1960s but lacking that romantic twinkle. Here we are plunged in to the tale of a couple, she drunk, he concerned and trying to get back into their house after a lavish State function. We cut back and forth between the childlike but ominous activities at the official do and the struggle without lights or door keys at home. Much of the action between the husband and wife is shot in close-up and the discord and insult exchange is reminiscent of Whose Afraid of Virginia Woolf? But things get worse as the real paranoia of who might be listening in to their conversations becomes more worrying. The omnipresent 'Ear' probes a considerable level of paranoia and we too become involved in a terrifying scenario which may or may not imaginary. Stunning ending, both happy and very sad.

In a world where communism is really a threat to people's privacy, suspicion can drive you mad. Not only are you endlessly going over all your interactions with everyone you know, but you'll start to suspect those closest to you as well. This can build to a crescendo, until you actually find that you are being listened to. The lighting early on in this film is a great technique to build the suspense, which just adds to the insanity of communism.