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IMDbPro

A Donzela Disse Sim!

Título original: Take a Girl Like You
  • 1970
  • R
  • 1 h 41 min
AVALIAÇÃO DA IMDb
5,5/10
825
SUA AVALIAÇÃO
A Donzela Disse Sim! (1970)
Official Trailer
Reproduzir trailer2:44
1 vídeo
52 fotos
ComédiaDramaRomance

Adicionar um enredo no seu idiomaYoung teacher Jenny Bunn arrives in Southern England. She attracts attention from local boys, including Patrick Standish. Multiple suitors emerge, vying for her affection as she navigates he... Ler tudoYoung teacher Jenny Bunn arrives in Southern England. She attracts attention from local boys, including Patrick Standish. Multiple suitors emerge, vying for her affection as she navigates her new life and career.Young teacher Jenny Bunn arrives in Southern England. She attracts attention from local boys, including Patrick Standish. Multiple suitors emerge, vying for her affection as she navigates her new life and career.

  • Direção
    • Jonathan Miller
  • Roteiristas
    • George Melly
    • Kingsley Amis
  • Artistas
    • Hayley Mills
    • Oliver Reed
    • Noel Harrison
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    5,5/10
    825
    SUA AVALIAÇÃO
    • Direção
      • Jonathan Miller
    • Roteiristas
      • George Melly
      • Kingsley Amis
    • Artistas
      • Hayley Mills
      • Oliver Reed
      • Noel Harrison
    • 14Avaliações de usuários
    • 21Avaliações da crítica
  • Veja as informações de produção no IMDbPro
  • Vídeos1

    Take a Girl Like You
    Trailer 2:44
    Take a Girl Like You

    Fotos52

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    + 46
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    Elenco principal26

    Editar
    Hayley Mills
    Hayley Mills
    • Jenny Bunn
    Oliver Reed
    Oliver Reed
    • Patrick Standish
    Noel Harrison
    Noel Harrison
    • Julian Ormerod
    John Bird
    John Bird
    • Dick Thompson
    Sheila Hancock
    Sheila Hancock
    • Martha Thompson
    Aimi MacDonald
    • Wendy
    • (as Aimi Macdonald)
    Geraldine Sherman
    • Anna
    Ronald Lacey
    Ronald Lacey
    • Graham
    John Fortune
    John Fortune
    • Sir Gerald Culthorpe-Jones
    Imogen Hassall
    Imogen Hassall
    • Samantha
    Pippa Steel
    • Ted
    Penelope Keith
    Penelope Keith
    • Tory Lady
    Nicholas Courtney
    Nicholas Courtney
    • Panel Chairman
    George Woodbridge
    George Woodbridge
    • Harry
    Jimmy Gardner
    • Voter
    Nerys Hughes
    Nerys Hughes
    • Teacher
    Jean Marlow
    • Mother
    Howard Goorney
    • Labour Agent
    • Direção
      • Jonathan Miller
    • Roteiristas
      • George Melly
      • Kingsley Amis
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários14

    5,5825
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    10

    Avaliações em destaque

    7BetaMaxine

    Worth a look for Mills fans

    As a Hayley Mills fan I was curious about the pairing of her with Oliver Reed. It's like putting a little lamb with a hungry wolf. Mills comes to town to take a teaching position. She moves into a boarding house run by a local boozy politician and his unhappy wife. She meets Oliver Reed who comes by to visit another young woman who lives in there. He takes Mills out to dinner and back to his place only to discover that she is a virgin. One of the few left. She tells him she wants to wait until she's in love. Reed delivers her back home. He's intrigued but is distracted by other more available women. Reed and Mills have an interesting chemistry, he's intense and slightly dangerous and she's innocent and inexperienced. The ending had a little twist that I found myself rooting against, before arriving at a more conventional finale. Worth a look.
    7christopher-underwood

