Angel Unchained

obviously "biker gang" and "hippie commune" are terms of pure fantasy ... the fantasy of enjoyment that the workaday world had about '60s subculture. so this film is mildly interesting in that it manages to represent both with (what I imagine to be) some degree of accuracy. bikers, with the promise of extra enjoyment, act as enforcers for peace-loving back-to-the-landers against hostile hick "townies" who harass them at every opportunity. it is a bucketful of cliché and ends in a big dune-buggy hack-em-wack-em fireball, but there's some meaningful representation of (what I imagine to be) the cultural conflicts of the era.

Angel (surfer Don Stroud, "The Amityville Horror") is a biker who joins a commune of hippies near a small town. When the town rednecks attack them, Angel calls up some of his bad biker buddies to exact revenge.

This is more or less exactly what you would expect from a movie that combines hippies with bikers. They simply do not get along well, despite both of them being anti-establishment and pro-drug. (We saw a similar yet different encounter in "Easy Rider".)

Was this a good film? Maybe. I mean, I am not going to go out and tell people to watch it. But as far as some good old-fashioned American International Pictures fun goes, this is another AIP film that you can just relax to. No thinking involved.

After a rumble with another motorcycle gang one of the bikers named "Angel" (Don Stroud) decides it's time to leave and make it on his own. So he gives up his colors and drives off down the highway. It's at this time that he rides into a small town and while filling up at the local gas station comes upon two hippies who are subsequently denied service by some redneck cowboys who inhabit the area. He helps them out and to express their gratitude they invite him to stay at their nearby commune. Since he has nowhere else to go he takes them up on their offer. Unfortunately, after only a few days the rednecks come and destroy the crops that the hippies had worked all summer on after which the cowboys give them an ultimatum to leave or they will return in a week. So in desperation the leader of the commune who goes by the name of "Jonathan Tremaine" (Luke Askew) pleads with Angel to bring his old gang to help them out. Although he explicitly warns them about the potential danger these bikers could create they continue to insist so he then rides out to ask them. The bikers accept the invitation and all kinds of mayhem follows not long afterward. Now rather than reveal any more I will just say that this was an okay "biker film" which could have been better if it had flowed a bit more smoothly from one scene to another. In any case, I found it to be an adequate movie for the most part and I have rated it accordingly. Average.

Jack said the rednecks are on "Go-Carts". I own the movie and watch it every few years or so. They are driving dune buggies. A far cry from go carts. I think the movie is great! Very unrealistic which helps make it great. I collect cheap biker movies and this well qualifies. Unrealistic is letting a fellow club member leave so he can get his head together. You gotta have a better reason for leaving any outlaw club. Usually it's prison or death. Just taking off don't cut it. Having a tripping Indian with trippy cookies is a first. Usually outlaws will do some things for cash. These "Bros" go for "cookies"! God bless 'em! Next they will be killing for apple pie. Yes, you could find better things to do with your time than watching this. Usually crushing your fingers in a vise or sticking your face in a fan is more entertaining. If you love cheap biker movies (and vintage dune buggies) you will LOVE this pile.

What really struck me about this film was its accuracy in depicting two of the most frequently exploited subcultures of the American 1960's. The Hippies are young middle-class idealists, with no evident skills or systematic approach to philosophy. The bikers are violent degenerates, but not over-the-top barbarians who kill at a moment's notice. Their behavior was so similar to stories and books I've read that I wonder if some of the scenes were actually reminiscences of some former Hell's Angel the writer knew. Unfortunately, I never could make out the name of the motorcycle club on the backs of their jackets. It looked like "Exiles Nomads", but what kind of a name is that? Overall, the movie is satisfying, if nothing particularly new. Fits well into the "Born Losers" category of film, but definitely in a class apart from "Satan's Sadists" or "Wild Angel."