AVALIAÇÃO DA IMDb
6,2/10
2,3 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaThe wife of a struggling businessman is blackmailed by a mysterious man into having a sadistic affair with him, or he will leak evidence implicating her husband of murder.The wife of a struggling businessman is blackmailed by a mysterious man into having a sadistic affair with him, or he will leak evidence implicating her husband of murder.The wife of a struggling businessman is blackmailed by a mysterious man into having a sadistic affair with him, or he will leak evidence implicating her husband of murder.
- Direção
- Roteiristas
- Artistas
Simón Andreu
- The Blackmailer
- (as Simon Andreu)
Salvador Huguet
- George
- (as Salvador Buguet)
Nieves Navarro
- Dominique
- (as Susan Scott)
Avaliações em destaque
This unusual giallo starring Dagmar Lassander (Hatchet for the Honeymoon- The House by the Cemetery) and Susan Scott (Death Walks at Midnight- Emanuelle and the Last Cannibals) is one of the best of the genre! The movie follows a middle age married woman (Minou) who is almost raped by a psycho inform her that her husband is a murderer. The madman blackmails Minou into sleeping with him. A few days later she receives a letter with photos of her and the blackmailer in bed together! The movie is unusual to the giallo as it doesn't have violent murders or explicit nudity. Instead, director Luciano Ercoli (Death Walks on High Heels- Death Walks at Midnight) give us an interesting story, a lot of style, wonderful Ennio Morricone score, and great acting by the four leads in a film that will keep you interested till the end .
Very recommended if you are into the wonderful world of giallo. 9/10.
Very recommended if you are into the wonderful world of giallo. 9/10.
(1970) The Forbidden Photos of a Lady Above Suspicion
DUBBED
PSYCHOLOGICAL CRIME DRAMA
Co-produced and directed by Luciano Ercoli that has a stranger (Simon Andreu) informing wife, Minou (Dagmar Lassander) married to an important diplomat, Peter (Pier Paolo Capponi) he has an incriminating recording of her husband involved in murder. At first, he tells her he wants money, but what he actually want is to court her any way he can. Only after she lets him has his way with her by convincing her to sleep and make out with him. He then hands her the incriminating tape cassette. Then afterwards he tells Minou that he concocted the tape cassette to make her believe her husband was involved in murder but that he made it all up. And then he tells her the reason he slept with her is so that he can take photos of them together for the intention he can extort her some more. She also obtained a photo from her "supposedly" friend, Dominique (Susan Scott) of the culprit, but we find out later she may or may not be in on it as much as some of the others intent to drive Minou in the mental house.
This is not actually a slasher Giallo movie per se but it is reminiscent to the Giallo equivalent of "Gaslight".
Co-produced and directed by Luciano Ercoli that has a stranger (Simon Andreu) informing wife, Minou (Dagmar Lassander) married to an important diplomat, Peter (Pier Paolo Capponi) he has an incriminating recording of her husband involved in murder. At first, he tells her he wants money, but what he actually want is to court her any way he can. Only after she lets him has his way with her by convincing her to sleep and make out with him. He then hands her the incriminating tape cassette. Then afterwards he tells Minou that he concocted the tape cassette to make her believe her husband was involved in murder but that he made it all up. And then he tells her the reason he slept with her is so that he can take photos of them together for the intention he can extort her some more. She also obtained a photo from her "supposedly" friend, Dominique (Susan Scott) of the culprit, but we find out later she may or may not be in on it as much as some of the others intent to drive Minou in the mental house.
This is not actually a slasher Giallo movie per se but it is reminiscent to the Giallo equivalent of "Gaslight".
This film is rather unusual for a giallo. It's well-filmed but not particularly stylized. The plot is rather strange, but generally makes sense. It has no graphic violence, and although it has plenty of perverse sexual situations, it barely has even the circumspect nudity of the earliest Caroll Baker gialli ("Sweet Body of Deborah", "Orgasmo", etc.). A society woman (played by Dagmar Lassender) is nearly raped on the beach by a sinister man who tells her that her industrialist husband has murdered one of his colleagues. The man blackmails her into sleeping with him by threatening to expose her husband, and then blackmails her again with graphic photos of their affair. The husband meanwhile is himself involved with her sexually voracious best friend (played by Nieves Navarro aka Susan Scott), and the whole thing might be some kind of plot to drive her mad.
