Notícias

Alain Delon, the striking French leading man known for his uncommonly beautiful, coldly calculating villains in Le Samouraï and Purple Noon, has died. As confirmed by his family to France’s Afp news agency, Delon died Sunday after years of health complications stemming from a 2019 stroke. He was 88.An icon of French cinema,...

French acting star Alain Delon, whose many iconic roles included Le Samouraï, Plein Soleil and The Leopard, has died in France at the age of 88.

The actor’s children said in a statement that their father had passed away in the early hours of Sunday, surrounded by his family and beloved Belgian Shepherd Loubo, in his long-time chateau home in the village of Douchy, in the Le Loiret region some 100 miles south of Paris.

Delon’s death marks the passing of one of the last surviving icons of the French cinema scene of the 1960s and 70s, when the country was on an economic roll as it reconstructed in the wake of World War II.

Related: French Pres. Emmanuel Macron Leads Tributes To Alain Delon: “More Than A Star, A Monument”

The star, who was at the peak of this career from the 1960s to the 1980s, fell into acting by chance.

Alain Delon, the dark and dashing leading man from France who starred in some of the greatest European films of the 1960s and ’70s, has died. He was 88.

“Alain Fabien, Anouchka, Anthony, as well as (his dog) Loubo, are deeply saddened to announce the passing of their father. He passed away peacefully in his home in Douchy, surrounded by his three children and his family,” a statement from the family released to Afp news agency said.

Delon had been suffering from poor health in recent years and had a stroke in 2019.

With a filmography boasting such titles as Luchino Visconti’s Rocco and His Brothers (1960) and The Leopard (1963), René Clément’s Purple Noon (1960), Michelangelo Antonioni’s The Eclipse (1962), Joseph Losey’s Mr. Klein (1976) and Jean-Pierre Melville’s Le Samouraï (1967) and The Red Circle (1970), Delon graced several art house movies now considered classics.

His tense and stoical performances, often as...

Porn icon Rocco Siffredi claims that after making roughly 1,400 hardcore films — with titles like “The Ass Collector” and “Rocco’s Perfect Slaves” — over the past four decades, he has finally found “the peace of his senses.”

“I could crack a bad joke and say I can’t get it up anymore,” says Siffredi, 59, speaking on a video call from the Budapest office of his Rocco Siffredi Production company, which houses the Siffredi Hard Academy, touted as the world’s first “university of porn.”

“But that’s not the case. Quite the contrary,” the hardworking “Italian Stallion” hastens to add. I’ve asked Siffredi about being — or having notoriously been — a sex addict. And the many times he’s announced his retirement as a porn performer, only to make another comeback.

“I have to tell you that it was a mix of problems connected with my personal life and the dependency that this job,...

Jean-Paul Belmondo and Jean Seberg in Breathless Photo: Studiocanal One of the “monstres sacrées” of French cinema Jean-Paul Belmondo has just died at the age of 88. His lawyer made the announcement in Paris today. His family revealed that he had passed away peacefully after complaining of being tired these last few days.

Jean-Paul Belmondo Photo: UniFrance Belmondo, who was born on 9 April, 1933, in the Paris suburb of Neuilly sur Seine initially was associated with the New Wave of French cinema in the 1960s with his role in Jean-Luc Godard’s Breathless at the start of the decade, starring in Claude Sautet's Classe Tous Risques in the same year. He progressed to become one of the country’s biggest stars often alongside Alain Delon in such box office hits as Borsalino.

Known affectionately by his compatriots as Bébel, testimony to his status as a national treasure came with hours of...

Jean-Paul Belmondo, whose bad-boy presence in Jean-Luc Godard’s new wave masterpiece “Breathless” established him as the French idol of his generation, has died, Variety has confirmed. He was 88.

For more than a decade following the release of “Breathless,” Belmondo reigned as one of France’s top box office stars. The actor was likened alternately to James Dean, Humphrey Bogart and Marlon Brando for his brooding, charismatic persona, and he proved able to work in virtually any genre. After “Breathless,” the cult that formed around him was dubbed le belmondisme by the French media. Unlike Dean, who was a rebel without a cause, Belmondo’s antihero persona was more existential, detached and irredeemable. With such magnetism, an American career could have been his for the asking, but he largely resisted studio-made productions and later in life openly criticized Hollywood for overly dominating film screens in France.

