A Casa que Pingava Sangue

Don't let the title fool you, there is no blood in this film. THE HOUSE THAT DRIPPED BLOOD is a rather tame, four part anthology film about an old manor, and the untimely deaths of its occupants.

First, Denholm Elliot is a horror writer who moves into the house seeking inspiration for his next book. He no sooner dreams up a creepy character, than it appears to have come alive!

Next, Peter Cushing visits a wax museum, only to find something quite unexpected concerning one of the figures.

In the third segment, Christopher Lee is either a heartless father to his young daughter, or she is far more than she appears to be.

Finally, John Pertwee is a jaded horror actor, who stumbles upon a certain, very familiar cape in an occult shop. Lighthearted terror and mirth ensue. Co-stars Ingrid Pitt!

The wraparound story has a Scotland Yard detective trying to solve these cases. Entertaining, though not very frightening, it's still good to see Cushing and Lee in anything!...

Another anthology from horror studio Amicus, The House That Dripped Blood features four macabre tales written by Psycho author Robert Bloch, with a wraparound story in which Detective Inspector Holloway (John Bennett) investigates the mysterious disappearance of a famous horror movie-star and learns of several other cases all linked to a creepy old house.

The first case is that of Charles Hillyer (Denholm Elliott), a horror novelist who moves into the house to write his next novel, Dominick the Strangler. As Hillyer gets stuck into his work, he becomes convinced that the titular character from his latest book is stalking him. It's a solid way to kick off the film, with Elliot putting in a fine performance, and director Peter Duffell delivering plenty of suspense and chills, helped no end by Tom Adams as grinning loon Dominick, who looks convincingly deranged as he lurks in the shadows.

Tale number two, Waxworks, is my least favourite, which I find surprising since it stars Peter Cushing, one of my all-time favourite horror actors. Cushing plays retired businessman Philip Grayson, one of a pair of old love rivals who lose their heads after paying a visit to a Museum of Horror, where one of the exhibits bears an uncanny resemblance to the woman they both loved. Duffell does his best to make something of the weak material, using strong red and green lighting to add a sense of the unreal, but the result is still rather forgettable.

Another horror legend—Christopher Lee—turns up for tale number three, but like Cushing, he is unable to turn what is a rather predictable tale into anything special. If you can't guess how this one is going to end by the halfway mark, then you clearly haven't seen enough horror films. Lee plays the frightened father of a young girl with a secret; Nyree Dawn Porter is the teacher who cannot understand what he is so scared of.

For my money, the final story offers the most entertainment value, and here's why: a) the story is fun and delivers quite a few genuinely amusing moments (with a couple of neat in-jokes for horror fans), b) Ingrid Pitt's cleavage is fantastic, and c) it stars both Worzel Gummidge and The Crowman (Jon Pertwee and Geoffrey Bayldon AKA Catweazle). Pertwee is wonderful as pompous horror actor Paul Henderson, who buys a cape from Bayldon for his latest role as a vampire; the only problem is that whenever he wears the cape, he becomes a vampire for real.

Pertwee and Pitt pop up again as vampires in the last part of the wraparound tale to attack Holloway, who has payed a visit to the house against the advice of estate agent A.J. Stoker (John Bryans). Stoker closes the film by finally revealing the secret of the creepy property, but the explanation for the supernatural occurrences is something of a damp squib.

5.5 out of 10, rounded up to 6 for Pertwee and Pitt.

When the Scotland Yard Detective Inspector Holloway (John Bennett) comes to a precinct to assume the investigation of the disappearance of the horror film actor Paul Henderson (Jon Pertwee), the local officer tells stories about dwellers of the old house rented by Henderson. Segment 1 "Method for Murder" - The horror story writer Charles Hillyer (Denholm Elliott) moves to the house with his wife to write a novel. He creates a strangler serial-killer and soon he sees the man everywhere in the house. Is Charles becoming insane? Segment 2 "Waxworks" - the retired and lonely bachelor Philip Grayson (Peter Cushing) moves to the house and visits the Wax Museum of Horror in the nearby town. He finds a wax statue of a woman identical to the one he loved, and the owner informs that she is his wife that died some time ago. When his friend and former love rival visits him, he goes to the wax museum and is not capable to leave town impressed with the woman. Philiptries to help his friend with tragic consequences. Segment 3 "Sweets to the Sweet" - the wealthy John Reid (Christopher Lee) hires a teacher to give private education to his lonely daughter that has no friends and no toys. When candles disappear from the store, John has a heart pain during the night and discloses the secret of his wife and daughter to her skeptical teacher. Segment 4 "The Cloak" - the arrogant Paul Henderson seeks an authentic vampire cloak to use in the film he is working and he finds a weird fantasy shop and soon he finds that he becomes a real vampire when he wears the cloak. The skeptical Holloway decides to go to the house during the night and leans the fate of Henderson in a tragic way

"The House That Dripped Blood" is an anthology from horror studio Amicus with the lead story and four segments, all of them engaging and entertaining. Fans of horror films from Amicus and Hammer will certainly not be disappointed with the segments and the conclusion. My vote is eight.

