Zeta One

ZETA ONE (aka: THE LOVE FACTOR) opens with a groovy James Bond-esque theme song playing over still shots of seminude nymphets lounging about. The Bond-ness continues, as this is a cheeky parody of such films.

The negligee-thin story line is just a flimsy frame to hang all of the naughtiness on. So, not a lot happens.

When Zeta (Dawn Addams) finally shows up, things pick up a bit. Slightly. She and her troupe of alien babes kidnap Earth women to add to their colony.

Yep, this is another of those movies that great-grandad used to sneak off to see at some rundown theater. Today, it's fun in its own quaint way. So, if you're looking for some silly, late-1960's-70's soft core cheeeze, then, you'll probably enjoy this...

Promises good atmosphere for all those that like 70's english exploitation but in the end it lays there and really refuses to focus on it's point. Strip poker scene with Yutte Stensgaard does go on forever, as Mark D-2 says, without major payoff. There are better of this genre out there

A race of topped, average-breasted women from the planet Angvia, in another dimension, come to earth to kidnap women to repopulate their planet.

There were a few things I liked about about this film. One was that the spy was named James Word, who I assume was named so because his "word is his bond". Or something along those lines. The joke names (such as Angvia being an obvious anagram for vagina) are not very deep.

The other was that the elevator seems to be an inspiration for Marvin the Paranoid Android in Douglas Adams' books. Adams was 17 when the film first came out, and being a British science fiction film, he may have seen it. Someone might know this... I do not. But I found the similarity striking enough.

It's another cold snowy winter day here so I once again took advantage of our Amazon Prime subscription and picked a flick. This time I watched a film from 1969 called 'zeta one' (aka 'The Love Factor'). It's a British made secret agent film...sort of... maybe it's more a sex-ploitation film. I can best describe it as a cross between the over the top spy films like 'Our Man Flint' and the recent Austin Powers films. Also a touch of James Bond. There is a 'Barbarella' sci fi element to it too. There's a race of alien women with advanced technology who want us for mating purposes or something. I'm not really sure. Like so many other B-movie female aliens they only seem to have women in their society. Women who like to dress as male fantasies. Even their warrior women dress in pasties and G strings. Evidently it's their favorite combat gear no matter how impractical and uncomfortable it must be. Yes, this is one of those movies. It's loaded with 60s era nudity, mini skirts, boots and even a psychedelic trip or two. It reminds me of the Austin Powers movies because it seems more an exaggerated spoof of the 60s then what it really is, a real 60s film. I lived through that time as a young teen so I know a little. It even had 'Laugh-in Style' girls dancing topless in body paint. It's more 60s then I ever remember the 60s as being, it you can understand that. It's like what people now seem to imagine those days to be who weren't there.

Anyway, it's a funny film if you're in the right frame of mind. There is one agent who looks like a British version of Barney Fife in round glasses. Their version of M here is more into 'S & M'. Yes, it's a strangely entertaining flick that bad movie fans should enjoy.

I believe I first became aware of this sci-fi/sexploitationer via the biography for actress Valerie Leon included among the extras on the Anchor Bay DVD of Hammer's superior BLOOD FROM THE MUMMY'S TOMB (1971); incidentally, the film under review was made by rival company Tigon.

To begin with, the script was apparently inspired by a comic strip (such cinematic adaptations were all the rage at the time – no doubt, the makers were encouraged by the success of BARBARELLA [1968]). Still, even reading through the cast list, I knew not to raise my 'artistic' hopes too highly – given that it featured both James Robertson-Justice and Charles Hawtrey, stalwarts of (respectively) the popular "Doctor" and "Carry On" comedy franchises…who actually turn out to be the villains of the piece!! The narrative drew heavily on another then-current fad i.e. espionage – in fact, the hero is a stud-like albeit laid-back secret agent who naturally proves irresistible to the alien women (actually, an alternate moniker for the film) the titular figure (played by veteran Dawn Addams) sends his way in order to derail his investigation into the abduction of several earth girls.

That said, the plot is barely there and becomes especially confusing – not to say silly – during the latter stages; for what it's worth, the film culminates in a chase wherein the otherworldly gals kill virtually all of their male pursuers simply by pointing their fingers at them (accompanied by the incongruous noise of gunshots)!! Needless to say, ZETA ONE's raison d'etre and prime asset is its relentless parade of innumerable but anonymous starlets of the era in the nude or otherwise scantily-clad: the above-mentioned Valerie Leon herself is underused, but fellow future Hammer lead Yutte Stensgaard – who engages the hero (to whom he's recounting his non-exploits) in a lengthy and decidedly irrelevant game of strip-poker – comes off quite well (no pun intended). Also worth mentioning are the low-budget but appropriately psychedelic sets and the title tune (featuring a reasonably effective guitar riff).