O Vale de Gwangi

If you are a fan of dinosaur movie,this one won't upset you.I do like a way the screenplay told the story to us.Good for all ages.Wonderfully initiative mixture of cowboy and dinosaur and love story!! ..Good acting and grand western music scores help support the pics very much.Its theme song is as good as a theme for "The Big Country"...I dare say.Also,as for special effects,I can't say anything more to Ray's attempts.

Certainly,this movie isn't the best.But it can entertain you much more than you expect.

I remember seeing this dinosaur movie when I was a kid - as a dino fan, anything dinosaur is movies was intriguing for me.

A dinosaur was captured by cowboy James Franciscus and brought to the Mexican circus. Of course, it's all mayhem while the T-rex escapes and wrecks havoc upon the town and threatening its citizens.

It was neat seeing the T-Rex roaming around and serving up some neat dino action and mayhem. The stop motion special effects weren't bad for its time, but the overall plot was little boring if I recalled and the acting was pretty mediocre.

But, not a bad special effects film - definitely better than some of the black and white B-movies.

Grade C+

What's not to like here-James Franciscus, Gila Golan, Naismeth, the excellent Harryhausen Allosaurus F/X, the dino-elephant battle, the cowboys roping the dino scene, etc. Very nicely done. No great acting, of course, and nothing you haven't seen already in Kong or 100 other places, but its what they do with it here that makes it worth yer while.

Personally I always enjoy it when I see it; I think it's one of the better dino flix you can find pre-Jurassic Park.

*** outta ****, esp if you like Harryhousen's stuff.

Okay, so it's the only dinosaur and cowboy movie (that I know of). The acting isn't much, but seeing three cowboys rope a T Rex -- and then seeing the T Rex fight an elephant -- that is cool.

And "El Diablo," the little eohippus, is just too cute.

Harryhausen's stop-motion animation is wonderful. Get the DVD with an interview in which he talks about how he did the cowboy-roping scene, and current animators/fx artists talk about he inspired them -- pretty fun. In a geeky kind of way.

Like many of the reviewers, I remember this film from one of the late night "Creature Feature" movie marathons. It left quite a mark on me and I could never forget it. So, as I aged, I bought it on VHS, and will soon get it on DVD.

Just a few couple of points:

1. I love it when "reviewers" slam a classic movie like this. They say intelligent things like "nothing happened the first 50 minutes" or "the special effects don't compare to today" or "it looks corny". I have just one thing to say to these folks: "Please take a film class." Let me back up a bit for them...in the old days, directors recognized the value of "CHARACTER DEVELOPMENT". That's why they introduced characters early in the film, so you could emotionally connect to them. Those same directors also understood the value of "SUSPENSE". They knew that sometimes, it's more tense or scary to NOT see that thing that is after you, especially at the beginning of the movie. Also, since there was no CGI then, they had to get creative when it came to how they finally DID show the monster. They would use lighting, shadows, fog, and other props to slowly reveal the beast. It was truly amazing that they were able do so much with the technology they had. Let me say this about CGI: It is OVERUSED in movies today. I don't want to know it is there. I want more character development. I want more suspense. I don't want unbelievability to the point of ludicrous. The best CGI is unnoticed by the viewer.

2. Dinosaurs in the Wild West. Are you kidding me? What an original concept! It is so unlikely. How could primitive cowboys stand a chance? Well, a) Cowboys are tough and crafty, and b) real dinosaurs aren't like Godzilla. They were simply animals. Though formidable, they could be roped and trapped. Again, part of the genius of the movie. It is strangely believable.

3. To this day I am impressed with how Harryhausen used both Stop Motion Animation and life-size models together. The scene where Lupe is taken by the pterodactyl illustrates this point. When the beast is in the air, it is stop motion (how the heck did they used stop motion suspended in the air?). When it is on the ground, it's a life-size, moving puppet. (BTW: Spielburg wanted pterodactyl's in JP, but could't figure how to pull it off, that is until the very good JP III.) 4. In my book, there are only two great "humans vs. dinosaurs" movies: The Valley of Gwangi and Jurassic Park. They stand alone at the top.