Conde Drácula

Filmed in Spain and Germany, Jess Franco's version of the Bram Stoker classic has Count Dracula as an old man who grows younger whenever he dines on the blood of young maidens. This movie is quite faithful to the novel, unlike so many other Dracula films of the period. Starring screen legend Christopher Lee as Count Dracula, it also features Franco regulars Soledad Miranda, Fred Williams, Maria Rohm, Jack Taylor, Klaus Kinski, and Paul Müller. Franco appears in the film (as he does in many of his movies) as a servant to Professor Van Helsing. Franco contributes great direction and a perfectly eerie atmosphere to this low-budget film, which was one of Soledad's most prominent international roles. The talented cast and direction, as well as a fantastic score by Bruno Nicolai, make this one of the best filmed versions of the Dracula story and a great companion to Francis Ford Coppola's version made decades later.

This isn't a great movie, but probably the single most faithful screen adaptation of Bram Stoker's great story I've ever seen. It doesn't embellish or introduce a whole bunch of characters. It keeps the idea of Dracula being in an old man when we first meet him in Romania and getting younger as he drinks blood. I remember seeing it not too long after I had finished reading the book (the excellent annotated Dracula by Leonard Wolf (no relation)) and was hooked from start to finish. This is kind of an art house Dracula, faithful to story and spirit, short on special effect and expensive lighting. Kind of like Passolini's Gospel According to Matthew.

Everyone looking for the usual Jess Franco sex horror will be , and has been, let down by this movie. I myself have been kind of meh about it over the years. But a recent late night rewatch put it in a new light. Sure it's slow and a bit static but Franco captures a sense of dread that most Dracula movies can't manage. No wonder Lee said this was his favorite portrayal of the count. Plus that Nicolai music is incredible. Not perfect but it has something strong going for it.

Jess Franco's version of the Bram Stoker classic has Count Dracula (Christopher Lee) as an old man who grows younger whenever he dines on the blood of young maidens.

I recently watched the Dan Curtis version of Dracula and found that to be a very faithful adaptation, possibly the best up to that point (being later eclipsed by Francis Ford Coppola). But there is something to be said about this one, too. While some aspects are played down -- the boat ride from Transylvania to London is never shown -- others are played up. Curtis did not much focus on Renfield, while Franco makes him (played expertly by Klaus Kinski) front and center, even having him eat insects.

Some of what is shown is cheesy, especially the bat outside the window -- clearly a rubber bat on a string ,as it never flaps its wings. I love that although the effect is terrible, they use it probably ten times. And why not? When you have this level of talent (Lee, Kinski, Herbert Lom) and such beautiful sets, who needs effects?

Some of the best things about this version: Basically all the actors, Bruno Nicolai's score, and the fact that this Dracula appeared as Stoker describes him, which is a first.

Unfortunately, what I've heard about the production is that they changed producers in mid-shooting and he cut the budget back, so what could've been a fairly faithful rendition of the book now looks cheap and like the low-budget film it eventually became. This is no reflection of Jess Franco.