Rio Lobo

Involving and fascinating Western with crisp action , masterfully directed by Howard Hawks , being a take-off based on ¨Rio Bravo¨ and ¨El Dorado¨ mold . After the Civil War, Union ex-Colonel Cord McNally (John Wayne ) searches for the traitor whose perfidy originated the defeat of his unit and the loss of a close friend (Edward Faulkner) . The Duke then out to settle some old scores . In addition to an ex-Confederate officer (Jorge Rivero ) and an ex-sergeant ( Chris Mitchum) with whom he forms an uneasy alliance . They go to a little town called Rio Lobo where rules an ominous marshal (Mike Henry) and a heinous baron land named Ketchan (Victor French) . But the Duke takes prisoner Ketchan and imprisons him into jail for being brought to justice . Then he takes on a blockade of gunfighters and the nasty sheriff is out to get his kill-crazy boss . Duke along with a shotgun-toting old loony (the scene-stealing Jack Elam) are besieged and only helped by the Mexican/French ex-captain and the hot-headed Sergeant Tuscarora .

Action western, snappy dialog , shoot-outs at regular intervals, and humor abounds in this magnificent film whose roles are splendidly portrayed . It packs larger-than-life characters, uproarious events and lively happenings. The Duke carries strong acting on his brawny shoulders and perfectly does. It's basically a lighthearted , upside B Western and being mainly lifted out by veteran Jack Elam 's wonderfully acting as a half-crazed sympathetic old man , whose finger itches demoniacally on the trigger every time he gets a nasty guy in his sights . And of course, top-drawer John Wayne , few stars could match his ability to dominate a scene . Delightful supporting cast formed by several youthful costars as Chris Mitchum , Robert's son who starred Rio Bravo ; a gorgeous Jennifer O'Neill , recent his hit in Summer of 42 ; Sherry Lansing's last movie as an actress who married William Fredkin and future Paramount studio head ; Susana Dosamontes who married a magnate and gave birth the singer Paulina Rubio . Glittering Technicolor cinematography by William H Clothier who adds much to the setting of this unique Western . Marvelous musical score by Jerry Goldsmith including emotive guitar playing . This overlong, too much-acclaimed and very gripping Western will appeal to John Wayne fans . Rating : Above average, essential and indispensable Western , a masterpiece horse opera whose reputation has improved over the years . The motion picture is well directed Howard Hawks supported by John Wayne , it's a nice Western made by these two giants . Hawks proved to be a Western expert as ¨Big sky¨, ¨The outlaw¨ and ¨Red River ¨.

Rating : Good and great fun , though over lengthy and displays a number of similarities to previous ¨Rio Bravo¨ , quintaessential Hawks Western at the peak of his powers , starred by Walter Brennan , Ricky Nelson , Angie Dickinson and ¨El Dorado¨ with James Caan , Edward Ashner and Arthur Hunnicut virtual retreat of the previous role played by Walter Brennan and again by Jack Elam in ¨Rio Lobo¨in this second reworking of Rio Bravo; and of course the great John Wayne who repeats in the excellent trilogy .

As you might have noticed in some of my other reviews of John Wayne films, I am not exactly a huge fan of his later films (during the last 10 years of his life)--though there are exceptions, such as THE SHOOTIST. It's because the films look like they were just churned out--with occasionally silly scripts and Wayne playing more a caricature of himself than acting like he did in earlier films. Plus, in many of these films the supporting cast just seemed second-rate. This movie is a prime example of a second-rate cast. While Wayne is fine, there just isn't a lot of real support from anyone--no ensemble cast of Harry Carey (Junior OR Senior), Ward Bond, James Arness or even John Agar! Now considering some of these people were dead when the film was made, I could certainly understand the decision NOT to put them in the film. But, couldn't they have gotten some better actors instead? The only one worth watching was Jack Elam (who was GREAT) but he was only in the last half of the film and could have used a lot more screen time as the crazy old man. Although I've seen this movie 3 or 4 times, I can't even remember WHO the two supporting Confederate soldiers were or even what they looked like--and that's very unusual for me. The three ladies, though pretty, were also equally bland.

So, overall this is a decent time passer for the average viewer (you can take it or leave it) and important for fans of John Wayne.

After an excellent start with the train ambush, the movie loses steam and never really picks up, an unhappy way for a great director like Hawks to bow out. But I did not get too bored and was happy enough to stick it out to the end, even though the writing is too flat and derivative with echos of half a dozen better movies. Rivero lacks the charisma that could have helped to save things but I do not think O'Neill is as bad as some reviewers claim – not expressive enough with her dialogue at this stage but I think you can see the spark that gave her a respectable career in movies. But, as usual, Wayne saves the day. Even in a disappointing movie like this, that enormous screen presence reminds you just what a great star he was.

