A Morte não Marca Hora

I really wish Darker than Amber had done better at the box office. I would have loved to have seen a whole string of testosterone infused Travis McGee films with Rod Taylor as McGee and Theodore Bikel as sidekick Meyer. I know there are a slew of detractors out there, but Darker than Amber worked almost flawlessly on me.

After a really groovy musical intro, the film begins with McGee and Meyer fishing at night under a bridge. Unbeknownst to them, a couple of really bad dudes are on the bridge with a drugged out young woman. After tying 80 pound weights to her ankles, they chuck her overboard. McGee goes in to save her. He takes the woman, Vangie (Suzy Kendall), back to his boat. She tells McGee that she doesn't want the police involved. Travis knows the girl is mixed up in something bad, but she's very mysterious about the details. Over the next few days, Travis and Vangie develop a relationship. So when Vangie is killed by a hit-and-run driver, Travis is determined to get to the bottom of who Vangie really was, what she was involved in, and, most importantly, who killed her. There is so much more to the story, but this little synopsis is a start.

I'm not going to get into the whole discussion of whether or not Darker than Amber is faithful to the books. I've read a few Travis McGee novels over the years, but it's been so long, I'm not qualified to discuss this. Instead, I'm just going to write about the movie on its own. I think that one of the things that makes Darker than Amber so enjoyable to me are the actors and their characters. Rod Taylor is perfect as Travis McGee (again, I'm not saying he is or is not the Travis McGee of the books). He's believable whether he's playing the beach-bum who steers his boat with his feet while sipping on Scotch or he's disarming a piece of white trash in a diner or he's engaging in a wildly over-the-top, but completely believable, fight scene. However, as macho as all that is, Taylor also played the more sensitive parts of his role expertly. When Vangie is killed, you can see the hurt in his face. He's just good. William Smith plays the main baddie, Terry. Like Taylor, he's also perfect. Smith made a career out of playing bad guys, but none better than here. Add his character Terry to the list of best movie psychos. What a sick, twisted piece of garbage. It's awesome. Finally, I'll briefly mention Suzy Kendall as Vangie. She may not be as good as the others, but I still enjoyed her performance. She has a natural vulnerability to her that works in role of Vangie. Rounding out this excellent cast are Bikel and Robert Phillips. Neither has a very large role, but both are outstanding. A rock solid cast playing interesting, entertaining characters - I loved it.

As much as I want to credit the actors, director Robert Clouse also did some outstanding work with Darker than Amber. For me, the movie is perfectly paced. I've read complaints about some of the slower scenes in the second act. While there may have been some slow moments, I never found it dull. Clouse handles the legendary final fight scene expertly. I've already mentioned it once, but this fight is a real showstopper. Watching these two guys beat the living crap out of each other is as good a fight scene as I can remember. It works because it all looks and feels so real. I think with that last sentence I've stumble on what I like about the whole thing - it feels so authentic and real. Darker than Amber is a winner with me.

Maybe this movie got chopped up a bit after its original release, as I've read, but it was not a model of clarity to begin with. By sheer chance, I saw it when it was having its world premiere in the summer of 1970, and I couldn't always follow what was going on.

I was a college student visiting downtown Miami for the first time when I noticed the marquee. I knew nothing about the "Travis McGee" character. The only reason I walked into the theater was because I had never seen a world premiere before.

I couldn't keep a handle on the plot, and I think that weakened the impact of the ending for me. Still, I was favorably impressed overall, because the action was so gritty and realistic. I especially liked the performances of Rod Taylor and William Smith, who were both well known to me. Their big fight scene was as memorable as everybody says.

Suzy Kendall, whom I had never heard of before, was easy on a young man's eyes. But her character was undefined. She seemed like a decorative jewel that men were willing to die for, and I never got a sense of her as a real person.

Since that afternoon so many years ago, I have had the pleasure of reading several Travis McGee novels. I like them very much. If I ever wind up seeing the movie again, maybe I'll understand it better.

If you are a Travis McGee fan, this is one film which belongs in your collection. The movie mirrors the book and the fact leading man Rod Taylor has the role is no surprise as he is perfect for the part. In short the story is of Travis McGee, a Private detective hired to investigate the death of a woman who's sister has been murdered. McGee discoverers the murderer is none other than William Smith who plays Terry Bartell. Smith is awesome in this role and anyone who gazes on that extraordinary physique of his will be impressed his good looks match his formidable strength. Adding to the interest of this film are sympathetic Theodore Bikel as Meyer and Suzy Kendall who doubles as Vangie/Merrimay. Travis and his friends plan an elaborate scheme in which the victim will return to haunt her murderer. What they don't know is that their intended mark is as explosive, unpredictable and dangerous as a lit bundle of dynamite. The final physical confrontation is one of the finest ever recorded on film. So fiercely brutal and bloody that many versions of the movie are highly edited. Rod Taylor at his best and a must film for Taylor fans. ****

This is indeed a good movie--a tidy, well-acted and -directed thriller with a good "take" on Travis McGee by the rock-solid and dependable Rod Taylor. But it is a tough one to get to see in its entirety, as some of the other reviewers have noted. Even the commercial prints have a running time of 91 minutes, and they are obviously and clumsily cut (here's a clue: the background music and sound jump drastically). No doubt this is because the violence is graphic for a film of this vintage, although that doesn't explain why it almost impossible to find a complete 93-minute copy here in the 21st century. I found one through a guy who knew a guy and so on--a Dutch copy with Dutch subtitles--and after 30 years of poking around (I was doing other things, too, during these decades) I finally got to see the whole movie. And it was worth it, as it almost always is to see the entire work, as the director (Clouse's next film was "Enter the Dragon") intended it. Some might think 2 minutes out of a film is no big deal (although they might gripe if you handed them a novel with 2 or 3 percent of its pages torn out) but this is too good a movie to snip. And although there have been bigger, longer, bloodier, more you-name-it fights, no two men on screen have ever looked like they are really, desperately trying to hurt each other as much as Rod Taylor and William Smith in the climactic fight in this movie. If you can find it, watch it. Good luck.

I saw Darker Than Amber 34 years ago, and it made an indelible impression on me. Perhaps it was because the realistic fast paced action and suspense, which is commonplace today, was a breakthrough at the time. I would compare it with some of the action scenes in Steve McQueen's Bullitt. I was reading John D. MacDonald's Travis McGee novels long before this movie came out, and being a Rod Taylor fan, this was the icing on the cake for me. Taylor brought McGee to life, a no nonsense, tough as nails guy, a Bond without the gadgets and gimmicks. I certainly wish the Production Company/Distributors would put it out on DVD, so everyone else could enjoy it. It could most assuredly become a cult classic.