O Horror de Frankenstein

To clarify, it's really no treasure, but, neither do I agree with the consensus. As of this writing, other comments are overwhelmingly negative. But I don't think that this flick is all that bad. Sure - it's a temptation to compare it to other Hammer films and Frankenstein movies in general. But, because Peter Cushing and Boris Karloff aren't in it, THAT shouldn't be held against Horror of Frankenstein. (They weren't in Citizen Kane, either, but THAT'S a pretty good pic.) I'm guilty of too much comparing, myself, but, for some reason, I did not do it here. Maybe that's why I rated it "respectable". I'm satisfied with most aspects of this production, although, admittedly, the outset is a bit dialogue-heavy and action-starved. It takes a long, mundane time, but, through it all, we meet (among others), sociopathic med student, Victor Frankenstein; his straight-as-an-arrow classmate, Wilhelm; destitute-destined neighbor, Elizabeth; the buxom housekeeper (but lousy cook), Alys; the one-step-behind police lieutenant, Henry Becker; the good-at-what-he-does body and parts supplier and his widow; and, of course, the towering, impetuous monster. It has an easy-to-follow story, with enough Hammer cleavage... urrr, diversions... to make it interesting. This attempt is okay, in my book.

If you try to compare this remake to the original, it will of course fall short as most recreated films do, but this feature is still very good for a late night scare. The biggest difference between this and the original is Victor Von Frankenstein is practically more frightening than the monster himself. He is a cold blooded, emotionless character, who uses Frankenstein as his personal executioner. He is also intelligent and careful to tie up loose ends. Great Halloween time film. No need to worry about watching it alone, but a fine flick with some exceptional acting to boot.

Hammer is good at sets, props, costumes, and casting overall. However, the writing for this one is on the weak side, as was the casting of Prowse as Frankenstein's monster and the makeup for the monster.

Frankenstein is played as a smart-alecky sociopath, which I didn't so much have a problem with. The people are him are rather stupid, which works out well for him but I found it a bit boring and perhaps it should have been played a little more for comedy than it already was. Prowse's monster is one of the least interesting monsters in any Frankenstein movie. He's a killer from the start, and then Frankenstein's attack dog essentially. He's also not merely large, but exceptionally fit, which just doesn't seem right.

Kate O'Mara shows off as much cleavage as is possible without showing more, suggesting Frankenstein perhaps invented tape. It didn't strike me as a particularly bloody film, so some of the other comments make me wonder if I didn't happen upon an edited version. I watched the Republic Pictures videotape released 1994.

... but I was mostly laughing at the film instead of with it.

As the film opens, Victor Frankenstein (Ralph Bates) is in medical school in 19th century Austria. After he makes a fool out of a professor and class ends, a classmate asks him "What's hypochondria?" A female classmate volunteers to help him in anatomy; a male's offer is declined. After Victor's father (George Belbin) says he'll die before he wastes money to send Victor to Vienna to study, Victor arranges for his death. After Victor becomes Baron Frankenstein, he goes off to Vienna to study. The film follows a well-worn, mostly predictable path from here.

The picture has elements that had to be intentional parody. There's a team of husband-wife grave-robbers (Dennis Price and Joan Rice) who do battle while they dig into graves, and complain they aren't getting paid enough. Alys (Kate O'Mara), who is maid and mistress for the father and later his son, is made to be a dreadful cook who all the characters complain about in the course of the movie.

But then there are things like characters who live in the castle forgetting where Frankenstein's laboratory is (upstairs); the maid refers to it being upstairs and downstairs. The creditors of a victim's father refers to her owing "about $12,000 bucks" . The victims are all predictable; just listen to their lines. For those in the audience who needed more help, the women with the lowest cut dresses in the thinnest material are sure to die. Director Jimmy Sangster makes sure there are plentiful bosom shots.

The Monster's (David Prowse) appearance is unique. He's blond, is wearing only what looks like a iron dog collar around his neck and white underwear, has stitches all over and looks like he's spent all his time working out at the local gym. Was he Mel Brooks' inspiration for the Monster in 1974's "Young Frankenstein" and the inspiration for the Monster in "The Rocky Horror Picture Show" (1976)?? Don't feel too bad for Prowse. In 1977 he is the physical presence of Darth Vader in Star Wars even if James Earl Jones is his voice.

Bates, O'Mara, and Carlson deliver professional performances, although Veronica Carlson seems to be fighting a case of the giggles. Price and Rice are the intentional delights of the film as the bickering grave-robbers.

The film still has the expected Hammer elements, and looks good. This should be a terrible film, but it's more entertaining than it has any right to be. I laughed more at this than at some so-called comedies.

By the 1970s, Hammer was struggling to find an audience still willing to cough up to see lavish Gothic productions; as a result, their output became increasingly targeted at the more profitable youth market. Having been exposed to more explicit teen horror films from the US, this particular demographic demanded that the studio adapt its format to suit. Graphic gore and nudity now had precedence over fog-shrouded graveyards and creepy castles.

In accordance with this new approach, The Horror of Frankenstein presents its viewers with a decidedly different take on Mary Shelley's classic: it's a sexier, nastier, gorier, and generally far more exploitative effort than any previous film in the series, and one which benefits greatly from a deliciously twisted script loaded with gallows humour.

This shake-up also called for a new leading man: out went Peter Cushing's well respected, but severely obsessive scientist, and in came Ralph Bates' more loathsome incarnation of Victor Frankenstein—a younger, mean-spirited, murderous, and cold-blooded individual. Bate's performance is practically perfect, convincingly portraying the utter contempt that his character feels for all mankind—even his closest friends and admirers.

Also rather memorable, albeit for completely different reasons, are the obligatory hammer babes: Kate O'Mara as Alys, the slutty housemaid who sees to the Baron's every needs (if you know what I mean), and Veronica Carlson as Elizabeth Heiss, the prettiest girl in the village and Victor's secret admirer. Both girls are absolutely stunning and possess quite impressive 'talents' (which, particularly in O'Mara's case, regularly threaten to spill completely out over the top of their costumes!).

Many Hammer aficionados seem to have a problem with The Horror of Frankenstein, unable to appreciate its wicked sense of humour. I however, think that it is an extremely fun flick, and a refreshing change to the usual Hammer style. The only gripe I do have with the film is that the monster itself (played by Dave 'Darth Vader' Prowse) is rather weak in its conception: with a little more time and effort spent on the creature make-up FX (the stitching looks like it was drawn on with marker pens), he wouldn't have been quite so laughable.

7.5 out of 10, rounded up to 8 for IMDb.