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IMDbPro

Ciúme à Italiana

Título original: Dramma della gelosia (tutti i particolari in cronaca)
  • 1970
  • R
  • 1 h 47 min
AVALIAÇÃO DA IMDb
7,1/10
2,6 mil
SUA AVALIAÇÃO
Ciúme à Italiana (1970)
FarsaPastelãoRomance trágicoComédiaDramaRomance

Uma história de amor a três, ambientada em Roma no início dos anos 70.Uma história de amor a três, ambientada em Roma no início dos anos 70.Uma história de amor a três, ambientada em Roma no início dos anos 70.

  • Direção
    • Ettore Scola
  • Roteiristas
    • Agenore Incrocci
    • Furio Scarpelli
    • Ettore Scola
  • Artistas
    • Marcello Mastroianni
    • Monica Vitti
    • Giancarlo Giannini
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,1/10
    2,6 mil
    SUA AVALIAÇÃO
    • Direção
      • Ettore Scola
    • Roteiristas
      • Agenore Incrocci
      • Furio Scarpelli
      • Ettore Scola
    • Artistas
      • Marcello Mastroianni
      • Monica Vitti
      • Giancarlo Giannini
    • 16Avaliações de usuários
    • 9Avaliações da crítica
  • Veja as informações de produção no IMDbPro
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 3 vitórias e 5 indicações no total

    Fotos54

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    + 47
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    Elenco principal21

    Editar
    Marcello Mastroianni
    Marcello Mastroianni
    • Oreste Nardi
    Monica Vitti
    Monica Vitti
    • Adelaide Ciafrocchi
    Giancarlo Giannini
    Giancarlo Giannini
    • Nello Serafini
    Manuel Zarzo
    Manuel Zarzo
    • Ugo
    • (as Manolo Zarzo)
    Marisa Merlini
    Marisa Merlini
    • Silvana Ciafrocchi
    Hércules Cortés
    • Ambleto di Meo
    • (as Hercules Cortes)
    Fernando Sánchez Polack
    Fernando Sánchez Polack
    • District Head of Communist Party
    • (as Fernando Sanchez Polak)
    Gioia Desideri
    Gioia Desideri
    • Adelaide's Friend
    Juan Diego
    Juan Diego
    • Antonia's Son
    Bruno Scipioni
    • Pizza maker
    Josefina Serratosa
    Josefina Serratosa
    • Antonia
    Giuseppe Maffioli
    • Lawyer
    Corrado Gaipa
    • President of tribunal
    Paola Natale
    Paola Natale
    • Flower Seller
    Brizio Montinaro
    Brizio Montinaro
    • Restaurant Night Guard
    Nerina Montagnani
    • Adelaide Ciafrocchi's old Colleague
    Angelo Casadei
    • Street Spectator
    • (não creditado)
    Nestore Cavaricci
    • Waiting man in hospital
    • (não creditado)
    • Direção
      • Ettore Scola
    • Roteiristas
      • Agenore Incrocci
      • Furio Scarpelli
      • Ettore Scola
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários16

    7,12.6K
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    Avaliações em destaque

    7boblipton

    Lost in Translation?

    The fact that Paul Frees seems to do all the men's voices except for Marcello Mastroianni's and Giancarlo Giannini's seems to add a certain sameness to all the other men in the dubbed version of this film. Mastroianni is a communist bricklayer in love with Monica Vitti and she with him. He's best friends with Giannini, a Communist pizza maker, who's in love with Monica Vitti and she with him. It's like a dirty joke about them commies, they share everything. Except being human, they can't. It drives everyone crazy and the movie is very funny.

    There seems to be enormous amounts of real subtextual commentary lost in translation. Mastroianni has his middle left finger in a sling throughout the movie, and is occasionally found on trash heaps. Given that his character's name is "Oreste" I think there's a reference to the classical legend, but it's not the Homeric, Pindaric, Sophoclean versions, but the bogus Robert Graves Year-King, fighting over Monica Vitti. Mastroianni does have flies buzzing around him a lot, indicating he's the Old King.

    Given three screenwriters, including Age and Scarpelli, and Ettore Scola directing (he had given Vitti her first screen role almost two decades earlier), there is obviously a lot in this movie that is both precisely of its time and of its place, ill suited to the sort of random translation that an Italian sex comedy got in the 1970s. Unless someone is willing to go back and do a more careful translation, there's little more than a funny and bizarre comedy here. However it certainly is that.
    7SnoopyStyle

    pizza toppings

    Adelaide (Monica Vitti) kisses unconscious bricklayer Oreste (Marcello Mastroianni) on a pile of rubble. He's angry at the garbage piles in the city. She's obsessed with him. Pizza maker Nello (Giancarlo Giannini) is obsessed with her. It's a love triangle.

    I really like the surrealism early in the movie. It's a little weird that it turns into threesome and then it gets serious with the jealousy. This did win a few European awards. It's a pizza with widely different toppings. It's never safe. It's a farce. I'm not laughing that much, but it is fascinating. Her suicide attempt is kind of funny. I was never sure of how this was going to end.
    10carl_axness

    my FAVORITE movie of all time

    I saw this move in the early 1970's on the channel 13 Albuquerque, NM TV station afternoon movie under the title "A tale of love and jealousy" and dubbed in English. In those days and on through my 20's I kept a notebook and rated movies. This one was number one then and still is to this day for me. In effect this movie has a tragic ending and is, in reality, a tragedy, but you do not realize it until the end. For the second showing I arranged a group of my friends to come watch and we all laughed throughout the entire movie until the end, in which a lot of things come together and you realize the underlying sadness. In particular, I remember the close-ups of Marcello Mastrioninni addressing the audience (the viewer) explaining his actions throughout the movie - an excellent effect, the reason for which becomes clear at the end of the movie.