This movie works mainly because of the acting. Dagmar Lassander was one of the better actresses to appear in gialli, second only to Edwige Fenech and the aforementioned Carroll Baker at playing these hysterical, beleaguered victim roles. Even better is Nieves Navarro as her sex-hungry best friend who has pornographic pictures taken of herself and says at one point, after Lassender's character confides about her near rape, that she would have "adored being violated" (there's a kind of refreshingly politically incorrectness to the ridiculous dubbed dialogue of these movies). She is such a dubious and ambiguous character that even at the end it is not clear whether she is a loyal friend to the protagonist or an unexposed villain.
The director, Luciano Ercoli, is the Italian husband of former Spanish model Navarro. He made several other gialli, all featuring his wife, but this is probably the one where he made the best use of her. He is no Dario Argento or even Sergio Martino, but his direction is certainly adequate. The screenwriter, Ernesto Gastaldi, contributed scripts for any number of these pictures and he puts forth a pretty decent and suspenseful one here. This movie is kind of hard to find right now, but it is worth seeing if you like these kind of movies.
This movie works mainly because of the acting. Dagmar Lassander was one of the better actresses to appear in gialli, second only to Edwige Fenech and the aforementioned Carroll Baker at playing these hysterical, beleaguered victim roles. Even better is Nieves Navarro as her sex-hungry best friend who has pornographic pictures taken of herself and says at one point, after Lassender's character confides about her near rape, that she would have "adored being violated" (there's a kind of refreshingly politically incorrectness to the ridiculous dubbed dialogue of these movies). She is such a dubious and ambiguous character that even at the end it is not clear whether she is a loyal friend to the protagonist or an unexposed villain.
The director, Luciano Ercoli, is the Italian husband of former Spanish model Navarro. He made several other gialli, all featuring his wife, but this is probably the one where he made the best use of her. He is no Dario Argento or even Sergio Martino, but his direction is certainly adequate. The screenwriter, Ernesto Gastaldi, contributed scripts for any number of these pictures and he puts forth a pretty decent and suspenseful one here. This movie is kind of hard to find right now, but it is worth seeing if you like these kind of movies.
THE FORBIDDEN PHOTOS OF A LADY ABOVE SUSPICION (Luciano Ercoli - Italy/Spain 1970).
Luciano Ercoli can be called many things. He might not be the most innovative director, but he definitely is the king of fashion, with all the women dressed up in some truly outrageous '70s outfits. His muse Nieves Navarro in particular parades through the film in some truly skimpy outfits, resulting in unintentional campyness. When talking camp, watch the dancing scene in the club in the beginning of the film with Dagmar Lassander. In God's heaven, this is one tacky dancing scene we're watching. All the men are in suits, the women are outrageously dressed, the music is a hallucinate boggle of easy-listening tunes James Last wouldn't even dare to come up with and the way they dance (how do you even dance to this kind of music?) is truly a perfect showcase of tacky '70s euro-nonsense. Guilty. Case closed. Still, it's a complete riot when watching it now and that's probably why I enjoy these films so much.
In all his three Gialli, FORBIDDEN PHOTOS, DEATH WALKS ON HIGH HEELS and DEATH WALKS AT MIDNIGHT, Ercoli presents his story from a female perspective, but they are presented as utterly helpless when dealing with the various male perpetrators and chauvinist male detectives surrounding them. Even husbands or boyfriends, or any male capable of help turns out to be just as malevolent as all the blackmailers, wife-beaters and murderers. Nudity level and body count are low, but as a mystery it's actually much more effective than most Gialli, stylishly filmed, well acted and permeated with intrigue, blackmail and fetishistic violence, supported by a groovy Ennio Morricone score. Although graphic violence is restricted to a minimum, Dagmar Lassander has to undergo quite the ordeal with a mire of sedatives, alcohol and sleazy sex and strange conversations with the assertive bisexual figure of Nieves Navarro. She repeatedly keeps hearing from all male characters: "Get undressed!"
