Aeroporto

Universal assembled an all-star cast for this film version of Arthur Hailey's best-selling novel "Airport", and the result was a critical and box-office smash that earned 10 Oscar nominations. The film is at its basics pure soap-opera built around the impending bomb on a 707 bound for Rome. The workings of a major international airport are well depicted and the cast provides some great performances. Burt Lancaster, Jacqueline Bisset, Jean Seberg, Maureen Stapleton, Dean Martin, and Van Heflin all turn in some of the best performances of their careers, and Helen Hayes (who won an Oscar for supporting actress) is endearing as the stowaway, who has worked out quite a system for flying for free. "Airport"'s success signaled the beginning of the disaster movie era that was followed over the next several years by such films as "The Poseidon Adventure", "The Towering Inferno", "Earthquake", "Two Minute Warning", and "Rollercoaster". "Airport" also inspired three sequels, although none of them even approached the original.

Excellent thriller, with good pacing, great actors (including Deano), and overall quality. The old-fashioned way was a good way in this case.

It's got both humorous moments as well as more empathic ones, all played with subtelty as there is no real 'vilain' nor single 'savior' but rather convergeant elements, taken in charge by many in their own capabilities, which re-inforce its credible aspect.

I just saw this film again. I always enjoy it. It is a "time warp" 39 years ago, the hairstyles, the clothing, the airport. I always get a hoot when Van Heflin just strolls on the airplane, with a bomb in a briefcase. I have been flying since 1974, and since Sept 11 2001, you have to strip, take off your shoes, and get wanded. Strange to see the airport procedures of this bygone era.

The ensemble cast is always enjoyable. I like Dean Martin (the pilot) who is married to Barbara Hale (Perry Mason's secretary, Della Street, in one of her few film roles. When Dean Martin decides to divorce her, and continue in the relationship with Jacqueline Bisset (the stewardess), I hope the wife does not get Perry Mason for the divorce! Parry will clean his plow!

"Airport" is an impressive disaster epic that rises high above the ground due to its characters. Every key player adds to the plot and that fact makes "Airport" a very good film from a great decade of movies. Oscar-winner Helen Hayes, in particular, dominates when she appears on the screen. Unfortunately this film would spawn one of the most trivial genres in the history of the cinema. 4 out of 5 stars.

I recently watched "Airport" on TCM. It was the first time I had seen it in its original widescreen format since it came out in 1970. I was surprised at how well it has held up with the passage of time. Although there have been disaster movies from the beginning of cinema in the late 19th century and one that dealt specifically with an airplane in danger ("The High and the Mighty"), this was the film that launched the modern disaster craze that produced "The Towering Inferno," "The Poseidon Adventure," and countless others including "The Day After Tomorrow." The hilarious spoof "Airplane" which poked fun at the clichés and pretentiousness of the films did much to discredit the genre until recently.

"Airport" was based on the popular best seller by Arthur Hailey. Although over two hours long, the movie moves and the viewer never gets bored. The stellar cast does an exceptional job with a standout performance by the legendary Helen Hayes. The ending is both happy and sad. So it does not cop out on several key themes of the story. Many of the roles, such as George Kennedy's Joe Patroni, are played lightly and this adds zest to the performances. When the script begins to get syrupy a new element of emergency is thrown in to pick it up and go.

Forget all the cliché-ridden disaster flicks you have seen since "Airport." You will be entertained and not feel cheated when the closing credits appear.