When I decided to write a review of Rio Lobo, I had every expectation of visiting the website and finding that the movie's weighted average was a 2.5. I was pleasantly surprised to see that it's a 7.5, and that's actually a half-point higher than my own score. To cut to the chase: I liked Rio Lobo.

It was fashionable in 1970 to trash Rio Lobo because (a) it was the supposedly feeble, last effort of a great director, Howard Hawks, who had supposedly lost interest in the picture; (b) it was too derivative of Rio Bravo and El Dorado; (c) the Duke was too old to play the part of a cavalry colonel (to say nothing of being too big; the average cavalryman in the Civil War was 5'7" and 135 lbs.); (d) the supporting cast was pathetic; (e) the production values were poor; and (f) the movie paled in comparison to Little Big Man, which was released at the same time. Much of the criticism was true. But, it was fun to watch, anyway.

Ford had his cavalry trilogy, and Hawks had his Rio trilogy, and the Duke was in all six of them. The Ford set is a cut above the Hawks set, but all six films are worth watching. Ford was working with Wayne (1947-50) at a time when Wayne's acting ability was still very much in question. And Ford succeeded on every level, especially in She Wore a Yellow Ribbon, where the character development of Capt. Nathan Brittles (Wayne) is nothing but sheer genius. Hawks, on the other hand, had (by 1959, in Rio Bravo) a very established star, and was thereby free to dwell more on story telling than he was on character development. Besides, with those amazing exteriors, the cinemagography alone was worth the cost of admission to all six pictures.

The Duke was too old to play a romantic lead in this picture (but so was Cary Grant in his last picture, Walk, Don't Run, when he, too, was about 63 years-old.) The fact that he was not a "threat" to O'Neill's character (in those pre-Viagra days) was nothing more than an extension of the persona the Duke captured the year before in True Grit, and would continue to build on in such films as The Cowboys and The Shootist. Let's face it: Wayne was becoming a likeable old coot.

Hawks was, according to reports, disappointed in Jennifer O'Neill, and by the last reel, her part has been cut in favor of Sherry Lansing's part. (Hawks did the same thing to John Ireland's part in Red River, 30 years earlier.) Actually, O'Neill didn't do THAT bad. My problem with her is that she couldn't decide whether she would play her part as the New York high-fashion model that she was, or as Kim Darby reprising her role in True Grit. At times, O'Neill's semi-imitation of Darby gets on one's nerves.

And, Hawks was rightfully disappointed in the desultory performances of the supporting cast, with the exception of Lansing and Jack Elam. The Confederate cavalry captain: He might as well have been created by computer graphics, for all the vitality he brings to the role. But, take a look at the stock players, including Hank Worden ("Old Mose" in The Searchers) and Jim Davis (Jock Ewing of Dallas fame). These are virtually cameos, if not walk-on parts, but they are effective.

I do not think Hawks gave up on this film, at least, not to the extent that people have claimed. Yakima Canutt ably handled the second unit, and the train hijacking he directed (with Hawks' help) was unusual and exciting; the cinematography, but for the occasional lighting or filtering error, was acceptable; and the editing was fairly crisp. The interior sets were shabby, that is true.

But what carries the picture is the wonderful dialogue, and Wayne. The dialogue is "pure Hawks": spare, unambiguous, natural, and realistic. Wayne's onscreen personal is so great, and his presence so magnificent, that all of the films shortcomings are rendered irrelevant.

Thank you, Mr. Hawks. Well done.

OK, put down the film criticism texts and just watch this fun movie for what it is. Feels like a TV movie, but several cuts above one. The opening train robbery sequence is pretty damn breathtaking for a "bad" movie. Bet some action directors have studied that one. "Lobo" is collection of a lot of good Hawks-ian moments recycled, sort of like a retrospective of his bag of tricks ie. "Yer necks broken," etc. The Duke aging, beat up, but still The Duke. Sherry Lansing pretty hot looking in her one role. Jack Elam the scene stealer. Too bad they didn't have the money to cast the other parts better--Mitchum or Martin would have helped a lot. Duke looks a little lonely. Plot sorta strung together, but Hawks was concentrating more on characters in his Bravo/Dorado/Lobo "trilogy." "Smart" dialog, while not up to 30s & 40s banter, still has clever moments by today's standards. Clever rifle bit at the end shows old timers' practical knowledge of things, like weapons. If you like old westerns, you'll like this one. Not among his greatest, but low end Hawks is better than no Hawks. I've seen much thinner stuff win awards.