Tomato Kecchappu Kôtei

I recently saw the short b&w version of the movie, the accusation of child pornography is irrelevant. It is obvious it's not Terayama's intention: the nude scenes aren't so much erotic than somehow grotesque and touching. The children appear helpless and clumsy with their power. I saw something of a fable about this vanity: the children unable to understand why they should even HAVE the power, yet wanting it... I didn't know there was a long version of the movie so i imagined Terayama chose an elliptic, poetic, surrealist way of expressing things. He uses images for the power that is inherent to their nature, and not as mere substitute to words. Now i would like to see it in its full length to be sure about all this. Nevertheless, another of his movies, the 1977 20 min. long "Film de l'ombre" ("Movie of the shadow" (?)) definitely demonstrates that his cinematographic language may well be non-direct and poetic. I definitely recommend it to those who like poetry in the cinema (somewhat difficult to stumble upon though). Cheers, Boyan

I have seen both versions of this film and I would have to say that the primary feeling I get afterwards is ambivalence. Now maybe the director was trying to say something and then again maybe he wasn't; ambiguity is often a sign of an artist trying to force the viewer to think, but it is even more often a sign of a lazy and pretentious CON-artist with nothing particularly cohesive to say and no particular idea on how to say it.

Not all that is Ambiguous is art; in just the same way that not everything that is yellow is cheese.

And then there's the whole child porn / not child porn argument, now whether you get turned on or not by watching badly acted scenes of children having sex with adults remains to be seen, and it doesn't alter the fact that there's a hell of a lot of people out there who do.

Now whether the director is trying to say something with full frontal child nudity and sex is up to others to argue about at length rather than me, but nothing makes a cult movie better that questionable content and there is nothing to say that the director wasn't simply being shocking to gain attention.

But I would also point out that we've only got the directors word for it that child porn wasn't his intent.

And for me that is just another reason to be turned off by this movie.

I found this at the West Coast Video in Pittsburg in the middle of a shelf marked "Five Seconds To Live." The synopsis on the back seemed interesting and the guy behind the counter highly recommended it. If I ever see him again, I will shoot him in the throat for saying that.

SUMMARY: This cult B&W Japanese film from the 1970s analyzes the result of a colony in which children overthrow the control of their parents and attempt to form a new society. Their plan spirals out of control and they are soon lost in a web of sexual deviation and violence.

At least that's what I'd like to think it was about.

OKAY NOW, forget what you've seen on Mystery Science Theater 3000; this is quite simply the worst movie I have ever seen. If you have ever wondered what it would look like if you took a bunch of random video clips of absolutely ANYTHING, put them together in an editing program, and pressed a button called "Create Movie," you would get something along the lines of Emperor Tomato Ketchup.

I do not mean to say that this movie is not interesting, by all means it absolutely is. I mean, if you consider the dancing old woman in the field who has about 20 minutes of uninterrupted screen time from a single camera shot, the naked children stuffed into closets, a midget decapitating a chicken, two men playing Rock-Paper-Scissors and physically injuring the loser in various ways over the course of another 20 minutes, and the disgusting abundance of child pornography, it is quite possibly the most interesting video I've seen in a while. But bear in mind that "interesting" and "good" are not synonymous. On many levels, the directors, actors, and all involved, regardless of whatever socio-political significance this movie attempted to create, should be physically abused for making this movie.

If you have the patience, enjoy it in whatever way "enjoy" applies to anything involved in the viewing of this bizarre film, though I recommend making use of your DVDs scan rate to watch this in AT LEAST 8x speed for maximum enjoyment. If not, then you're probably better off that way.

Note: For the record, there are two versions: only black-and-white which is under 30 minutes, another just under 60 in poor-quality sepia tone. They are both equally bad, though it's best to watch them back-to-back starting with the B&W one.

Interesting quirk though: my friend's West Coast Video account got revoked shortly afterward for returning this and another video late, in addition to renting this movie which was marked "Over 21 only" on the cover, despite how one of the clerks recommended it. Unfortunately, the "Who cares if you're 21? Child pornography's illegal for everyone!" argument didn't work.

And I quote... "Do film makers know movies are made for entertainment? And I don't mean comedy, I mean entertainment!"

That is THE most ignorant, most INSULTING comment one could ever write about the possibilities of the "septieme art"! I'm baffled! Literally BAFFLED by your post! *sigh*

I personally haven't seen this film and it could very well be garbage, but it won't be because it's not "entertaining". What is it with people and "entertainment"? The very word has taken on a negative connotation in my book because of all you people who have become accustomed to "fast food films". As if it were a requirement for good cinema. PLEASE!

"Emperor Tomato Ketchup" is pretty typical for an experimental and/or underground film made in the time it was made. Of course it's in black and white, on grainy film stock, and many of the scenes are lit so poorly you can barely see anything, nor tell what's going on.

There's also no dialogue, but a bit of voice-over, and this supposed exposition only makes the movie more confusing. A little seems to allude to the movie's premise, ie. A world in which children have overthrown adults. Most of it, however, tells you nothing. It's just a voice making bizarre, nonsensical statements. You're already trying to work out what it is you're seeing, and then the voice-over only adds more to puzzle you.

If this movie is remembered by anyone, it will probably be for two things: one, the premise, which still seems like it could make an interesting movie if its handling could be less bizarre, and two, the scene in which a young boy is stripped naked by a group of three women, and then we see him rolling around on the bed with one of the women, who is also naked.

It never ceases to amaze me what you can get away with in the world of cinema. If this footage was separated from the movie, it would be called child pornography. And the scene goes on for so long, I kept expecting the FBI to kick my door in.

You could argue it's not porn because it's probably not intended to arouse (though what is it intended for if not that?). How is what that woman did, and the filmmakers by extension, not molestation? I wonder how the kid felt about being made to do that. I remember Mario van Peebles said he was probably traumatised after the sexual scene he had to perform in as a child, with an adult woman, in "Sweet Sweetback's Baadasssss Song". This was far more full on than that. I wonder how the kid felt about it.