Roy Colt & Winchester Jack

This is the only western that I know of that was directed by the great Italian horror director Mario Bava. He directed quite a few non-horror movies, but his true talent is mainly exhibited within the categories of horror and giallo. His other films usually aren't meant to be taken very seriously, and this one is no exception. That having been said, this film is still lots of fun to watch, especially if you are a spaghetti western fan.

The music score is great. The trumpet, guitar and organ music set the proper tone for a spaghetti western.

The acting seems about average for a Eurowestern. Marilu Tolo is beautiful as Manila, and she steals the show by doing the best acting out of the entire cast, as well as being so nice to look at. The character called "the reverend" is very annoying, and suffers from some very corny translation in the subtitles. I probably would have given this movie a higher rating if it had been dubbed in English, since I prefer watching westerns that way. They could have at least done a better job with the subtitles! This movie is a bawdy, humorous spaghetti western, not the dark and vengeful kind one might expect from a director of horror movies. The humor misses in a couple of parts, but works pretty well in general if you recognize this as a light-hearted film. The story is one of those in which everyone double crosses one another in the search for gold. It is typical, but engaging and fun. There is a twist at the end, but I saw it coming about 10 minutes into the film.

This one's not bad, and all connoisseurs of the spaghetti western should see it at least once.

Typical Italian western, made at the time when producers wanted to cash in on the success of Sergio Leone's IL BUONO, IL BRUTTO, IL CATTIVO. Plot about three gunslingers (Halsey, Southwood and Corrà) is clearly a rip-off and nowhere as funny or clever as the Eastwood western; too often it resorts to low-brow comedy. Some typical directorial touches, nice photo-graphy (by Antonio Rinaldi) makes film worth watching for Bava completists. Nice score by Piero Umiliani.

Roy Colt and Winchester Jack (1970)

* 1/2 (out of 4)

Spaghetti western directed by Mario Bava about two outlaws (Brett Halsey, Charles Southwood) trying to find a treasure. Outside some nice cinematography this film is pretty much a wasted effort for everyone involved, especially the director. I'm a fairly big fan of Bava but this here certainly ranks down at the bottom of his filmography. The film goes for way too many laughs, which is okay if any of them were actually funny. In the end the film is basically a rip of The Good, The Bad and the Ugly as well as Butch Cassidy and the Sundance Kid. There are a few good moments but not enough to make it worth watching.

Silly and funny Western about two drifters carry out several adventures , saloon brawls and resolve conflicts among nasty robbers that want to take a treasure . This is a serviceable comic spaghetti western which doesn't take itself too seriously . This good natured comic spaghetti packs diverting elements , tongue-in-cheek , thrills , shootouts , fighting , explosions , and results to be quite entertaining but middling . It is set California, the 1870s . Roy Colt (Brett Halsey) and Winchester Jack (Charles Southwood) are outlaws and although they are good friends , they cannot get along peacefully . Meantime , a beautiful Indian (Marilú Tolo) helps both drifters and plays both sides against each other . They take on a sadistic priest-turned-crime boss , nicknamed The Reverend (Teodoro Corrà) , and his hoodlums , who attempt to rob a valuable treasure . Roy then decides that he has enough of being an outlaw and leaves the bunch in search of a good , honest job as a sheriff in nearby Carson City . Roy , Winchester and his cohorts foil the planned robbery to keep the treasure for themselves . Our two not so upright heroes rob the robbers but, needless to say, get distracted by the gorgeous Indian girl .

Comical Spaghetti Western about a simple and plain plot , as two outlaws compete with each other over a treasure map , being realized in Terence Hill/Bud Spencer style and considered to be rip-off of the Trinidad and Bambino westerns . The film is plenty of fistfight between Brett Halsey and Charles Southwood over who will take the treasure and who will become sole leader of their band . This is a slightly funny film with entertaining as well as bewildering events , giggles , craziness , twists and lots and fun . In ¨Roy Colt and Winchester Jack¨ there are pursuits , stagecoach attacks , crossfire , saloon brawls , cutthroats gunslingers and many others things . This bemusing movie is packed with tongue-in-cheek , slapstick , a steady stream of gags , lively situations abound , sheer belly laughs , crazy humor , too much fun and to be perfect for youngsters . It's a middle-budget film with ordinary actors , technicians , decent production values and poor results . There is plenty of action in the movie , guaranteeing some fights , shoot'em up or stunts every few minutes . Mediocre Western All'Italiana made in laughable style with a screenplay written by Mario Di Nardo , including amusing dialogue , silly situations , plot twists and turns . Filmmaker Mario Bava often uses disconcerting and surrealist situations to give us a passable movie plenty of funny happenings as well as absurd incidents ; and that , at least , kept me entertained for the almost half an hour of duration . The cast and support cast are passable . As sympathetic acting by starring trio : Brett Halsey , Charles Southwood and Marilù Tolo as a young Native American woman . Furthermore , there appears ordinary secondaries of Spaghetti Western , such as : Guido Lollobrigida or Lee Burton , Bruno Corazzari , Federico Boido or Rick Boyd and Franco Pesce , among others .

Roy Colt and Winchester Jack was regularly directed by Mario Bava . This was one of the films on which Mario Bava's son, Lamberto Bava , began his career as his father's assistant ; Lamberto would latter become a director himself , winning a successful career . Mario was the main creator of Italian ¨Giallo¨ genre , Bava ("Blood and Black Lace", ¨House of exorcism¨ , Black Sabbath¨) along with Riccardo Freda (¨Secret of Dr. Hitchcock¨ , ¨Il Vampiri¨) are the fundamental representatives . In fact , both of whom collaborated deeply among them , as Bava finished two Fedra's films ¨Il Vampiri¨ and ¨Caltiki¨ . These Giallo movies are characterized by overblown use of color in shining red blood , usual zooms and utilization of images-shock . Bava directed all kinds of genres such as , Sci-Fi : ¨Planet of Vampires¨ , Peplum : "Hercules in the Center of the Earth" , ¨Battle of Marathon¨ , Historical : "Erik the Conqueror" , "Viking Massacre" and Western : "The Road to Fort Alamo" , ¨Ringo from Nebraska" and this ¨Roy Colt and Winchester Jack¨.

A rollicking spoof of the Spaghetti Western genre, "Roy Colt & Winchester Jack" offers some fun for fans of the genre, although ultimately it's awfully silly stuff. American actors Brett Halsey and Charles Southwood star as the title characters, members of the same outlaw gang. Roy goes his own way, hoping that he'll be able to successfully go straight. But Roy, Jack, and others all end up on the trail of some hidden gold, with other people such as flamboyant villain "The Reverend" (Teodoro Corra) and self-serving, materialistic Indian prostitute Manila (Marilu Tolo) also playing key roles in the proceedings.

Although a far cry from the best work of Italian maestro Mario Bava, it's still a definite curiosity that his admirers will want to check out. It's a real change of pace for the filmmaker; rarely did he embrace comedy this thoroughly. While not always terribly funny - it does wear a little thin - it can't be denied that it's a very lively film that delivers some reasonably rousing action scenes. The performances are suited to the material. Halsey and Southwood have good chemistry; both are handsome, charismatic stars. Corra is way over the top as the effeminate bad guy who absolutely hates the feeling of being cold. But it's the gorgeous Tolo who often steals the show; her character really is something. In one hysterical sequence, she insists that Jack take a bath - in cold water - before she'll agree to make love to him.

Bavas' creation of visuals and camera work are typically stylish, helping to keep this modest diversion watchable for a decently paced 86 minutes. It definitely ends on a real high note.

Six out of 10.