Just imagine this film, which was extremely obscure and hardly ever seen until its DVD-release in June 2006, sold almost 638,000 tickets in Spain alone according to the IMDb, probably largely due to the appeal of Spanish-born Nieves Navarro (over 2 million admissions in Europe is my guess). Blue Underground presents the film without an Italian audiotrack, but - surprise, surprise - the English dubbing is actually quite good now, which is always a major bonus.
Camera Obscura --- 7/10
Luciano Ercoli can be called many things. He might not be the most innovative director, but he definitely is the king of fashion, with all the women dressed up in some truly outrageous '70s outfits. His muse Nieves Navarro in particular parades through the film in some truly skimpy outfits, resulting in unintentional campyness. When talking camp, watch the dancing scene in the club in the beginning of the film with Dagmar Lassander. In God's heaven, this is one tacky dancing scene we're watching. All the men are in suits, the women are outrageously dressed, the music is a hallucinate boggle of easy-listening tunes James Last wouldn't even dare to come up with and the way they dance (how do you even dance to this kind of music?) is truly a perfect showcase of tacky '70s euro-nonsense. Guilty. Case closed. Still, it's a complete riot when watching it now and that's probably why I enjoy these films so much.
In all his three Gialli, FORBIDDEN PHOTOS, DEATH WALKS ON HIGH HEELS and DEATH WALKS AT MIDNIGHT, Ercoli presents his story from a female perspective, but they are presented as utterly helpless when dealing with the various male perpetrators and chauvinist male detectives surrounding them. Even husbands or boyfriends, or any male capable of help turns out to be just as malevolent as all the blackmailers, wife-beaters and murderers. Nudity level and body count are low, but as a mystery it's actually much more effective than most Gialli, stylishly filmed, well acted and permeated with intrigue, blackmail and fetishistic violence, supported by a groovy Ennio Morricone score. Although graphic violence is restricted to a minimum, Dagmar Lassander has to undergo quite the ordeal with a mire of sedatives, alcohol and sleazy sex and strange conversations with the assertive bisexual figure of Nieves Navarro. She repeatedly keeps hearing from all male characters: "Get undressed!"
Just imagine this film, which was extremely obscure and hardly ever seen until its DVD-release in June 2006, sold almost 638,000 tickets in Spain alone according to the IMDb, probably largely due to the appeal of Spanish-born Nieves Navarro (over 2 million admissions in Europe is my guess). Blue Underground presents the film without an Italian audiotrack, but - surprise, surprise - the English dubbing is actually quite good now, which is always a major bonus.
Camera Obscura --- 7/10
Ever after giallo writer Ernesto Gastaldi teams up with producer-director Luciano Ercoli for this Forbidden Photos... Set in 1970, this early giallo is nicely shot in Techniscope. No murders, just plain old blackmail story and some shy eroticism. Sultry Dagmar Lassander is at her best and Susan Scott is also fab as the devious friend.
The plot is totally implausible but the suspense works til the end...
It's always surprising to see in these 70's gialli how the women look incredibly sexy and how the men are all ugly...projections of the writers/directors fantasies, maybe? Anyhoo... not boring at all, funny at some point -check out the dresses and the hats, it's a blast!-, not necessary but worth a look.
The plot is totally implausible but the suspense works til the end...
It's always surprising to see in these 70's gialli how the women look incredibly sexy and how the men are all ugly...projections of the writers/directors fantasies, maybe? Anyhoo... not boring at all, funny at some point -check out the dresses and the hats, it's a blast!-, not necessary but worth a look.
Você sabia?
- CuriosidadesMinou drinks Carlsberg beer in the bar.
- Citações
The Blackmailer: [on the phone to Minou, of their upcoming assignation for s&m blackmail sex] You'll enjoy it.
- ConexõesFeatured in Eurotika!: So Sweet, So Perverse (1999)
- Trilhas sonorasTheme: Le Foto Proibite Di Una Signora Per Bene
Vocals by Edda Dell'Orso
Composed and Orchestrated By Ennio Morricone
Conducted by Bruno Nicolai
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- How long is The Forbidden Photos of a Lady Above Suspicion?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Idioma
- Também conhecido como
- The Forbidden Photos of a Lady Above Suspicion
- Locações de filme
- Barcelona, Catalunha, Espanha(location)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração1 hora 36 minutos
- Mixagem de som
- Proporção
- 2.35 : 1
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