Bonecas Acorrentadas

Good tough thriller with a smashing if somewhat protracted speedboat chase.

Best performance comes from Vladek Sheybal, who along with Anton Differing seemed to have a monopoly on playing villainous characters particularly in the 70's.

Don't you just love it when you stumble across an unknown movie and discover it to be an instant favourite? That's the case with PUPPET ON A CHAIN, a virtually forgotten Alistair MacLean drug smuggling thriller that turns out to be one of the most entertaining of '70s thrillers. With shades of Bond and a wonderful setting in the atmospheric city of Amsterdam, this is up there with the best of genre a la the two FRENCH CONNECTION movies.

Sven-Bertil Taube is the solid lead, playing an American agent dispatched to the Netherlands to break up a drug-smuggling ring. Once there he finds himself pursued by an assassin while investigating some shady business ventures that may well be the front for heroin smuggling on a grand scale. The story is fine, but it's the action that makes this a class act: there's a speedboat chase to rival the ones in LIVE AND LET DIE and AMSTERDAMNED alongside plenty of other great suspense and action sequences.

Director Don Sharp, famous from his work for Hammer Studios, contributes to the action and stunts, in particular helping shoot the aforementioned speedboat chase which is the definite highlight and might be the best thing Sharp ever did. Elsewhere, a decent cast of character actors has been assembled, with unique-looking faces filling the cast list. The only thing this film needs now is a decent Blu-ray release...

Truly atmospheric Euro-thriller from the early seventies, boasting one of the best chase sequences ever, and a plot riddled with holes.

US Agent Paul Sherman (Taube) arrives in Amsterdam to investigate drug trafficking between Holland and the US. Together with undercover agent Maggie (Parkins) he begins to close in on the villains...

Given that Sherman and Maggie are working together, they don't seem to share much information. If they had debriefed each other a little more thoroughly, much of what eventually transpires could so easily have been avoided (e.g., how come Maggie fails to tell Paul about the dodgy nuns and the bibles she witnesses in church?). This (and the unexplained accents - a Swede playing a Dutch-American, a Brit and a Canadian playing Dutch) aside, it's action-packed, makes great use of its Dutch locations, and has a nice twisty ending.

Extra-groovy nightclub scene too!

I've grown up reading Alistair McLean's books and I have watched a couple of movies based on his books. There are some pretty good ones made. But this one is probably the best. Mainly because the characters are pretty interesting and the story line is one of the most original ones you will come across (considering the fact that this is as old as 1972!). Movies on drugs/drug trafficking etc. have been inspired from this slick pic! The hero (Sven Bertil-Taube) is cool as a cucumber (just the way McLean sketched it) .. and he suits his role to the hilt. The plot is usual McLean and the concept is WOW! No review of this film is complete without a mention of the Speed Boat chase in the canals of Amsterdam. My Gawd' ! The "French Connection" road chase, the "Ronin" road chase, the "Tomorrow Never Dies" speed boat chase around the Millennium Dome are all inspired by this superbly crafted sequence which is interspersed with aerial shots, close-ups, action shots and more. Even without a background score, this sequence is great! This movie is a MUST WATCH! :-)Enjoy!

The speedboat chase in the Amsterdam canals in this film is actually being copied by Dutch director Dick Maas in his 1988 film 'Amsterdamned'. I always thought how original it was to have such an out of the ordinary, yet in Amsterdam obvious chase, but apparently it is less original as I thought. In the 18 year older 'Puppet on a Chain' the chase is as vivid and dynamic as in Maas' film, although one detail in Amsterdamned should catch the viewer's attention. Just like in Puppet on a Chain, the villain almost crashes his boat into an oncoming barge, a thrilling moment. In 'Amsterdamned' this barge has a fanfare band, conducted by 'actor', and Holland's famous Oscar-winning documentary director Bert Haanstra. It makes the already exhilarating scene more colourful, and provides it with a light touch. This detail encapsulates an often noticeable and important difference between English and Dutch film-making if you ask me; It seems that in Dutch films a doses of ridiculing of a serious action or scene is indispensable. Fact of the matter is that the 'original' film, Puppet on a Chain, is more believable because of its absence of this ridiculing. I also find it very interesting to see sceneries of my home country (Holland) in such a serious crime intrigue, where BTW everybody speaks British English!