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IMDbPro

Ninho de Cobras

Título original: There Was a Crooked Man...
  • 1970
  • R
  • 2 h 6 min
AVALIAÇÃO DA IMDb
6,8/10
5,5 mil
SUA AVALIAÇÃO
Ninho de Cobras (1970)
Home Video Trailer from Warner Home Video
Reproduzir trailer3:00
1 vídeo
99+ fotos
PastelãoComédiaOcidente

Um criminoso encantador, mas totalmente cruel, é enviado para uma prisão remota do Arizona. Ele pede a ajuda de seus colegas de célula em uma tentativa de fuga com a promessa de compartilhar... Ler tudoUm criminoso encantador, mas totalmente cruel, é enviado para uma prisão remota do Arizona. Ele pede a ajuda de seus colegas de célula em uma tentativa de fuga com a promessa de compartilhar seu tesouro escondido.Um criminoso encantador, mas totalmente cruel, é enviado para uma prisão remota do Arizona. Ele pede a ajuda de seus colegas de célula em uma tentativa de fuga com a promessa de compartilhar seu tesouro escondido.

  • Direção
    • Joseph L. Mankiewicz
  • Roteiristas
    • David Newman
    • Robert Benton
  • Artistas
    • Kirk Douglas
    • Henry Fonda
    • Hume Cronyn
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,8/10
    5,5 mil
    SUA AVALIAÇÃO
    • Direção
      • Joseph L. Mankiewicz
    • Roteiristas
      • David Newman
      • Robert Benton
    • Artistas
      • Kirk Douglas
      • Henry Fonda
      • Hume Cronyn
    • 68Avaliações de usuários
    • 36Avaliações da crítica
    • 72Metascore
  • Veja as informações de produção no IMDbPro
  • Vídeos1

    There Was A Crooked Man
    Trailer 3:00
    There Was A Crooked Man

    Fotos144

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    Elenco principal82

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    Kirk Douglas
    Kirk Douglas
    • Paris Pitman, Jr.
    Henry Fonda
    Henry Fonda
    • Woodward W. Lopeman
    Hume Cronyn
    Hume Cronyn
    • Dudley Whinner
    Warren Oates
    Warren Oates
    • Floyd Moon
    Burgess Meredith
    Burgess Meredith
    • The Missouri Kid
    John Randolph
    John Randolph
    • Cyrus McNutt
    Lee Grant
    Lee Grant
    • Mrs. Bullard
    Arthur O'Connell
    Arthur O'Connell
    • Mr. Lomax
    Martin Gabel
    Martin Gabel
    • Warden LeGoff
    Michael Blodgett
    Michael Blodgett
    • Coy Cavendish
    C.K. Yang
    • Ah-Ping
    Alan Hale Jr.
    Alan Hale Jr.
    • Tobaccy
    • (as Alan Hale)
    Victor French
    Victor French
    • Whiskey
    Claudia McNeil
    Claudia McNeil
    • Madam
    Bert Freed
    Bert Freed
    • Skinner
    Jeanne Cooper
    Jeanne Cooper
    • Prostitute
    Barbara Rhoades
    Barbara Rhoades
    • Miss Jessie Brundidge
    Gene Evans
    Gene Evans
    • Col. Wolff
    • Direção
      • Joseph L. Mankiewicz
    • Roteiristas
      • David Newman
      • Robert Benton
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários68

    6,85.5K
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    Avaliações em destaque

    8maxschmeder

    Postmodern yet powerful

    A unique combination of a western and an existentialist black comedy.

    The two foils are Kirk Douglas as a cunning and charming prisoner, and Henry Fonda as his steady and observant warden. They match wits within a teeming ecology of interesting characters. Burgess Meredith is the heart of the ensemble and provides several poignant moments: the bath scene and his reaction to a shooting are unforgettable.

    You'll either hate or love the way "A Crooked Man" subverts the conventions of the genre. The tone of the movie is purposefully inconsistent. One moment, it's sympathetic and moving. The next it's cold and nihilistic. The humor is particularly unique for how it brings slapstick and abstraction together. Consider the way Ah-ping meets his end, or the film's obvious disingenuous portrayal of the schoolteacher's fate. Behind these profoundly idiotic scenes is something profound. One caveat: a pointless and homophobic subplot mars this otherwise perfect film.

