Uma Cidade Contra o Xerife

This is a classic example of a genre parody. It's not one of those jokes-coming-at-100mph kind of spoofs (such as Blazing Saddles), it simply plays everything by genre rules. It shares this with the 1939 version of Destry Rides Again, but it goes much further in exhibiting the hilarious potential of the genre by just slightly exaggerating the kind of improbable situations classic Westerns so often throw at us.

To appreciate this film properly you need to be familiar with the classic Western genre, mostly to understand how the genre works when played straight but you may also recognise some movie references.

The cast is absolutely marvellous, James Garner is a commanding lead, Jack Elam has never been better, and there are first-rate character actors for all the supporting roles. Especially Harry Morgan and Walter Brennan are excellent in roles very similar to ones they played straight in High Noon and My Darling Clementine, respectively.

Now, I will even watch James Garner in a bad movie. That whole worldly wise, yet winsome thing he has going makes you think of that best bud you had in junior high.

But this is actually a very good, drown yourself in a bag of popcorn, and laugh your cares away film.

Is it a western parody or humorous homage to some of the great character actors in American western? It certainly doesn't have a mean bone in its body and doesn't rely on shock humor to get you chuckling. This film respects its predecessors and has good clean fun with them.

It's a DVD you can easily find for under $10, and well worth it.

The casual tone of James Garner..and Jack Elam's kinda ditzy way of worrying made it worth watching for me...but then to put Bruce Dern as an not too bright gunman and Walter Brennan as his exasperated father makes me watch it over and over for the little simple and yet careful undertones....liked it alot...3 1/2 stars here...

There hasn't been a decade since 1969 as loaded with classic Westerns as was that one year: "Butch Cassidy and The Sundance Kid," "The Wild Bunch," "True Grit," "Once Upon A Time In The West," and this one, the least appreciated but easiest to watch.

James Garner is such a comfortable onscreen presence, it's hard to appreciate all the fine work he does in this film. It's a clever comedy that is perhaps a bit too anxious to please, but can make you laugh all the same. The supporting actors are tremendous, too. It's funny to see Dern play such a naif, but Brennan has the best time of it. His expression when Garner sticks his finger in the barrel of Brennan's pistol is priceless.

No scorpion fights, no blown-up trains, no Italian dubbing or even Strother Martin. But I can't think of a better family movie, or just something to beat the blues.

I love it when Sheriff Garner casually sticks his finger into bad guy Brennan's gun barrel. What a great way to disarm a menace. I don't know if his trick would really work, but who cares since it's good for a laugh. In fact, such imaginative goofiness could stand for the movie as a whole. Like when Garner chases a gunslinger out of town with a barrage of rocks. His aim may not be so good, but a thousand clichéd fast-draws flashed before me while I laughed. And it's not just Garner-- it's the whole superbly droll cast. Old pro's like Henry Morgan, Walter Brennan, Jack Elam, and even the newcomer Joan Hackett, a fine actress who shoots much too well, but in real life, died much too young. All the nonsense adds up to one really droll take-off on a thousand Western clichés, without rubbing your nose in it. It's also a tribute to the much under-rated helmsman Burt Kennedy and writer William Bowers who comes up with the great line about "disturbing the peace" as the three half-dressed councilmen escape the exploding bordello. Then too, looks like Garner's Cherokee Productions financed the project, proving that the savvy actor knows quality when he sees it. From start to finish— a real little gem.