Ardil 22

My father was stationed on an island off Borneo during WWII from which air raids by American bombers supported by Aussie and American fighters were launched against enemy held islands. When I watched "Catch 22" with him, I expected he would be confused and slightly offended by the film's treatment of war. To my surprise, dad said that the film's depiction of war and those who fight them was not so exaggerated as one may think. The brass who send the men out on missions of no strategic importance to raise their own profile, the wheeler dealers, the earnest and ineffectual chaplains and all manner of crazies mixed with men whose only desire is to survive. My father also said that the mixture of comedy, drama, satire and surrealism reflected the strange dream of warfare very well. For my part, I can watch this film once a week for the rest of my life.

When I first saw "Catch-22" I couldn't believe it was made in 1970; the structure of this film is so modern it could have been made yesterday. Frame for frame a masterpiece of storytelling unfolds before your eyes; a satire, a comedy, a tragedy: superb and unforgettable. The surreal humor captures the craziness of war in a way - I think - no other movie does.

The film was released at around the same time as the somewhat similarly themed "M*A*S*H", and while Altman's movie was a hit, "Catch-22" bombed at the box office. In retrospect I would say that both films have aged very well, but Catch-22 offers a much more cinematic experience and has a narrative that is as modern as anything that's being released today. One of my favorite movies of all time.

Favorite films: http://www.IMDb.com/list/mkjOKvqlSBs/

Lesser-known Masterpieces: http://www.imdb.com/list/ls070242495/

Favorite Low-Budget and B-Movies: http://www.imdb.com/list/ls054808375/

Favorite TV-Shows reviewed: http://www.imdb.com/list/ls075552387/

I am in love with this book, so when I saw that there was a movie I flipped out and ordered it right away... and it was fantastic. I love the actors and I love how Nichols directed it. However, I was disappointed of the changes they made, where's Dunbar? He was like my 2nd favorite character. He was Yo-yo's best friend.... Also, they said it was Hungry Joe who was cut in half by McWatt, but it was really Kid Sampson, I could see how they didn't want to have too many characters to keep up with (in the book I felt like that was true) but still, Hungry Joe was...amazing, he was hilarious. Also, I'm not sure if I liked how Nately died, opposed to the books version. I suppose it made more since to kill him off when Milo's deal (the bombing thing), but it was when he died in combat mission that really broke Yossarian. I think Jon Voight did an fantastic job of Milo, he was really how I pictured Milo, I was really excited about that. The poignant walk through Rome that Yossarian takes, was so, perfect as well. But all in all, this was an excellent portrayal of the book, I totally imagined this movie (the settings, what Yossarian looked like, everything pretty much) as I was reading the book.

This is great film-making. I have never experienced greater skill with sound editing. The acting is terrific, the writing crisp and intelligent. The conception deeply nested. Why has the viewing public discarded this film? Interesting question.

Usually the answer is that the film is a poor evocation of the book. It is, of course; films are fundamentally different beasts than books, so the closest one comes is to have congruence of story. But the story is the least important element of either fine books or movies. No intelligent viewer looks for sameness in an adaptation.

I think the reason is simple. We are happy to accept war as heroic. Deep down, that's what we believe; whether as an inescapable fact of evolution or of chauvanistic indoctrination. Against this backdrop, we apply the stuff of our apparent convictions: that war is funny (MASH, the escape movies) or grossly brutal and confusing (Platoon, the first part of Pvt Ryan-- which then reverts to the noble). We just cannot accept the view that war comes from stupidity and selfishness, because it convinces that we, all of us every one is at root stupid and selfish.

This movie is so good, it convinces of that fact, and that's why no one wants to watch it. So no one is convinced. That's the catch.

The ever talented Alan Arkin strikes again. "Catch-22" ranks among his all time best films. It's a hilarious dark satire about an American World War II soldier (Arkin) who hopes to escape from the pressures and insanities of the combat front lines. He devises a scheme to have himself grounded as crazy so he can leave the war. However, his plan may backfire due to the so called "catch-22" law. Arkin gives a hilarious performance as the harried soldier and he is supported by a huge all star supporting cast who all turn in equally good performances.