O casamento de Mike e Susan é ofuscado pelo drama familiar, incluindo o divórcio do irmão de Mike, o caso do pai de Susan, os problemas conjugais de sua irmã e a perseguição do amigo de Mike... Ler tudoO casamento de Mike e Susan é ofuscado pelo drama familiar, incluindo o divórcio do irmão de Mike, o caso do pai de Susan, os problemas conjugais de sua irmã e a perseguição do amigo de Mike à dama de honra.O casamento de Mike e Susan é ofuscado pelo drama familiar, incluindo o divórcio do irmão de Mike, o caso do pai de Susan, os problemas conjugais de sua irmã e a perseguição do amigo de Mike à dama de honra.
- Direção
- Roteiristas
- Artistas
- Ganhou 1 Oscar
- 1 vitória e 8 indicações no total
- Bea
- (as Beatrice Arthur)
- Frank
- (as Richard Castellano)
- Father Gregory
- (as Morton Marshall)
Avaliações em destaque
As you can see there's a LOT going on in this film--you're never bored. It is very dated--the talks about sex, marriage, relationships and male and female roles are VERY 1960s...but they are quite interesting. The script is sharp and the characters believable and there are funny lines flying nonstop throughout the movie. It's also amusing to see how Mike and Susan are living together before they get married--but can't tell any of their parents as it would kill them! Some of the sexual stereotypes get to be a bit much (Guardino especially is just appalling) but that's a sign of the times. A song in this movie ("For All We Know") won the Academy Award for Best Song at the Oscars but it's sung by a man here not the Carpenters (who had a BIG hit with it).
This was originally rated R for the frank (for the time) sex talk, a flash of nudity and some mild swearing. It's PG now but I wouldn't let kids watch it--it's not too dirty they just wouldn't understand it.
Bssically a fun movie with an outstanding cast. Worth seeing.
Lovers And Other Strangers is totally charming and lovable movie that despite the emphasis on the year it was made(there are many references to 1970) is still very relevant and moving. I admit to being close to tears at one scene, between a father and son, towards the end. I was also laughing out loud at many other scenes such as the hysterical Italian parents trying to scare their son into remaining in his unhappy marriage(a classic scene with hilarious dialogue you won't ever forget) and the furtive passionate embraces with the bride's father and his mistress in every available bathroom.
The themes that are relevant to today is the search for love in an increasingly uncertain age. The film opens with an outpouring from the groom to be, about all his fears of the future of the world and his doubts about marriage. Today all those fears are still there plus many many more. There is also power struggles between the genders, casual sex, extra-marital affairs and the dilemma of staying in an unhappy relationship. Some of these were very new themes explored in movies at the time it was made.
Having said that there are elements of the film that are charmingly dated which obviously include the music, the clothes and some of the social attitudes(it was at a time when divorce was still a disgraceful scandal for many families, particularly Catholic families). These dated elements though give it more of a nostalgic feel rather deter any enjoyment.
Michael Brandon and Bonnie Bedilia are lovable as the newly weds and Bea Arthur and Richard Castellano are the hilarious parents of the groom. The whole of the ensemble cast is great and watch for Dianne Keaton's film debut as the estranged daughter-in-law.
As for the cast, Bonnie Bedelia and Michael Brandon are perfectly cast as Susan and Mike, who seem to be the only ones that are happy while everyone else isn't. Cloris Leachman (a few months before taking the role of Mary Richard's annoying and overbearing neighbor Phyllis) is also great as Susan's mother, who is oblivious to her husband's philandering. Also, in a very quiet performance, Dianne Keaton makes a solid debut as Mike's soon to be ex-sister-in-law, who show's up even though she know's she has to face her in-law's as well as her estranged husband. However, Bea Arthur (a couple of years before her career defining role as overbearing liberal Maude) steals the show as Mike's overbearing, devoutly Catholic mother. This film is definitely a sleeper.
A young couple (Michael Brandon and Bonnie Bedelia) are about to get married but have not told their parents that they have been secretly living together. The supporting cast is great, many of them achieved bigger fame in TV. Anne Meara plays a frustrated wife whose husband (Harry Guardino) is not interested in sex anymore. The father of the bride (Gig Young) is a "with it" guy who does not believe in the Generation Gap. He is also cheating on his wife (Cloris Leachman) with a hysterical Anne Jackson. Bob Dishy is a lecherous usher who is desperately trying to bed a spacey bridesmaid (Marian Hailey). Best of all Beatrice Arthur and Richard Castellano (nominated for an Oscar for this) are the Italian Catholic parents of the groom. Their chemistry is hilarious and they also find out their other married son is looking to divorce his wife (played by Diane Keaton). Castellano is so old fashioned he threatens to give his 30 year old son a beating with his belt! There are two interesting bits by uncredited Conrad Bain and Jerry Stiller. Bain plays a priest who hears the confession of his future "Maude" co star Bea Arthur. Stiller (Anne Meara's real life husband) plays a wedding guest. The beautiful song "For All We Know" won the Oscar, it was later a big hit for the Carpenters.
Você sabia?
- CuriosidadesFilm debuts of Diane Keaton and Amy Stiller.
- Erros de gravaçãoWilma and Johnny put their son to bed in their hotel room and continue their fight. Evidently, they go back down to the reception, leaving the boy in the room, until we see Wilma bump butts with her mother-in-law on the dance floor, taunting Johnny until he flicks her off and she runs after him. However, in the background, both of their sons are chasing each other around and dancing. Did the dark-haired son awaken suddenly and they took him back downstairs?
- Citações
Richie Vecchio: Don't you understand, Joan and I are just not happy together.
Frank Vecchio: You hear that, Beatrice? They're not happy together.
Bea: I heard, Frank.
Frank Vecchio: So who's happy?
Bea: Who's happy?
Frank Vecchio: What, do you see me running around dancing in the streets?
Bea: Do you see your father running around dancing in the streets?
Frank Vecchio: What are you, better than me? You think your mother and I are happy?
Richie Vecchio: You mean you and mom aren't happy?
Frank Vecchio: [together with Bea] No!
Richie Vecchio: Then why did you stay together?
Frank Vecchio: [pause] We're content.
Bea: We're content.
Frank Vecchio: These kids today, all they're looking for is happiness.
Bea: Don't look for happiness, Richie. It will only make you miserable.
- ConexõesFeatures Quando Fala o Coração (1945)
- Trilhas sonorasFor All We Know
Music by Fred Karlin
Lyrics by Robb Royer (as Robb Wilson) and Jimmy Griffin (as Arthur James)
Performed by Larry Meredith
Courtesy of A&M Records
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- How long is Lovers and Other Strangers?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Lovers and Other Strangers
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 5.484.056
- Tempo de duração1 hora 44 minutos
- Mixagem de som
- Proporção
- 1.85 : 1