    I have suggested it to our local theater a number of times, but it may no longer be available in English. Too bad.
    retroprods

    Almost lost early 70's Ettore Scola classic - 2 English titles "A Drama of Jealousy" & "Pizza Triangle"

    I loved seeing this at MoMA on 10/20/11. We first meet Monica Vitti & Marcello Mastriani at the closing down of a small ramshackle street fair/carnival in an ugly empty lot in Rome. She is urging the ride operator to give a longer experience & he has drank a bit too much after helping to tear down some of the exhibits & falls asleep awaking to Monica kissing on him. A romance begins amongst piles of plastic garbage & flies while he continues to go home to a wife who appears to be his mother. Flashbacks to recreating a crime for detectives take us back to the florid romantic affair complete with lush orchestrations featuring that electronic harpsichord so popular during this early 70's time period. What follows is a charming absurdly funny at times interesting story told in fascinating narrative involving characters turning to talk to us in the audience in order to inform us of different aspects of character & story that we otherwise wouldn't know - sometimes in theatrical spotlights - other times in extreme close-up. I particularly liked some of the sped up film & over amplified sound effects, esp. physical hits which gives the film that "slapstick" crazy kind of absurd playfulness. Other online reviews can give further insights into this enjoyable piece. I would say that this one is prime pickings for remake since it's distribution has been inconsistent & spotty at best.
    9debblyst

    Commedia all'italiana faces the 1970s and reaches new heights with "Pizza Triangle"

    This is the passionate, tragic, acid, perversely funny story of a love triangle -- at one point, almost a ménage-à-trois -- involving bricklayer Oreste (Mastroianni in one of his very best performances, a sort of grotesque version of his character in "I Compagni"), flower-seller Adelaide (isn't it time we acknowledged Monica Vitti as THE most accomplished Italian comedienne ever? And being that gorgeous didn't hurt either) and pizzaiolo Nello (Giancarlo Giannini in a star-making role). With this film, Ettore Scola proved to be the great new voice in commedia all'italiana, a deserving heir to the maestri of this great tradition (DeSica, early Fellini, Germi, Monicelli, Risi) but adding steamier sarcasm and corrosiveness in his pitiless criticism of Italian society and its conservative mores.

    We, as the audience, play a very important part here: it's to us (the invisible judge of a trial) that Oreste, Adelaide and Nello present their cases in the flashbacks that shows us the different angles of their convoluted story of friendship, love, betrayal and attempted murders/ suicides, in a sort of comedic Rashomon. The expertise of Scola's writing and the charisma of the starring trio make us care a lot for those hopeless losers, so unmistakably human.

    Scola achieves a very rare thing: he uses caricature, comedic clichés and grotesqueness and raises them to refined art, craftily mixing tragedy and comedy with political overtones and social satire. This is on the same level as (and is a sort of cross between) Scola's masterpieces "C'Eravamo Tanto Amati" and "Brutti Sporchi Cattivi". You can do no wrong here: this is a delight that keeps your brain working AND your laughing muscles contracting, an achievement that sounds almost paradoxical by today's moronic, puerile standards of film comedy.

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    Interesses relacionados

    Leslie Nielsen, Robert Hays, Julie Hagerty, and Lorna Patterson in Apertem os Cintos, o Piloto Sumiu (1980)
    Farsa
    Leslie Nielsen in Corra que a Polícia Vem Aí! (1988)
    Pastelão
    Heath Ledger and Jake Gyllenhaal in O Segredo de Brokeback Mountain (2005)
    Romance trágico
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    Comédia
    Mahershala Ali and Alex R. Hibbert in Moonlight: Sob a Luz do Luar (2016)
    Drama
    Ingrid Bergman and Humphrey Bogart in Casablanca (1942)
    Romance

    Enredo

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    Você sabia?

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    • Curiosidades
      This was the first of eight starring feature film roles Marcello Mastroianni would appear in for Ettore Scola. These films included Um Dia Muito Especial (1977), O Terraço (1980), Casanova e a Revolução (1982), Rocco Papaleo (1971), Splendor (1989), Que Horas São? (1989), and Maccheroni (1985).
    • Citações

      Adelaide: I don't know what to do anymore; but, you both have to help me or I'll kill myself again!

    • Conexões
      Edited into Dolce Vitti (2014)

    Principais escolhas

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    Perguntas frequentes16

    • How long is The Pizza Triangle?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 30 de abril de 1970 (Itália)
    • Países de origem
      • Itália
      • Espanha
    • Idioma
      • Italiano
    • Também conhecido como
      • Jealousy, Italian Style
    • Locações de filme
      • Piazza San Giovanni, Roma, Lazio, Itália
    • Empresas de produção
      • Dean Film
      • Jupiter Generale Cinematografica
      • Midega Film
    • Consulte mais créditos da empresa na IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 1 h 47 min(107 min)
    • Mixagem de som
      • Mono
    • Proporção
      • 1.85 : 1

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