    "A Crooked Man" will be a real treat for those who like films that leave the well-beaten path.
    7ksf-2

    jailbreak

    Kirk douglas, henry fonda. After a robbery, pitman is sent off to prison. And he can't stop thinking about escape. The usual prison gags and shenanigans. The wardens come and go, and each time, pitman thinks he has the upper hand. Keep an eye out for alan hale junior (skipperrr !) and burgess meredith (the penguin!) can pitman keep his plan together, make the break, and find the money he hid? It's pretty good. Directed by joseph mankiewicz. Only directed one more after this. He won four oscars!
    7theowinthrop

    The Judgment of Paris

    This is an interesting black comedy, from Joseph Mankiewicz, about the gullibility of man, and how greed can corrupt anyone. Henry Fonda is a lawman, in typical Fonda-style (before WARLOCK and the spaghetti westerns changed his image). He is a firm support for law and order. However, he has been shot and left lame by Warren Oates, a drunken outlaw. He may have to retire as a result sooner than he expected.

    At the start of the film we watch how Kirk Douglas (Paris Pitman) has robbed the home of Arthur O'Connor with his gang. They are killed off in one way or another. Pitman escapes with the money, and hides it in a hole full of rattlesnakes. But later he is captured. Pitman is sent to territorial prison, where he meets Oates, Burgess Meredith (as the legendary Missouri Kid), Hume Cronym and John Randolph (a pair of swindlers who are also a gay couple), and others. The warden is Martin Gabel, who soon makes it clear that if Douglas wants to be out sooner he needs the warden as a partner. But in a riot Gabel is killed, and Fonda is appointed the new warden.

    Fonda tries to reform the prison, improving facilities and setting up an honor system. Douglas, the total cynic, sneers at all this, and makes his own plans. He is not going to rot for two decades or so in prison while a fortune awaits for him. So he starts plotting to get out, and Fonda keeps watching to counter his plotting.

    I won't add anything else, but in the end one wonders if Paris Pitman's view of mankind is the truth of us all or not. The film has wonderful sharp comedy, including the comic put-downs of Cronyn when undercutting the pompous Randolph, and when one sees scenes like Burgess Meredith taking his first bath. I strongly recommend this film to fans of unusual westerns.
    9bkoganbing

    The Bad In Every Man

    For his next to last film Joseph Mankiewicz did his only western and it ain't the west of John Ford or Howard Hawks. There Was A Crooked Man starts with the proposition that every man if given sufficient reason will turn dishonest.

    Kirk Douglas has never been afraid to appear as evil, but next to his performance in The List of Adrian Messenger, the screen's never seen him as diabolically evil as Paris Pittman, Jr. in There Was A Crooked Man. And it's clear from the start just how bad he is when he shoots the only other gang member after robbing miserly Arthur O'Connell of his half a million dollar fortune that he keeps in the house because of distrust of banks.

    So nothing that he does after this should surprise us. But Kirk Douglas is a player of incredible charm, never more so when used for evil intentions. Eventually he's caught and sent to Territorial prison from where he collects a gang of sorts and plots an escape.

    A year after the Stonewall Riots homosexuality finally comes to the west and its depicted in two ways. First John Randolph and Hume Cronyn are a pair of aging gay con men who've pulled one con too many and are in the prison with Douglas in the same cell. Randolph's the flighty one, but Cronyn as it turns out has more talent and more common sense than just about everyone else in the film. That fact saves their lives.

    And that's quite a look of lust that repressed prison guard Bert Freed has for young Michael Blodgett who admittedly is quite something to lust after. Blodgett is scheduled to hang at an undetermined date, but Freed's willing to give him some special consideration for special favors. Which Blodgett is unwilling to give him.

    Blodgett's story is the most tragic one of the lot. He's a 17 year old kid who's caught by a most flirtatious girl's father who cries rape. As the father aims his shotgun, Blodgett throws a billiard ball and the blow is a fatal one. I've always thought if the kid had a good lawyer he could have gotten off, it was self defense. He's really the only innocent in this film.

    The great moral figure in this is Henry Fonda, who's a lawman shot in the performance of his duty and now given the job of prison warden. He's another repressed individual, doesn't smoke or drink, and looks with particular disdain on sexual promiscuity.