Title (Brazil): "A Casa que Pingava Sangue" ("The House That Dripped Blood")

The script of this ghoulish horror anthology is Robert Bloch at his diabolical best. I only saw this recently; I've wanted to see it for quite some time, but circumstances conspired, and I had to wait for the DVD release. But it was worth it!

This film is cartoonish throughout and constantly winks at the audience, but it also has an unwavering serious side. It's very sparing on special effects (and saves most of what little there is for the last segment), and is much more dependent on its actors. From the beginning, there is an outrageous over-the-top quality that is very reassuring--it's confident that it will deliver the horror its audience wants to see. Even the funniest segment (starring John Pertwee) manages to be rather disturbing. The box says "Rated PG - For Scary Images," and I must say, the sight of a vampiric Ingrid Pitt floating magically through the air towards one of her victims is a very scary image.

One of the things I like most about this movie is the way the humor and horror COEXIST in the film. The humor doesn't "negate" the horror or turn it into a joke. The horror doesn't "spoil" the humor or make it unfunny. Both elements are able to be taken seriously. Many horror comedies, especially modern ones, can't demonstrate such deft handling of their own elements. But this one moves in a sure-footed way, and that's all Robert Bloch. It's clear to me at least that he enjoyed his work, because such clear thinking is a sign the writer is having fun.

A surprisingly effective horror film from the early 70's that still packs a punch today. I have seen the other Amicus anthology films, and they're good, but this, for some reason, is the instant favorite.

The British production company Amicus is generally known as the specialist for horror anthologies, and this great omnibus called "The House That Dripped Blood" is doubtlessly the finest Amicus production I've seen so far (admittedly, there are quite a few that I have yet to see, though). "The House That Dripped Blood" consists of four delightfully macabre tales, all set in the same eerie mansion. These four stories are brought to you in a wonderfully Gothic atmosphere, and with one of the finest ensemble casts imaginable. Peter Cushing, Christopher Lee (Cushing and Lee are two of my favorite actors ever), as well as Denholm Elliott and the ravishing Ingrid Pitt star in this film - so which true Horror fan could possibly afford to miss it? No one, of course, and the film has much more to offer than just a great cast. "The House That Dripped Blood" revolves around an eerie rural mansion, in which strange things are happening. In four parts, the film tells the tales of four different heirs.

The first tale, "Method For Murder", tells the story of Horror novelist Charles Hyller (Denholm Elliott), who moves into the House with his wife. After moving in, the writer suddenly feels haunted by a maniac of his own creation... The first segment is a great kickoff to the film. The story is creepy and macabre throughout and the performances are entirelly very good.

In the second story, "Waxworks", retired businessman Phillip Grayson (Peter Cushing) moves into the house, and suddenly feels drawn to a mysterious Wax Museum in the nearby town... The great Peter Cushing once again delivers a sublime performance in this, and the rest of the performances are also very good. The tale is delightfully weird, and the second-best of the film, after the third.

The third tale, "Sweets To The Sweet" is by far the creepiest and most brilliant of the four. John Reed (Christopher Lee) moves in with his little daughter. The private teacher and nanny Mrs. Norton, whom Mr. Reed has employed to instruct his daughter, is appalled about her employer's strictness towards his daughter, and is eager to find out what reason the overprotective father's views on upbringing may have... This best segment maintains a very creepy atmosphere and a genuinely scary plot. Christopher Lee is, as always, superb in his role. Nyree Dawn Porter is also very good as the nanny, and my special praise goes to then 11-year-old Chloe Franks. This ingenious segment alone makes the film a must-see for every true Horror-fan.

In the fourth segment, Horror-actor Paul Henderson (Jon Pertwee) moves into the house with his sexy mistress/co-star Carla (Ingrid Pitt). This fourth story is satire, more than it is actually Horror. It is a highly amusing satire, however, and there are many allusions to other Horror films. At one point Henderson indirectly refers to Christopher Lee, who stars in the previous, third segment...

All four segments have a delightfully macabre sense of humor and a great atmosphere. As stated above, the third segment is by far the creepiest and greatest, but the other three are also atmospheric and often macabrely humorous Horror tales that every Horror lover should appreciate. An igenious atmosphere, a macabre sense of humor, genuine eerieness and a brilliant cast make this one a must-see. In Short: "The House That Dripped Blood" is an excellent Horror-omnibus that no lover of British Horror could possibly afford to miss. Highly Recommended!