Though most closely associated with Godard,...

Summer is coming, and what better way to languish away in the hot heat than poolside with Alain Delon and Romy Schneider? They star together with Maurice Ronet and Jane Birkin in Jacques Deray’s 1969 thriller “La Piscine,” a volley of sexual jealousies and resentments between four people vacationing in the Côte d’Azur, which provides the perfect backdrop to simmering psychosexual tensions. One of the biggest box office successes in France of all time, “La Piscine” is getting a re-release from Rialto Pictures this summer, kicking off with a two-week exclusive run at Film Forum in New York beginning May 14. Then, the restoration will begin a national rollout.

In “La Piscine,” Jean-Paul and Marianne (Delon and Schneider) are spending an idyllic holiday together at a luxurious villa near St. Tropez, loaned to them by a friend. Their sensual solitude is interrupted by the impromptu arrival of their mutual friend Harry,...

To see the feline countenance of Alain Delon is to immediately understand his movie stardom. How could he have been anything else? It would almost be a cosmic insult to his beauty not to commit it to celluloid. But beyond the erotically-charged pin-up and genre tough guy, Delon would also become a respected actor with a long list of auteur collaborators: Visconti, Melville, Antonioni, Joseph Losey, and the like. The mega-star of European cinema, with his cold grey eyes and louche attitude, could be forbidding or aloof; dashing or innocent. There’s a chance to see all of those iterations of the actor at a new retrospective dedicated to him at New York’s Quad Cinema, aptly-titled "L’Homme Fatal."Early in his career, Delon’s youthful beauty would be utilized in Luchino Visconti’s classics Rocco and his Brothers (1960) and The Leopard (1963), but filmmakers also quickly recognized his ability to play the cad,...

Mireille Darc as Corinne Durand in Jean-Luc Godard’s Weekend with Jean Yanne (Roland Durand). Photo: Unifrance The French actress and model Mireille Darc who was one of the beautiful people of the Sixties and Seventies and a constant companion over many years of Gallic superstar Alain Delon, has died last night (August 27) in Paris, her family have announced.

Mireille Darc: 'When I saw myself a blonde, I realised that it was me' Photo: Unifrance Darc, who was 79 and who chose her surname as a reference to Jeanne d’Arc (Joan of Arc), was born in Toulon on May 15, 1938 as Mireille Aigroz. She began her career as a model and television presenter before turning to cinema.

Early on, she landed roles in various films, including Jean-Luc Godard’s Weekend (1968), and at the opposite end of the spectrum Ken Annakin’s comedy romp Monte Carlo Or Bust! (1969) with Tony Curtis,...

Close-Up is a column that spotlights films now playing on Mubi. Catherine Breillat's Romance (1999) is playing January 25 - February 24 and Anatomy of Hell (2004) is playing January 26 - February 25, 2017 in the United Kingdom in the series Catherine Breillat, Auteur of Porn?“Why do men who disgust us understand us better than the ones we love?”—Marie, Romance“Forget it. She’s a bitch. A slut like any other.”“Yes, but the queen of sluts.”—Man, Anatomy of HellNobody fucks like the French. Or is that the Italians? Ask Catherine Breillat, the French auteur who remarked, when probed in an interview promoting her 2004 feature Anatomy of Hell, regarding the decision to cast Rocco Siffredi, the Italian megastar of hardcore porn, in one of the film’s two leading roles: “No French actor could do it. Rocco performs with his entire body and mind, so he is a sort of perfection.” The Italian Stallion,...