    Without giving away exactly what Fonda does in the end, it seems he has no other choice. Douglas in pulling off the jail break has made a total fool of him. They'll be all kinds of inquiries so for Fonda the self righteous his duty is clear unless he wants to kill himself. Which in some cultures would have been the answer.

    But There Was A Crooked Man should be seen for what happens to Kirk Douglas. It is one of the most priceless comeuppances ever delivered on screen.

    Besides Douglas, Fonda, and others I've mentioned look also for good performances from Warren Oates and Burgess Meredith as another two convicts that Douglas takes into his confidence.

    Just as man can rise to noble heights on some occasions, with a little temptation he can fall. That's the unvarnished message of There Was A Crooked Man.
    7Marco_Trevisiol

    very good... but could have been great

    There is so much to like and appreciate about this film that while it's an enjoyable experience, it isn't the great film it should have been.

    Firstly, the script is largely excellent. It has a good plot and characters backed up by interesting dialogue. It has a top-notch cast delivering almost universally quality performances. As well, it has some interesting themes and issues to explore, especially in the central battle between Fonda's warden and Douglas' prisoner. The scene where Douglas confronts Fonda in the just built eating hall and exposes his self-serving interests and hypocrisy, is a great example of top-class screen writing.

    All the elements are there for a classic (or at least semi-classic) Western, but it doesn't quite reach that. Why? I think a big problem for this is Joseph L. Mankiewicz's direction. As other users have commented, the tone of the film is jerky and erratic and he has to take prime blame for that. But even in pure cinematic terms, it isn't well directed. Scenes that should have been highlights (such as the robbery that opens the film) lack punch because they're ineptly handled.

    I think another major problem is the cinematography. The glossy, bright and flashy look of TWACM seems more in tune for a jovial, knockabout, straightforward Western. For a film full of cynicism, complexity (as well as its share of humour) and some rather depressing elements, it's a distracting and misjudged look. The much more realistic style that was to become much more common in films as the 1970s progressed (e.g. 'McCabe and Mrs. Miller') would have been much more apt.

    Overall, an under-appreciated and underrated film worth seeking out. But also a bit of a missed opportunity.

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    Interesses relacionados

    Leslie Nielsen in Corra que a Polícia Vem Aí! (1988)
    Pastelão
    Will Ferrell in O Âncora: A Lenda de Ron Burgundy (2004)
    Comédia
    John Wayne and Harry Carey Jr. in Rastros de Ódio (1956)
    Ocidente

    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      The prison set took seven weeks to build. When construction began, it was snowing. When it ended, the temperature was 100 degrees. Upon completion of filming, the entire set had to be removed and the area it occupied restored to its original pristine state so that no trace would be left.
    • Erros de gravação
      When Pitman is getting beaten up by three men in the prison yard during a heavy rainstorm, there is bright sunshine casting distinct shadows behind them.
    • Citações

      Woodward Lopeman: Don't tell me you can't make speeches. You could talk a coyote out of a chicken!

    • Versões alternativas
      A scene was shot where Miss Jessie Brundidge runs away from the prison completely naked, after having had her clothes torn off piece by piece over the course of the prison riot. Although two images from the shooting of this scene exist, proving that it was indeed shot, it was never a part of the final, finished film for U.S. release, and nor was it ever reinstated for either the VHS or, later, DVD release of the film. Whether the scene was ever added to any of the international releases of the film, however, is unknown.
    • Conexões
      Edited into On location with There Was a Crooked Man. (1970)
    • Trilhas sonoras
      There Was a Crooked Man...
      Written by Charles Strouse and Lee Adams

      Sung by Trini López

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    Perguntas frequentes16

    • How long is There Was a Crooked Man...?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 19 de setembro de 1970 (França)
    • País de origem
      • Estados Unidos da América
    • Idiomas
      • Inglês
      • Espanhol
    • Também conhecido como
      • There Was a Crooked Man...
    • Locações de filme
      • Mojave Desert, Arizona, EUA
    • Empresa de produção
      • Warner Bros.
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Faturamento bruto mundial
      • US$ 15.160
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 2 h 6 min(126 min)
    • Mixagem de som
      • Mono
    • Proporção
      • 2.35 : 1

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