    Not many people seem to like this

    Not many people seem to like this film and it maybe that Hayley Mills seemed rather young for her age at 24 because of course she had been a child actor. But also the film had been a book by Kingsley Amis ten years earlier and things were changing fast at the time. I still liked it though even if it is rather odd for Mills and Oliver Reed to be thinking of having sex as if they were not quite as young as they thought. Both are very good and even if some of those around her are really strange, like John Bird as a Labour MP and Sheila Hancock seems completely lost, although Rex Harrison's son Noel is rather splendid. Jonathan Miller had previously directed on TV the wonderful Alice in Wonderland (1966) and George Melly had written previously Smashing Time (1967) which would have been more appropriate for the time.
    3moonspinner55

    Deflowering Miss Mills...

    Exceptionally slight and meandering comedy has Hayley Mills portraying a twenty-ish girl from Northern England who relocates to London to teach school, taking a room in a boarding house and getting pawed at by various randy men. Of course, being a determined virgin until true love sets in, our heroine keeps all the beggars at bay. Adapted from a novel by Kingsley Amis, this a sex comedy with no sex in it. The Swinging Sixties having passed, what we get here is a rather staid and starchy London, and one quickly loses interest in the character's predicament since her rigid stance fails to propel the slim plot (even though Mills herself is a lovely screen presence). Best performance is given by Oliver Reed as a confirmed bachelor eager to deflower the pretty lass--even if it be on her terms. A few funny moments, but lazily put together and nearly crippled by a terrible finish. *1/2 from ****
    3Bribaba

    Carry On Chastity

    Take a girl like Hayley Mills, Britain's professional virgin for much of her career, and so who better to play the part of Jenny Bunn, the new girl in town who has yet to have her cherry popped. Barely has she got out of the taxi before she's accosted by local lothario Patrick (Oliver Reed), slavering at the chops at the prospect of fresh meat. He's as slimy as slime can be but you wonder if the (male) writers see him this way, or whether they regard him as a kindred spirit. The narrative proceeds along a familiar will-she, won't-she path, with less than hilarious consequences.

    You don't really expect Dr Jonathan Miller, Kingsley Amis and George Melly to come up with a feminist tract, but you'd think they would be capable of producing better dialogue rather than the terrible twaddle they peddle here; e.g. "don't blow your cool over Patrick, dinner will be groovy". To add to the grief there's the usual line-up of British 'character actors' hamming it up like mad, turning it into a kind of Carry On Chastity, but without the laughs. The source novel by Amis was written in the 50s but the film, made in 1970, updates this only stylistically. It didn't seem to occur to anyone that this would make it seem even more anachronistic than it was when the story was first published
    4JamesHitchcock

    Critical and Commercial Flop- And I Can Understand Why

    Following an unhappy love affair, Jenny Bunn, a pretty twenty-year-old, moves from her home town in the North of England to work as a primary school teacher in a Home Counties dormitory town near London in order. Most of the plot revolves around Jenny's relationship with her 30-something boyfriend Patrick Standish, and around their contrasting moral values. Jenny holds firmly to the traditional view that a girl should remain a virgin until marriage. Patrick takes a much more permissive view of love and sex. The central issue is essentially whether Patrick will be able to get Jenny into bed with him, and whether he will be able to do so without having to marry her. (He has no interest in getting married, to Jenny or anyone else, but he is very interested in having sex with her).

    Kingsley Amis' novel was published in 1960, a few years before it became fashionable to talk about the "permissive society". Nevertheless, there was already a feeling in certain quarters that society ought to become a good deal more permissive, at least where sex was concerned, than it already was, and that values like Jenny's were becoming increasingly old-fashioned and outdated. Patrick was the main representative of this viewpoint in the novel, but he was far from being the only one. Jenny's good looks meant that she had to fend off attempted seductions not only from Patrick but also from her sleazy middle-aged landlord Dick Thompson, from Patrick's Scottish flatmate and teaching colleague Graham, from Julian Ormerod, another friend of Patrick, and even from her own female flatmate Anna Le Page.

