AVALIAÇÃO DA IMDb
7,3/10
4,9 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaAn Italian woman conducts a desperate search for her husband, a soldier considered missing in action in Russia during WWII.An Italian woman conducts a desperate search for her husband, a soldier considered missing in action in Russia during WWII.An Italian woman conducts a desperate search for her husband, a soldier considered missing in action in Russia during WWII.
- Direção
- Roteiristas
- Artistas
- Indicado a 1 Oscar
- 1 vitória e 2 indicações no total
Lyudmila Saveleva
- Mascia
- (as Ljudmila Saveljeva)
Nadya Serednichenko
- Contadina russa
- (as Nadja Cerednicenko)
Gunars Cilinskis
- Funzionario russo
- (as Gunnar Zilinskij)
Carlo Ponti Jr.
- Giovanna's Baby
- (não creditado)
Mariya Sapozhnikova
- Passerby
- (não creditado)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
You know the plot.
Sunflower was Vittorio De Sica's last film. It was dismissed by the critics as hopelessly maudlin melodrama. But anyone who cares enough to be reading this no doubt knows the humanity he crafted into every frame, and the beauty and sadness of life it evokes.
Henry Mancini's theme song is, IMVHO, the very best he ever wrote. I'm reduced to tears every time I hear it. Yet it seems Mancini himself treated as a lesser child. His daughter recorded it to lyrics better left forgotten.
Sunflower was Vittorio De Sica's last film. It was dismissed by the critics as hopelessly maudlin melodrama. But anyone who cares enough to be reading this no doubt knows the humanity he crafted into every frame, and the beauty and sadness of life it evokes.
Henry Mancini's theme song is, IMVHO, the very best he ever wrote. I'm reduced to tears every time I hear it. Yet it seems Mancini himself treated as a lesser child. His daughter recorded it to lyrics better left forgotten.
I suppose this film is just a maudlin melodrama, so is the music by Mancini. But then..., what a marvelous maudlin melodrama!... Why shouldn't it be? what's wrong with maudlin melodramas? If they are well done and authentic with their characters, if we get wrapped up with their emotions..., well, can you ask for anything more?
I just saw this movie on "You Tube" for the second time. I remember seen it on late TV in Italy, many years ago, and the impression was so powerful that after somebody mentioned it a few days ago --I didn't remember any more this title until they mentioned it-- I decided to look for it and watch it again, to see after so many years if the impression was still the same (so many films are a total disappointment when seen for a second time years later), but it wasn't the case with this one.
The story is so poignant that it can hold on its own very well no matter the change in mores and film technical improvements, it definitely grabs your interest till the very end (I must admit the film is far from perfect, since, for example, there are no indications of how many years went by or the new life style Sophia's character turns to after her Russian trip.
It also has two climaxes, both marvelous, but I think they should have decided for one or the other, two climaxes is too much within the same movie, and the length should have been shortened quite a bit.
Anyhow, forget about the lachrymose side of the story and submerge yourself in it (also get some Kleenex handy because everybody will need them, and plenty) and if you have to have a good cry, well, have it and enjoy it!! (After all is just a movie).
I just saw this movie on "You Tube" for the second time. I remember seen it on late TV in Italy, many years ago, and the impression was so powerful that after somebody mentioned it a few days ago --I didn't remember any more this title until they mentioned it-- I decided to look for it and watch it again, to see after so many years if the impression was still the same (so many films are a total disappointment when seen for a second time years later), but it wasn't the case with this one.
The story is so poignant that it can hold on its own very well no matter the change in mores and film technical improvements, it definitely grabs your interest till the very end (I must admit the film is far from perfect, since, for example, there are no indications of how many years went by or the new life style Sophia's character turns to after her Russian trip.
It also has two climaxes, both marvelous, but I think they should have decided for one or the other, two climaxes is too much within the same movie, and the length should have been shortened quite a bit.
Anyhow, forget about the lachrymose side of the story and submerge yourself in it (also get some Kleenex handy because everybody will need them, and plenty) and if you have to have a good cry, well, have it and enjoy it!! (After all is just a movie).
I just finished watching the stunning Blu Ray of the original Italian English-subtitled version of this film--the best version available. I do not understand all the naysayers reviewing this film. If you are a fan of Loren and Mastroianni, if you are a fan of DeSica, if you enjoy a good old-fashioned melodrama that will tear at your heart, you MUST see this film! To dismiss this film as Soviet propaganda, or as unrealistic, is like criticizing "The Little Mermaid" for having a singing mermaid and talking fish. It utterly misses the point. This movie contains one of the very best, if not THE best Sophia Loren performance on film. Henri Mancini's score is unforgettable. This film makes you care about the plight of both characters. It is available as part of the new "Sophia Loren Collection" box set, and for me, this, along with "Marriage Italian Style," is the "jewel" of the set. See it!
As another reviewer pointed out this bit of cold war propaganda (pro Soviet) was absurdly impossible. An axis soldier would have been shot period or arrested as a spy and killed slowly in a prison camp.
So you have to dismiss the story as absurd as it stands and place it in Iran or Finland or some place where it could have happened. Or just suspend your disbelief.
Once you do that you can enjoy this bit of really well done maudlin romance. Loren had to be at the height of her classy beauty in this film (before she was aged for the story).
I loved the part where she spots an Italian man---the only handsome well dressed stylish man in any of the Russian scenes. Of course Loren herself is like a super nova star compared to the kerchiefed thick legged Russian women. Italian audiences must have loved this film.
I give it a 7 as it is very enjoyable once you deal with the absurd story and the maudlin nature of the movie. As another reviewer states what is so wrong with first class maudlin??
So you have to dismiss the story as absurd as it stands and place it in Iran or Finland or some place where it could have happened. Or just suspend your disbelief.
Once you do that you can enjoy this bit of really well done maudlin romance. Loren had to be at the height of her classy beauty in this film (before she was aged for the story).
I loved the part where she spots an Italian man---the only handsome well dressed stylish man in any of the Russian scenes. Of course Loren herself is like a super nova star compared to the kerchiefed thick legged Russian women. Italian audiences must have loved this film.
I give it a 7 as it is very enjoyable once you deal with the absurd story and the maudlin nature of the movie. As another reviewer states what is so wrong with first class maudlin??
I went to a san francisco theatre to see this film along with my mother when I was a teenager in the 60's. It was in english and I loved it so much I saw it twice. I never forgot it, and although it was never shown again, I was told by someone a few years ago, that it was featured on one of the cable channels, and unfortunately I must have missed it. I don't think its ever been shown since. In my humble opinion, this classic movie depicting love, war, passion, separation, hope, and tears should be rated right up there along with Dr. Zhivago, Casablanca, In Love and War, and many other great films of all time. It's a pity that this movie "Sunflower" is nowhere to be found on video or better yet DVD in the english version in the U.S. I did purchase it on video in Italian, and even though I am fluent in Italian and can understand it, others in my household cannot. Can somebody PLEASE see that it gets some recognition, and becomes a familiar movie and available here in the U.S.A.?
Você sabia?
- CuriosidadesThe child of Giovanna (Sophia Loren) in this film was actually Loren's from her partnership with producer Carlo Ponti.
- Erros de gravaçãoMascia tells Giovanna that when she found Antonio, he was hurt so badly that he had forgotten everything, including his own name. If that's true, then how did Mascia know his name was Antonio?
- ConexõesEdited into Marcello, uma Vida Doce (2006)
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- How long is Sunflower?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Idiomas
- Também conhecido como
- Sunflower
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração
- 1 h 47 min(107 min)
- Mixagem de som
- Proporção
- 1.85 : 1
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