Adicionar um enredo no seu idiomaA 300-year-old witch terrorizes a college town to get revenge on the descendant of the man who persecuted her.A 300-year-old witch terrorizes a college town to get revenge on the descendant of the man who persecuted her.A 300-year-old witch terrorizes a college town to get revenge on the descendant of the man who persecuted her.
Marie Santell
- The Witch
- (as Marie Santel)
Sande Drewes
- Marybeth
- (as Sande Drews)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
This movie had potential in its storyline. Very enthralling basis about a witch who is summoned to the twentieth-century and wreaks havoc upon the descendent of the man who is her lover and persecutor centuries before. While this plot is fascinating, the film itself flounders with typical and hackneyed evil spells and tricks used by the witch, which make the true fiber of the story into a peripheral byline until the very end. I saw this movie in the early eighties and the fact that I can remember so much about the storyline is a testament to what this movie could have been. However, it is a big disappointment and you will kick yourself for having wasted your time to watch it.
What I liked about this movie:
I don't know what film stock this was shot on, but it gives the movie a distinct look. Deep blacks and the colors haven't faded much, which is unusual for a 40-year-old movie. I assume it was done using the color process that preceded the one that was so prone to fading and that gave so many 70's movies their washed out look.
Some of the photography was quite nice, as when they're sitting around a table doing a ritual near the end.
The soundtrack, consisting of the ominous blips and drones of an analog synthesizer, was very effective, and the singsongy, a cappella piece done by Trella Hart over the opening credits was downright eerie.
The actress who played Jill (Anitra Walsh), even if I wasn't mesmerized by her performance, was a doll, which made her scenes a pleasure to watch.
On the down side, the acting was amateurish, going from the bad acting typical of low-budget movies to the two main female characters (Margery of Jourdemain and Jill) delivering overwrought monologues like they were in a stage play (good actors like Vincent Price can get away with that sort of thing in movies, but these two just came off like members of a high school drama club).
The woman who played Margery of Jourdemain (Marie Santel) was every bit as hideous as Anitra Walsh was gorgeous. With her botched nose job, she looked like Michael Jackson.
I found the story hard to follow at times and it seemed like there were holes in the plot (though maybe I missed something). I think the writers were trying to be clever by inserting unpredictable plot twists, but the execution was so poor that it just made the story incoherent. At times it seemed the filmmakers couldn't decide whether they were creating a horror movie or a comedy (a movie can be both, of course, but in this case the combination didn't work).
The movie was a mixed bag. It had good atmosphere but I had trouble getting into the story and characters. Overall, with a 5 out of 10 being the middle, I think this movie was more good than bad, so I'm giving it a 6 out of 10. I watch a lot of old horror movies and this one is more memorable than many, despite its flaws. Worth a look if it's running on TV or you see it for rent at a video store.
I don't know what film stock this was shot on, but it gives the movie a distinct look. Deep blacks and the colors haven't faded much, which is unusual for a 40-year-old movie. I assume it was done using the color process that preceded the one that was so prone to fading and that gave so many 70's movies their washed out look.
Some of the photography was quite nice, as when they're sitting around a table doing a ritual near the end.
The soundtrack, consisting of the ominous blips and drones of an analog synthesizer, was very effective, and the singsongy, a cappella piece done by Trella Hart over the opening credits was downright eerie.
The actress who played Jill (Anitra Walsh), even if I wasn't mesmerized by her performance, was a doll, which made her scenes a pleasure to watch.
On the down side, the acting was amateurish, going from the bad acting typical of low-budget movies to the two main female characters (Margery of Jourdemain and Jill) delivering overwrought monologues like they were in a stage play (good actors like Vincent Price can get away with that sort of thing in movies, but these two just came off like members of a high school drama club).
The woman who played Margery of Jourdemain (Marie Santel) was every bit as hideous as Anitra Walsh was gorgeous. With her botched nose job, she looked like Michael Jackson.
I found the story hard to follow at times and it seemed like there were holes in the plot (though maybe I missed something). I think the writers were trying to be clever by inserting unpredictable plot twists, but the execution was so poor that it just made the story incoherent. At times it seemed the filmmakers couldn't decide whether they were creating a horror movie or a comedy (a movie can be both, of course, but in this case the combination didn't work).
The movie was a mixed bag. It had good atmosphere but I had trouble getting into the story and characters. Overall, with a 5 out of 10 being the middle, I think this movie was more good than bad, so I'm giving it a 6 out of 10. I watch a lot of old horror movies and this one is more memorable than many, despite its flaws. Worth a look if it's running on TV or you see it for rent at a video store.
I don't know of that many time traveling horror movies like this from around it's time so the script was a bit daring. The acting is pretty normal for its time and once it gets going I found it pickings up. The acting and creative directing reminded me a lot of The Evil Dead (1981) actually so there's really little to complain about.
The excessive use of painful and distracting synth sounds and uneven volume through out the movie would have to be the low points. Apart from the underwhelming and substandard sound work on the movie I found it easy to follow, a little over-acted at the start but it unraveled consistently and was easy to follow. Definitely under-rated but it doesn't fall into the gem in the rough category, well not a highly valuable gem anyhow. It's okay, just don't expect The Exorcist.
I found it a little sad in way, as this movie to me depicts an end to a great era.
The excessive use of painful and distracting synth sounds and uneven volume through out the movie would have to be the low points. Apart from the underwhelming and substandard sound work on the movie I found it easy to follow, a little over-acted at the start but it unraveled consistently and was easy to follow. Definitely under-rated but it doesn't fall into the gem in the rough category, well not a highly valuable gem anyhow. It's okay, just don't expect The Exorcist.
I found it a little sad in way, as this movie to me depicts an end to a great era.
During some sort of witchcraft party, a group of young adults all decide to have a séance. They summon the witch using a chant they found in some book, but it seems like nothing happens. But something did happen. The main character is possessed by the witch and goes on a murderous killing spree! Of course, since this was a low-budget film made in the early seventies, all the lines are incredibly cheesy and bad. Lines like "I like girls dumb, but you're pushing it!" and stupid things of that nature are said.
I saw this movie because the guy that played Harry was my drama teacher.
I saw this movie because the guy that played Harry was my drama teacher.
I got the opportunity to watch the recently unearthed R-rated version of this movie (the movie was cut for its original theatrical release in order to get a PG rating). So I was expecting the movie to be somewhat explicit in either gore or sexual material. But I was surprised. This original cut shouldn't have got an R rating back in 1970! The only sexual material is one (brief) scene of toplessness, and when it comes to violence there are only a few drops of blood and a couple of scenes of hangings directed in a restrained manner.
Still, despite this lack of exploitive material, the movie could still have been a decent supernatural shocker. But it isn't. It's very slow moving, and with a LOT of chitchat to pad things out. So I would say the PG version is the version to seek out if you really want to see this movie - because it's shorter and therefore easier to sit through.
Still, despite this lack of exploitive material, the movie could still have been a decent supernatural shocker. But it isn't. It's very slow moving, and with a LOT of chitchat to pad things out. So I would say the PG version is the version to seek out if you really want to see this movie - because it's shorter and therefore easier to sit through.
Você sabia?
- CuriosidadesWhen Alan is buying books, the cashier calls out the title "Diary of a Witch." This book by Sybil Leek was published in 1968 and is likely the title referred to.
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- How long is Mark of the Witch?Fornecido pela Alexa
Detalhes
- Tempo de duração
- 1 h 18 min(78 min)
- Proporção
- 1.66 : 1
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