Os 5 de Chicago

This is an amazing film for 1970, and a good film to watch by itself today. A true gangster story, with no romantics at all. Evil people do evil things, they just do them because they are stupid and degenerated. No social comment is being made, and this is actually the best decision the script writer and the director could make. Only a completly social careless society can let such people 'enjoy the freedom', with the execution squad being the only 'educational tool' it knows. The viewer gets it by itself. The mix of documentary with the true story is discrete and smart. I liked the movie, and gave it 8/10 on my personal scale.

Fun movie about a gun toting Ozark clan that rebels against their Depression-era poverty by stealing, threatening, robbing banks, kidnapping, and killing their way into infamy. The clan's leader is colorful Ma (Kate) Barker (Shelley Winters), self-confident, forceful, and determined to get some high-style living for her and her four boys, whatever is required.

Interspersed through the plot are real-life B&W flashbacks to the 1920s and 30s, which enhance a sense of realism, as does the casting of non-actors in minor roles in some scenes. The dialogue is at times clever, like during one of the B&W flashback scenes when, in V.O., Ma tells us: "1929 was a bad year for a lot of folks. The rich men was jumpin' out of the windows and, as usual, they fell on the poor".

In addition to clever dialogue, Shelley Winters makes the film fun, mostly as a result of her over-the-top Southern accent. And there's something quite ironic about her character. For all of Kate's gun-loving ways, she's actually quite religious and anti-war. In one sequence, she sits down at the piano to play, and starts singing a song to spark some life into her four dejected sons; they eventually join in. "I didn't raise my boy to be a soldier; I brought him up to be my pride and joy … there'd be no war today, if mothers all would say, I didn't raise my boy to be a soldier", which also sums up her familial bond with her sons.

The film's color cinematography is acceptable, though nothing special. Prod design and costumes seem accurate for the era, though Shelley's long eyelashes look more like something from the 1960s than the 1920s. The film's songs are good; I really like that title song.

A lot of viewers don't like this movie, for a variety of reasons. No, it isn't a realistic portrayal of the real Ma Barker. And no, the story is not altogether accurate, though some plot points are. But it's a fun movie and worth watching, mostly for the entertaining performance of Shelley Winters.

Shelly Winters plays a wild Ma Barker in this decent Roger Corman directed flick about the Barker gang of the great depression era. Everyone playing Ma Barkers sons, who include Robert Deniro, gives a good performance. Bruce Dern also has a small role as sort of an outside member of the gang. The Barker gang is on the run, lead by their fearless mother. They rob banks and whoever they can get their hands on. There is one particular good scene involving Deniro, complete with his Max Cady accent, where he acts on the advances of a young blonde swimmer who flirts with him while he sits on the dock. Her flirty ways turn to terror as Deniro realizes he tells her some forbidden information and can't afford to let her live. Deniro lost 30 pounds for the role. He also told Corman he could drive even though he didn't have a license. Pat Hingle, a great character actor, as a high profile man who the gang kidnaps to get ransom money is also very good. This film is no "Bonnie and Clyde" but I'm surprised it didn't get more attention. Worth a look.

I can't believe there is only ONE comment on this classic piece of Roger Corman trash! Corman is known as the King of the Quickies, which gives many people who aren't all that familiar with his work the impression is that all he made was "bad" movies that can only be enjoyed on a camp level. This is not true, and 'Bloody Mama' proves it! Sure it's an exploitation movie, but exploitation doesn't necessarily equate with worthless trash, as the movies of Russ Meyer or Larry Cohen or Sam Fuller show.

'Bloody Mama' tells the story of Ma Barker and her sons, infamous criminals during the Depression. Exactly how much of this movie is historically accurate I don't know, and it doesn't really matter. This is a non-stop action ride, low budget yes, but full of energy, clever touches, and generally strongly acted by the cast, which includes - get this! - cult favourites Don Stroud and Bruce Dern AND a scene stealing performance from a young Robert De Niro. If the thought of those three absurdly talented actors appearing in the same movie isn't enough to get you running to your local video store, then you're beyond help!

Add to that the familiar character actors Pat Hingle, Scatman Crothers and the appearance of Diane Varsi from the legendary 'Wild In The Streets', and b-grade film buffs will be ecstatic. Last but certainly not least, Shelley Winters in the title role is outstanding. She has had a long and varied career, but she always gives her best whether she is in a- or b-grade material, a star vehicle, supporting role or a cameo. More power to her!

'Bloody Mama' is a movie to be treasured! Trash with intelligence. Don't miss it!

Frankly, there have been better films made about this controversial outlaw. Shelley Winters is great as is everyone else, which is kind of sad, as to what inadequate material they're given, Dern and Stroud, acting highlights, Dern, who attaches himself to Barker and her boys. A much younger and handsome devil, is Deniro (six years before his Taxi Driver days) who fares pretty well, as one of Ma Barker's more meeker sons, and is definitely memorable, especially in one scene with a bathing beauty, rising out of the glistenng waters. A few shoot outs, the film only getting bloody in it's last five minutes, one frank CU shot in particular. The film is very well made, by a B movie legend, and the performances make it, but it's kind of rush rush, where we really don't get enough time, to really get under the characters, or for the story to really take shape. It needed better plotting, and meat to it's story, and this is where the movie, ultimately fails. Like Ma Barker, planning her next move, at a loss, metaphorically speaks, as to where the story should head next. Not without merit though.