    The film makes a few differences to Amis's plot. Patrick, a master at a public school in the original, here becomes a lecturer at the local technical college. Graham and Anna play less important roles here than they did in the book, and Julian a more important one. Julian is clearly wealthy, and tries to live the lifestyle of a country gentleman, but the source of his wealth remains a mystery, and there is a hint that it may not be entirely above board. In the book he is older than Patrick, but here they are around the same age.

    The film transfers the action from the early sixties to the end of the decade. Several other reviewers make the point that the British moral climate had changed considerably between 1960 and 1970 and complain that the film did not really reflect this change. There may be some truth in that, but there wouldn't have been much of a film if there was no more to it than "Patrick wants to sleep with Jenny. Jenny is happy to sleep with Patrick. The End". In any case, there were probably still plenty of girls in 1970 who wanted to save their virginity until their wedding night, even if not quite as many as there had been in 1960.

    Amis's novel does not have a great deal of plot, being more concerned to draw a social-realist picture of a particular place at a particular time, a small town in the South of England in the early sixties. This makes it a difficult novel to adapt for the screen, and George Melly's script is not a very interesting one. The cast features some well-known figures from the British acting profession, but none of them make much impression, except perhaps for Sheila Hancock as Dick's cynical, long-suffering and sharp-tongued wife Martha.

    Oliver Reed as Patrick is too crude; Amis's character may have been a cad, but he was also handsome, intelligent and charming enough to persuade Jenny to stick with him despite his obvious lack of principles. Reed is charmless enough to make her run a mile. Hayley Mills as Jenny is rather dull; she was never to have as much success in adult roles as she had had as a child or as a teenager. And Ronald Lacey as Graham should have won a special BAFTA for "Worst Attempt at a Scottish Accent"; if they couldn't have found a Scottish actor to take the part, they should have rewritten the script to make Graham English.

    This was the only feature film to be directed by Jonathan Miller. Miller had already become known for directing television dramas such as a version of "Alice in Wonderland" and the M R James adaptation "Whistle and I'll Come to You", and was later to direct many theatrical and operatic productions, so I was surprised to learn that "Take a Girl Like You" was his only excursion into the world of the cinema. Perhaps he was dissuaded from any further such ventures by the film's lack of success; it flopped both with the critics and at the box office. Having seen it, I can well understand why. 4/10.

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    Enredo

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    Você sabia?

    Editar
    • Curiosidades
      This is the only theatrical movie directed by Jonathan Miller.
    • Erros de gravação
      The opening title sequence shows a train. It is hauled by a BR Class 47 diesel loco. The first carriage is BR Mk1 full brake. The next scene is that of a train pulling into a station. This train is though is hauled by a BR Class 35 diesel (smaller than a 47). The first carriage is now a BR Mk1 composite brake.
    • Citações

      Martha Thompson: My old man made a pass at you yet? Not to worry, he will. Just give him a kick in the crotch.

    • Conexões
      References Come Dancing (1949)
    • Trilhas sonoras
      Take A Girl Like You
      Composed by Bill Martin and Phil Coulter

      Sung by The Foundations

      [Title song played during the opening credits, and again in the lead up to the end credits]

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    Perguntas frequentes

    • How long is Take a Girl Like You?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 31 de dezembro de 1970 (Reino Unido)
    • País de origem
      • Reino Unido
    • Idiomas
      • Inglês
      • Francês
    • Também conhecido como
      • Take a Girl Like You
    • Locações de filme
      • The George Inn, 29 Windsor Road, Wraysbury, Staines-upon-Thames, Surrey, Inglaterra, Reino Unido(Jenny, Graham, Anna and Patrick meet Wendy at the pub)
    • Empresa de produção
      • Albion Film Corp. (I)
    • Consulte mais créditos da empresa na IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      1 hora 41 minutos
    • Proporção
      • 1.33 : 1(original ratio)

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