Director Jose Giovanni was best known as a screenwriter for a number of important French auteurs throughout the 1960’s, having written items like Jacques Becker’s Le Trou (1960), Claude Sautet’s Classe Tous Risques (1960) and the novel upon which Melville’s Le Deuxieme Souffle (1966) was based. Many of his own directorial efforts have faded into obscurity, but his 1973 title Two Men in Town, a political drama documenting the social ills associated with the death penalty, has recently received resurrected interest thanks to Rachid Bouchareb’s 2014 remake, retooled for the American Southwest and predicated on issues of immigration. Starring Alain Delon and Jean Gabin in their last of three on-screen collaborations, it’s an interesting item, though Giovani’s overly protracted first half doesn’t sit well with the finale’s obvious sermonizing.

Social worker Germain Cazeneuve (Gabin) tirelessly works as a bridge between prisoners and authorities, doing the best he...

Whenever depression looms for Joe Queenan, it's time to turn to Johnny Hallyday. What is it about the films of the French Elvis Presley that holds the answer to all life's woes?

The other day I was feeling unusually melancholy, what with the economy in the tank and construction workers building evil McMansions next to my house. One of my friends suggested I watch a Hong Kong gangster movie called Vengeance. He said the film was completely insane and would take my mind off my troubles. I told him all Hong Kong gangster movies were completely insane, but he fired back: "No – this one is really insane."

He was right.

Vengeance, released in 2009, is actually a Franco-Hong Kong collaboration that pools the resources of the legendary actor/director Johnnie To and those of the legendary rock star/actor Johnny Hallyday, the French Elvis Presley. Hallyday, né Jean-Philippe Smet, is in fact Belgian,...

When we deal with the French New Wave, it is difficult to bear in mind that it was a movement that went far beyond a handful of directors. Being driven by cinephilia, it was a response to the possibilities of cinema and this comes home to us again and again even when we see the work of ‘minor’ artists like Jacques Deray who went on to make more commercially viable films like Borsalino (1970), a star vehicle for Alain Delon and Jean-Paul Belmondo. Deray remained an excellent craftsman in his latter films but his second feature Rififi in Tokyo (1963), virtually unseen today, is even radical for the way in which it deals with the genre of the heist film to produce a philosophical reflection worthy of Jean-Luc Godard at the height of his powers.

Rififi in Tokyo belongs to the category of films beginning with Jules Dassin’s Rififi (1955), a film about a robbery gone wrong.

We are here to continue with news from Cannes. We just learned that The Festival de Cannes will welcome Jean-Paul Belmondo on Tuesday 17 May with a special evening held in his honour. That definitely sounds great, and if anybody deserves to have a special night at this year’s Cannes, it’s Mr. Belmondo, I hope you all agree.

Since the late 1950s, Jean-Paul Belmondo has encapsulated the very best of popular cinema (Philippe de Broca, Henri Verneuil, Gérard Oury, Georges Lautner, Jacques Deray), ably blending this with the glorious art-house cinema of the ‘60s and ‘70s. (Jean-Luc Godard, Jean-Pierre Melville, François Truffaut, Claude Lelouch and Alain Resnais, not to mention Vittorio Sica and Alberto Lattuada).

That Man from Rio, Breathless, Pierrot le Fou, Léon Morin,Priest, Mississippi Mermaid, Le Magnifique, Stavisky and Borsalino are just a few examples of his extraordinary range.

Or, as Gilles Jacob and Thierry Frémaux...

The Cannes Film Festival will honor Jean-Paul Belmondo on May 17 with a gala event celebrating the actor's career. French New Wave star Belmondo worked with directors Philippe de Broca, Henri Verneuil, Gérard Oury, Georges Lautner, Jacques Deray, Jean-Pierre Melville, François Truffaut, Claude Lelouch and Alain Resnais, Vittorio Sica, Alberto Lattuada, and - of course - Jean Luc Godard, whose 1960 Breathless helped launch his long career. Among his other credits are That Man from Rio, Pierrot le Fou, Léon Morin, Priest, Mississippi Mermaid, Le Magnifique, Stavisky and Borsalino. See photo gallery and video clips below. “We are delighted," say Cannes's Gilles Jacob and Thierry Frémaux. "His range and personal charisma, the precision of his acting, his cocky wit, the ease with which he carries ...