O Mundo dos Aventureiros

I had read Harold Robbins' book "The Adventurers" on a cross-country flight when it first came out, and found it to be a bit more enjoyable than his usual trash--somewhat better written, a more interesting story than usual, different types of characters. So when the movie was released, I figured, "Ah, what the hell, I'll check it out." I must say that I enjoyed this film in spite of itself. The dialog is laughably inane, the acting by pretty much the entire cast is abysmal (star Bekim Fehmiu, a Yugoslav heartthrob, only made a few more films before he deservedly disappeared), if you expected Candace Bergen to do her usual embarrassingly inept job you won't be disappointed, Ernest Borgnine hams outrageously, and there are a host of cameos--none of them particularly noteworthy--by everyone from Olivia De Havilland to John Ireland, most of whom probably took the parts in order to get a free trip to Europe. The film does, however, have a few things going for it. One is the luminous Leigh Taylor-Young. She is absolutely exquisite; her part, though essential, doesn't call for a lot of screen time, but every time she does appear on-screen she lights it up. Also, the battle sequences are exciting, well staged and very convincing; they pick up the film's pace tremendously (the action scenes were shot in Colombia and the extras were Colombian soldiers, who knew a thing or two about what happens in battle). A lot of money was spent making this picture and, unlike many big-budget European co-productions made at the time, it shows on the screen. The photography is outstanding, the European scenery is beautiful, the jungle scenes in "Corteguay" (which were also shot in Colombia) are stunning and the costumes and production values are sumptuous. Besides, it IS an interesting story (the son of a man murdered by a corrupt and oppressive government returns to overthrow that government, only to find that the new government he's helped to install is just as corrupt and oppressive).

All things considered, it's not a bad way to spend a couple of hours. The picture got savaged by reviewers when it first came out, but it's really not all that bad. It's somewhat overblown and overheated, but enjoyable nonetheless. Check it out.

I bought it on video and it was so long it was on two tapes! So a lot of fast forwarding was needed for the countless war scenes. But it was worth the wait to get to the high sixties segments, the overall best being (for the plot totally unnecessary) the fashion shows! But oh, it was the films´ highlight. Super camp fashion numbers out of the blue but totally appropriate for a high gloss sixties movie. It was released 1970, I wonder if it all seemed a little out of date even then?

Loads of stars, even lesser like an early Jaclyn Smith and the underrated underused Angela Scoular (of On Her Majesties Secret Service). But the best is Candice Bergen. SO stunningly beautiful the screen almost melted and she did some fine acting even if she thought she hadn´t. She played a lesbian again and she ends up bitter and chain-smoking. (Hollywood logic).

Ten-year old Dax (Loris Loddi) watches as soldiers massacre his family in the war-torn South American country of Corteguay, in 1945. It's an experience that has a profound effect on the boy, and influences his actions and behavior as an adult. Dax grows up to become a European playboy (Bekim Fehmiu), who periodically returns to the ongoing national upheaval in his home country. The film's underlying premise is fine. But the screen story is a mess.

For one thing, Dax, the central character, is not very likable as an adult. He's too smug, too self-important, too haughty, and emotionally cold. If he's so concerned about the never-ending violence in Corteguay, why does he spend so much time hobnobbing with the rich and snobbish in Europe? His motivations don't really make sense.

Second, the plot contains too many secondary characters that come and go, throughout. It's hard to keep track of them. For its large cast, the film is almost devoid of characters with whom the audience can identify and become attached. For all their "importance" and "savoir-faire", these secondary characters are hopelessly shallow and cold.

Third, the film's dialogue is awful. It reminds me of one of those dreadful 1950's sword and sandal movies, with lines of dialogue so ponderous and so burdened with momentous gravity, you would think they should be delivered only by Hamlet. The film veritably drools with this overwrought melodrama.

Further, the film's plot irritatingly oscillates between South America and Europe. One minute we're in Courteguay watching two poor, starving children begging for food. The next minute we're at a gaudy fashion show in Europe, or at some highbrow party listening to some lady belt out an operatic aria. It's as if the writer couldn't decide what story he wanted to tell.

And the film's violence is excessive. The civil war subplot in Corteguay requires some brute force and destruction, naturally. But the violence here is much too personal, too graphic, and too gratuitous.

To its credit, the film does have good cinematography, especially outdoors with that beautiful South American scenery. And the costumes and indoor production design are lavish, almost too much so, at times.

Ultimately, "The Adventurers" is a pretentious bore that takes itself way too seriously. The characters are unappealing, the plot is muddled, the violence is excessive, and the dialogue is laughably ponderous. All of these liabilities are then magnified by the film's three-hour runtime.

Porfirio Rubirosa was a man of many parts, part time diplomat, part time polo player, part time race car driver, and most definitely full time lover. He's the man on which lead Bekim Fehmiu's part is based. In that lies the tale of The Adventurers.

Harold Robbins up to this point had done reasonably well on the screen with successful adaptions of novels like The Carpetbaggers, Where Love Has Gone, King Creole, etc. But Paramount spent a fortune on this film with a few name players in supporting roles, but came up real short with Yugoslavian actor Bekim Fehmiu in the lead. Sometimes casting an unknown works, the best examples being Peter O'Toole in Lawrence Of Arabia and Errol Flynn in Captain Blood. But here the distinctly uncharismatic Fehmiu just had no chemistry with any of the women he was to wed and/or bed. When you're basing the lead character on a notorious lover of the flesh, that's kind of essential.

Rubirosa in real life had an on again off again relationship with Rafael Trujillo dictator of his native Dominican Republic. Alan Badel plays the Trujillo figure who did not come to as glorious an end as he does here. Badel was certainly as treacherous as Trujillo in real life.

Rubirosa was married 5 times in real life and one of those wives was Barbara Hutton who got around herself pretty good as another of her husbands was Cary Grant. Here her role is played by Candice Bergen who likes a good time, but also wants a family.

The girl from Fehmiu's mythical country of Corteguay is Leigh Taylor-Young. Anna Moffo stands in for fellow opera singer Maria Callas. You'll recognize a few other players on the international scene.

The climax is the revolution against the duplicitous Badel and the battle scenes are staged well, a lot of the film's budget certainly went there.

As for Bekim Fehmiu international stardom was not to be, but it looks like he had a respectable career in his native Yugoslavia.

If you like to stargaze and note some of the names that are present in the cast or if you are devoted to the novels of Harold Robbins then I would recommend The Adventurers. Otherwise it's pretty mediocre.

Bekim Fehmiu (Black Sunday) is Dax The wealthy playboy son of an assassinated South American diplomat who discovers that his father(Fernando Rey,Frog Number 1) was murdered on orders of the corrupt president (Alan Badel) a man who was his father's confidant and who, in fact, his father had helped put into power. He returns from living the playboy jet-set life in Europe to lead a revolution against the government. This is an overly long film at two hours and fifty five minutes! it is entertaining but some of the scenes could easily have been edited out! it's based on a novel by Harold Robbins, Ernest Borgnine has little to do literary! all he does is stand about at the beck and call of his charge! It's Directed by former two time James Bond director Lewis Gilbert, the action scenes are amazing if this was produced today it would feature CGI for the battle/crowd scenes, It is a dated picture due to the fashions and unrealistic blood! which looks like red paint.