Nelle pieghe della carne

Adrian Luther Smith, writer of the 'Giallo Bible' Blood and Black Lace describes this film as a "trash masterpiece" - and I pretty much agree with him! The film is sometimes labelled as a Giallo, although for me it fits more into the exploitation genre as although there is some murder mystery, it's clear that director Sergio Bergonzelli was much keen on delivering as much sleaze as possible! The director also ensures that the film feels rather arty, and this makes In the Folds of Flesh even more of a gem, as the locations offset the frankly ridiculous story brilliantly! The plot is overly convoluted (to say the least), and focuses on the residents of an old castle. An escaped convict witnesses a woman burying her husband by a statue in the back garden. We then move to thirteen years later. A couple of unwelcome visitors stop by and are promptly killed by two of the younger castle residents. Then the escaped convict turns up and begins demanding money to stop him going to the police and reporting the body in the garden...another murder and a police investigation ensue.

The film can be described as a hodgepodge of popular Italian exports. We've got a light Giallo tone, as well as an exploitation theme; and then there are also mentions of Nazi's and ancient skeletons. Naturally, all the women are very nice to look at; and while the acting from Eleonora Rossi Drago and Pier Angeli isn't great; it hardly matters as they deliver the performances required of them. The best thing about this film is the way that Sergio Bergonzelli constantly chucks in another twist to make the already questionable plot more ridiculous at every opportunity. The film is also rather nasty, and features a whole host of gruesome morsels - including the aforementioned murders, an acid bath and a plethora of decapitations! (The director obviously loves them...). It has to be said that In the Folds of Flesh falls down in some areas - there's no sex or nudity, and by the time you get to the end; it all feels rather pointless as it's impossible to care about the fates of any of the characters. Still, this is certainly a film worth seeing and I don't regret wasting ninety minutes of my life on it!

an above-average mystery/suspense thriller (almost a 'giallo') by Sergio Bergonzelli, with an engrossing story, dubious characters galore (including a main role played by the late Pier Angeli, credited here as Anna Maria Pierangeli), by turns wacky & stylish direction, and a half trippy/half creepy atmosphere about it. kept me guessing almost till the very end, always coming up with a twist, a revelation, or a grabbing visual up it's sleeve (it's even got a scene with WW2-era featuring Nazis!). gotta love a movie that begins with some Freud psycho-babble text, and immediately cuts to a shot of a severed head on a carpeted floor! somebody needs to release this crazy film on DVD pronto (hello Blue Underground, NoShame, Synapse, etc...). anyone with even a passing interest in this kind of film would be well adviced to check out this little known gem.

rating: 8/10

After being released from prison, a criminal intending to blackmail the family of a suspected murder he witnessed years earlier only to find the family a far more demented bunch than he expected while a mysterious killer running complicates his quest and forces his plans to change.

This was quite the interesting yet silly giallo. Part of the film's appeal lies in the dual nature of the film which starts right at the beginning with such a goofy and nonsensical setup. In order to buy into the film in general, the utterly contrived storyline at the heart of the film has to be taken into account and that presents this with a daunting challenge off the bat by being forced to accept this idea. This setup does spring forth plenty of typical giallo fun so it does have a lot of worth with the way it brings this together in order to fulfill the genre requirements which is what makes for a decent enough time here. The constant shadiness and general air of sleaziness usually found in these films is in full effects here, from the madness and paranoia at the beginning over what the body being buried really means, the childhood trauma at the center of the rampage and the remaining scenes of just outright odd behaviors they all indulge in that ranges from the dancing and incest just combines together into one utterly odd effort. This makes what happens in the end when the efforts of the family finally get revealed in a series of utterly ludicrous setups that attempt to explain the actions of the plot which piles on more twists and surprise reveals than an entire season of a regular soap opera. It is clear that these various twists and turns are meant to come as a complete shock which is only because it's downright incredible that anybody would ever see them coming as the material is so haphazardly put together this never comes close to jelling into a whole. That these manage to drive the film away from being a typical giallo with the incredibly overwrought sequences found within that just don't make any sense with all the different revelations being brought out in the endless series of flashbacks that reduce the kill-count significantly by having dispatched of the killer earlier in the film. That this spares us having to watch more of the utterly atrocious special effects is perhaps a blessing with the film running through such a truly atrocious series of special effects work that is completely comical rather than shocking due to the painfully obvious mannequin heads. Although there's some brutality to mention in there with the intent behind it, these here are what hold it down somewhat.

Rated Unrated/R: Graphic Violence, Full Nudity, Language, a rape scene and drug use.

On a dark and stormy night an escaped convict on the run witnesses a beautiful woman burying a body while a young boy looks on. He is captured by the authorities and returned to jail. Flash forward to several years later where the boy, now a young man, lives in a villa with his Mother and a girl who is either his lover or his sister, it's hard to say. His Mother was the mistress of a criminal who disappeared years before. Or is that "disappeared"? Is everything as simple and straightforward as it first appears? A guest arrives claiming to be a long lost relative. Are they telling the truth or do they suspect something about a hidden secret? So begins 'In The Folds Of The Flesh' an almost forgotten Spanish exploitation thriller that continually twists and turns. Full of surprises, trippy imagery, and an unexpected Nazi flashback, this is recommended to fans of Jess Franco's classic 'Succubus' and similar 60s/70s European sexploitation. It may not reach Franco's over the top absurdity and sheer strangeness, but it has a lot of fun trying, and I enjoyed it a great deal.

This is one strange movie - it combines Nazi elements, a police procedural, a giallo, a psychological examining of identity and even comes close to a Last House on the Left vibe.

Severin released this film several years ago, but it's sadly out of print. It's certainly one of the oddest entries in the genre and one you should track down. I've only barely touched on the many twists and turns of the plot because I believe that you should enjoy them for yourself.