No Limiar da Liberdade

I spent quite a few pennies to get my hands on this film as it was consigned to oblivion after its brief cinematic release some 35 years ago, and it was money well spent. They certainly don't make them like this anymore. From the off you're thrown into this situation with Shaw and McDowell as two convicts on the run and being pursued by a menacing black helicopter through hostile, mountainous terrain. The aerial cinematography is breathtaking at times, more real than anything you see on the silver screen today, and quite frightening too. The chase becomes personal, with one character hell-bent on destroying the enemy and the other just wanting to escape. It's compellingly brilliant - beautifully shot, in most parts, and well acted. There are some lengthy sequences which the majority of todays directors, and actors, would struggle to pull off without CGI. It does have flaws, most films do, but there are enough positives here and it's a shame it ended up as another of those 'lost' films. Okay we don't find out where they are, although it was shot in Spain, or what crimes they have committed, so what? It's a bloody good film, though I can't help but think, what a film it could have been.

Here is another film that has just dropped mysteriously out of sight. Why some movies never make reappearances in these days of DVDs and the internet is just as strange as the whole story that takes place here.

Two guys are on the run in some South American-looking country, their hands tied behind their backs. They are chased and sometimes menaced by a black helicopter, like something out of a conspiracy nut's nightmare. A hopeless situation? Maybe, but the character played by Shaw is so tough, the score is evened up a bit.

As the film progresses, the action grows and so do the questions. Who are they? What country are they in? Why are they there? How can they ever get out? Shaw's character becomes more interesting as the story unfolds, and more enigmatic. Is he insane? A mercenary? An escaped killer? There is always a suspicion you might not find out, but you keep watching anyway.

I read the novel this is based on, it's a great story and written in my favorite style, but the ending is different. I'm waiting to see the film again, looking for a DVD soon.

I saw this movie for the first and last time on Dutch television in the late 70's / early 80's. I was 9 or 10 years old at that time. I remember it gave me the creeps. Especially the helicopter... that could show up at any time. This film has been in my head for a long time (not remembering the title) Since I know the title (recently) i can't wait to see the movie again but unfortunately this films isn''t available on tape or DVD. I wonder what happened to it and i would like to ask anyone involved in making this film to blow the dust from the original print and release it very soon. Then I can judge the film again and maybe come to the conclusion that it is a terrible movie after all ;-)

Rob (The Netherlands)

"Figures in a Landscape" is definitely one of the weirdest and most unclassifiable movies I've encountered lately, and at the same time it's pretty difficult to explain why that is. Some movies are weird because they increasingly overpower the viewer with substantial twists and/or stylistic gimmicks, but still they constantly uphold the impression there's some kind of deeper meaning or hidden structure behind it. The films of David Lynch are like that, for example. Other movies, and "Figures in a Landscape" is definitely one of them, are weird because they never at one point feature abrupt story twists and never even seem to want to achieve a deeper meaning. Kind of like the 'what you see is what you get principle' and don't even bother asking background information. Based on Barry England's novel - that probably only very few people have read - "Figures in a Landscape" revolves on two escaped convicts nervously running across a desolate area. Pretty much like the title implies, they are, in fact, simply figures in a landscape. We're never explained where exactly the events take place (South America? East Asia?) or what crimes the two committed in the first place. They must have been quite serious, however, as MacConnachie and Ansell quickly find themselves besieged by a menacing black helicopter and later also by army patrols on foot. The helicopter plays a devastating mental and physical game with them, as it appears to be omnipresent and in absolutely no hurry to pick them up. This is the type of film where there are no characters to root for. You won't develop any sympathy for the fugitives as they commit some truly vile acts along their way and you can't really support the guys inside the helicopter, neither, as their faces aren't even properly shown. "Figures in a Landscape" is a brooding, moody and mildly unsettling film that doesn't always makes sense and doesn't bother to involve the viewer. But, if you manage to put all the unanswered questions aside from you, this also might turn out one extremely enchanting viewing experience. Every shot, every inch of the landscape seems precisely measured and re-considered at least a dozen times before featuring in the film. The choreography is simply wonderful and the filming locations – apparently Spanish – are almost continuously breathtaking. The performances of Robert Shaw and Malcolm McDowell couldn't be more apt and Joseph Losey's direction is very surefooted. After seeing only this and the even more unique "These are the Doomed", I'm more than anxious to check out Losey's further repertoire.

The viewer is presented with two characters. These characters are on the run, from a black helicopter that keeps chasing after them. The viewer is not told what there crime is, or if they have committed any crime. They both must fight their way through a rocky, rough, dry desert region. All the viewer gets is little stories from each of these men. We find out about children, a wife, former girlfriends, etc. The men struggle to reach a safe place, almost driving themselves crazy, believing that this is possible. This film is not available on video or disc, and the TV print runs shorter than 110 minutes. There may be a large important part of this film missing. Maybe one day it will be released on tape and disc so that a wider audience can see it. This film really is a good piece of film making.