Frankenstein Tem que Ser Destruído

Dr. Frankenstein is at it again. With the unwilling assistance of a young doctor (Simon Ward) and his beautiful fiancée (Veronica Carlson) he attempts to transfer the brain of a man into another's body. Naturally everything goes wrong.

"Frankenstein Created Women" has my vote for the best Hammer Frankenstein but this runs a close second. It has an interesting plot, moves pretty quick, has one of Hammer's most beautiful actresses ever (Carlson) and has a few nice gruesome scenes (but all within a PG-13 rating). There's an especially horrifying sequence involving Carlson and a broken water main. Cushing gives another great performance as the doctor. This is the one when he gets REAL mean and he's the monster not his creation. Ward is given nothing to do and neither is Carlson who gets attacked by Cushing in a particularly sick scene that Cushing didn't want to do. The only real faults here are it's a little too long and I hate how Carlson's character was treated. That aside this is one of the best Frankenstein. Worth catching.

This is one of the most vigorous of the Hammer productions and features Peter Cushing being uncharacteristically nasty. Even though some of his transplant theories have a certain logic he remains mean and unpleasant throughout with the (again uncharacteristic) rape scene adding icing to the already surprisingly (and ironically) nihilist cake. All the rest of Cushing's violence is aimed at 'getting the job done' but the rape, preceded by it's sexy build is a seeming sideswipe justified simply because in the temporary absence of his fiancée he could. Well dressed, surprisingly well paced and eventful. Not your ponderous Hammer production at all, rather as if its some impostor. Well worth catching.

Frankenstein must be Destroyed is one of the best of the hammer horror series; and that is saying something, as the studio has produced a lot of horror highlights. Peter Cushing stars as Baron Frankenstein, the mad doctor whom everyone and their dog will recognise instantly from the classic novel. This film is an interesting variation on the classic story, and it sees Baron Frankenstein involving himself in the practice of brain transplant surgery. The film doesn't have anything to do with the classic novel; it doesn't make reference to it at any time, and it's only notable similarity to that from which it is based is the character of Baron Frankenstein. Saying that; it doesn't really matter, as this film stands on it's own from the original story.

The character of Frankenstein has been changed a lot from the one that we all know and love. The original Frankenstein was an over-ambitious scientist that got in over his head and later found redemption. The one here, however, is pure evil. He has no remorse for any of what he has done, and he treats murder only as an obstacle that is in his way. He is cold, calculating and overall; not a nice man. The story really takes off when Frankenstein blackmails Karl, a young scientist, into helping him perform the first brain transplant. The two kidnap Dr Brandt, a fellow mad-scientist who has gone insane and is being held in a mental asylum. A lot of the film's horror is drawn from the character of Frankenstein, who is expertly portrayed by Peter Cushing.

Peter Cushing is a great actor, and is more than up there on the illustrious list of horror legends. He's not as pronounced as fellow legend Vincent Price, or as malevolent as fellow legend Christopher Lee; but Peter Cushing has a niche all of his own. His persona is extremely creepy, especially in this film. He's not evil like you would imagine evil to be; he has a much more intelligent, more calculating presence; and that is far more scary than any man in a monster suit. Peter Cushing's screen presence is in his authority; he isn't a big and strong man, but he's not the sort of person that you would want to upset because you just KNOW that something bad will happen to anyone who does. The acting in Frankenstein Must be Destroyed is surprisingly good, actually; from Hammer films, you don't tend to expect great acting, but this one delivers. Simon Ward stars (almost!) opposite Peter Cushing as the young scientist blackmailed by Frankenstein. He's definitely second fiddle to the awesome Peter Cushing, but he performs admirably. Freddie Jones is the real star besides Cushing; although no Boris Karloff, his performance as the man turned into a monster is perfectly tragic. Veronica Carlson is the lady of the film, and she does just fine; and some credit must go to Thorley Walters, too; the man that plays the hazardously idiotic police inspector.

The ending of the movie is great, and draws parallels with that of the original novel, in that it's exciting, flame-ridden and everyone gets their comeuppance. Credit must go to Terrence Fisher; he has directed a number of Frankenstein (and Dracula) films, and following up on a classic novel and doing it well is no easy feat. Frankenstein Must be Destroyed is a horror highlight, and a must for fans of the genre.

I like "Curse of Frankenstein" a lot, but "Frankenstein Must Be Destroyed" is better.

Peter Cushing is exceptional as the Baron - his cold-blooded, calculating and ruthless attitude is not seen to such an extent in any of the other Hammer Frankenstein films!

Credit must also go to Freddie Jones who exerts massive pathos as the unfortunate creature - almost as much as Boris Karloff's creature! It's a perfectly judged performance.

Terence Fisher is also on hand to provide his usual directional assuredness (NB. the scene at the beginning and the confrontational scene at the end!).

One of the last great Hammer films.

Hooray! Here's another entry in the highly amusing Hammer Frankenstein franchise. Don't ever ask me to pick a 'best' or even favorite in this series because I instantly love every episode I can get my dirty little hands on :) And this fifth chapter is a true highlight as it has our Baron Frankenstein more and more evolving into a ruthless, cold villain. He blackmails a young couple; forcing them to assist him with his diabolical experiments (only he sees it as simple scientific evolution). Along with his new accomplices, Baron F. kidnaps a fellow mad scientist out of the asylum because he knows the skills to perform a flawless brain transplant. Unfortunately, Frankenstein's mad raving colleague has been drugged so much he now is a complete vegetable. Ingenious as he is, evil Victor transplants a few brains and commits a few murders to finally have the things the way he wants.

After 4 prequels, numberless others adaptations and several novels, Hammer Productions (and class-A director Terence Fisher in particular) still manages to present the Frankenstein films as original and innovative horror adventures. It's remarkable how Cushing and Fisher completely shifted the initial horror from Frankenstein's monster to Baron Frankenstein himself! In this film, the creature is a pathetic 'victim' while it's Cushing who's the criminal mastermind. Needless to say that Cushing is absolutely powerful in his loyal role of the Baron. He's actually so good in preaching his medical ambitions that you often sympathize with him, even though you witness with your own eyes he's bad to the bone! Cushing receives excellent feedback from the young actor Simon Ward and the exquisite Veronica Carlson. 'Frankenstein must be Destroyed' is an intriguing horror film for some other reason as well. Fisher inserts a healthy dose of Romanticism in this episode plus it's also one of the first Hammer films that feature the sexual content and undertones they'll use more and more in their 70's films. Hammer's popularity tempered a bit during the late 60's/ early 70's and they tried to make up for this by showing more ravishing meat (Carlson's cleavage) and sexual insinuations. In short, Frankenstein must be destroyed is essential horror viewing! It has loads of tension and exciting sequences, the film is professionally made, well-acted and it features a fair amount of bloodshed.