Adicionar um enredo no seu idiomaA former Civil War soldier returns to take revenge from a Yaqui chief who killed his wife in the marriage night. Death plays with both men, plus gun-runners and gold-runners, as her emissari... Ler tudoA former Civil War soldier returns to take revenge from a Yaqui chief who killed his wife in the marriage night. Death plays with both men, plus gun-runners and gold-runners, as her emissaries on Earth, to do a large harvest of souls.A former Civil War soldier returns to take revenge from a Yaqui chief who killed his wife in the marriage night. Death plays with both men, plus gun-runners and gold-runners, as her emissaries on Earth, to do a large harvest of souls.
- Yaqui Chief Santago
- (as John Cardos)
- …
- Althea Richards
- (as Tara Ashton)
- The Voice of Death
- (narração)
- Dave Miller
- (as Kent Osborne)
- Rawhide
- (as Denver Dixon)
- Yaqui Attacking Nora by the Roe-deer
- (não creditado)
Avaliações em destaque
Said that, this is one of his less crappy movies (we are talking about Adamson standards here though), mainly because of a really good director of photography (newly immigrated Vilmos Zsigmound, who later would shoot movies like Maverick and Assassins) and a gorgeous background scenery.
But be not fooled! There is still plenty of badness provided, starting with the mind numbing narration by Death himself, reaction shots that don't match either the scene before or after (most often then not not even the time of day!), gratuitous violence of the disturbing kind etc. etc. etc.
Watch out for appearances of B-movie legend John Carradine, the movies own screenwriter Robert Dix, 50s Western staple Victor Adamson and ubiquitous Scott Brady.
To see Adamson at the peak (or rather bottom ) of his art, be sure not to miss the unbelievable "Dracula vs. Frankenstein", a movie that puts Plan 9 to shame! Highly recommended for fans of Adamson is also David Konow's great biography: Schlock-O-Rama: The Films of Al Adamson
Of course, it's still amateurish in nature, with 'anything goes' style performances and a general hurried feel to the production. On the other hand, it's absolutely packed with action and violence; the storyline is pure Cowboys and Indians, with never any more depth to it than that. Rest assured that the expected shoot-outs, knife fights and horse riding scenes come thick and fast in this film.
Adamson has amassed a wealth of has-been actors for his film, headlined by western star Robert Dix. Watch out for future cult director John 'Bud' Cardos as an Indian and John Carradine as a preacher. Unfortunately the version I watched was heavily cut for violence, but even so I found it better than many modern day attempts at the genre. Certainly no classic but it might just be the director's best film.
The film begins with some totally pointless and stupid narration by the Hollywood actor Gene Raymond. This is pretty sad, as in the 1930s, he was a top Hollywood star and the husband of Jeanette MacDonald--here, he plays "Death" with all the subtlety of Grim from "The Adventures of Billy and Mandy" thanks to a dumb script.
As far as the rest of the film goes, it's mostly the "bad Indians" killing the innocent (or semi-innocent) Whites. While this plot isn't too unusual, it was unusual for 1970, as by then Westerns had mostly begun to show Indians with a bit more depth--but not here. Yep, they're mostly just blood-crazy savages. In this mix are some incompetent actors and amazingly unattractive actresses (considering they are SUPPOSED to be alluring) and subplots involving rape that seem to have been added only to "spice up the film".
The music is odd, as it really doesn't sound very appropriate for the film. I suspect it was lifted from another film but only recognized one small section that was lifted from the old "Star Trek" television show.
While none of this is good at all, the worst thing about the film is how gosh-darn dull the whole thing is. There just isn't much to keep your attention (other than a little bit of nudity). Not nearly as silly or stupid as Adamson's horror films--this one is just bad.
In this the west is depicted as a vast wasteland of hate and savagery, populated by half mad characters including death himself. There isn't much plot except for numerous people wandering around the rugged Utah landscape trying to massacre one another. Being that this is narrated by the grim reaper, there's not much mystery as to where most of the characters wind up.
Incidentally, John Carradine, Scott Brady, and Robert Dix were back together a year later in a better drive-in western, Cain's Cuttroats.
As far as the detractors go, many of them were tricked by the deceiving advertising on the video box into thinking that this is a horror picture. Fans of B-westerns will most likely be more forgiving than the average viewer.
Você sabia?
- CuriosidadesA segment of the theme music "The Awakening" by John Pearson was later used as the theme for ITV's "News at Ten" in the UK.
- Erros de gravaçãoOne character tells another that Yaqui Indians and Apache Indians are the same tribe, the only difference being that Mexicans call them "Yaquis" and Americans call them "Apaches". That is not true. Yaquis and Apaches are two entirely different tribes and have little in common. The Apaches were fierce, brutal and warlike, regularly attacking American whites, Mexicans and other Indian tribes (including the Yaquis), often simultaneously, and regularly stole horses, rustled herds and kidnapped women and children from other tribes, Mexican villages and US settlements. The Yaquis were a much less aggressive and warlike tribe, existing mainly by subsistence farming and keeping to themselves in the mountains.
- Citações
Clay Bates: [after negotiating with the Yaqui chief] He just gave us two days to get out of the territory.
Horace Wiggins: Two days? Then what?
Clay Bates: Supper. Supper for ants.
Horace Wiggins: Ants for supper? Oh, no!
Clay Bates: Oh, shut your yap.
Horace Wiggins: [finally catching on] You mean WE'RE the supper?
- Versões alternativasThe film was cut for TV (in 1970), eliminating some nudity and violence, and that was used for a wider theatrical release (namely in New York City, in 1971) and a VHS release in the USA and abroad (1982). The DVD version is based on the cut VHS version, which did not respect the widescreen original format.
- ConexõesFeatured in Blood & Flesh: The Reel Life & Ghastly Death of Al Adamson (2019)
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- How long is Five Bloody Graves?Fornecido pela Alexa
Detalhes
- Data de lançamento
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- Five Bloody Graves
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- Tempo de duração1 hora 28 minutos
- Mixagem de som
- Proporção
- 2.35 : 1