Sabata, o Homem que Veio para Matar

Lee van Cleef is Sabata, yet another one of those bounty hunters and mavericks who populate the genre. During the story Sabata however interacts with people from all social classes which makes this spaghetti-western one of the most social ones. Specific to the Sabata series are the many special weapons which are not only used by Sabata himself but also by his evil opponents. Added to the rivalry of good Sabata and bad Stengel there is a third party competitor called Banjo (William Berger) who mostly helps Sabata but also wants more than his share of the bounty. Mr. Maltin (from the Guide) obviously hasn't seen this film well. Despite playing a high stake Sabata is not a gambler. This Western is fun.

Regarding the score the main theme is one of those tunes that catch you and don't give up soon. Cinematography is stylish, often with dark bluish foregrounds and natural-source(?) yellow-lighted backgrounds.

8 / 10.

Several spaghetti westerns inspired a number of sequels focussing on a particular kind of shady hero. Beside the widely known "man with no name" there are (amongst others) Django, Sartana, Ringo, Spirito Sancto and this one, Sabata.

Sabata is partly inspired by 'For a few dollars more', since Lee van Cleef plays the bounty hunter Sabata as a character with similar features to his Colonel Mortimer. Especially noticeable is his collection of shooting gadgets. Western fans are used to the never-reload always-hit one-mile -range magic revolvers of classic westerns. In this film, Sabata wins a shoot-out by simply staying out of the range of his opponents revolver and shooting him with one of his long-range weapons.

Despite being a bounty hunter, Sabata has his peculiar code of honor, as opposed to the villain of the piece, the sleazy rich land owner Stengel, played superbly by Franco Ressel. As you might expect there is little doubt how it will all end but director Parolini keeps us guessing about Sabata's next moves.

A superior spaghetti western.

Absolutely ridiculous, totally entertaining ultra-spaghetti western featuring one of entertainments greatest, and ugliest, bad guys - Lee Van Cleef. Here he plays one of his rare good guy roles as Sabata, the cool gunhand who toys with a huge gang, none of whom could put a slug in him. He, on the other hand easily shot and killed them by the bushel basket, using guns, dynamite, and the blade. If you like offbeat westerns with clouds of gunsmoke, and a ton of lead then this is the one for you.

This original Spaghetti deals about the master gunslinger Sabata (Lee Van Cleef) taking on some owners and various pillars of society as a baron land (Franco Ressell) and authorities (the judge played by Gianni Rizzo) of a little town called Dougherty . They have stolen an Army safe containing $100,000 so they can buy the properties upon which the coming railroad will be built , but they haven't reckoned on Sabata presence . Sabata is accompanied by a rare group , as a grumpy fat (Pedro Sanchez or Ignacio Spalla who played similar roles to Spaghetti idol, Fernando Sancho), an Indian acrobat (Nick Jordan) and Banjo (William Berger) , a troubadour-alike wielding a guitar that has a extraordinary surprise.

This Western parody is plenty of action , humor, shootouts and is quite bemusing . Sabata is a bounty hunter but his aim isn't vengeance like Django , Ringo or Mortimer but the loot . Sabata bears a similar presence to ¨For a fistful of dollars more¨'s Colonel Mortimer , as black clothes and is equally infallible on arms and holds a wide weaponry , furthermore in a James Bond style . It appears habitual secondary actors from Spaghetti Western such as Robert Hundar , Spartaco Conversi , Fortunato Arena, and Luciano Pigozzi or Allan Collins , also named the Italian Peter Lorre . Luxurious production design is created by Carlo Simi , Leone's ordinary , with lush interiors of the nasty's housing full of medieval furniture and armors . The picture was lavishly produced by Alberto Grimaldi and his PEA productions (producer of Leone's trilogy of dollars). Lively and sympathetic musical score by Marcello Giombani with Ennio Morricone influence . Atmospheric and colorful cinematography by Sandro Mancori .

The film was well directed by Gianfranco Parolini or Frank Kramer . He began directing muscle-men epics as ¨Rocha¨ , ¨The Macabeos¨ with Brad Harris and ¨The ten gladiators¨ with Dan Davis and Gianni Rizzo , Parolini's usual actor . After that , he continued with ¨commissioner X¨ series with Tony Kendall , fantastic with ¨three supermen¨ and warlike movie as ¨5 per l'Inferno¨ with Gianni Garco (Sartana) and Nick Jordan. His first Western was ¨Johnny West¨ and later on , he directed the ¨Sabata trilogy¨ . It's followed by ¨ Return of Sabata¨ with similar artistic and technician team and ¨Indio Black ¨ with Yul Brynner , Dean Reed and , of course , Pedro Sanchez . And several imitations and rip-offs as ¨ Arriba Sabata¨ (70) by Tulio Demichelli with Anthony Steffen , Peter Lee Lawrence and Eduardo Fajardo ; ¨ Open the tomb arrives Sabata¨ (71) by Juan Bosch with Richard Harrison and Fernando Sancho and ¨Attento Gringo e Tornato Sabata¨ (72) by Pedro L. Ramirez with George Martin , among others .

Gianfranco Parolini's "Ehi Amico... C'è Sabata, Hai Chiuso!" aka. "Sabata" is a stylish and excellent Italian Cult Western starring one of the greatest Western icons of all time (THE greatest in my book), the incomparable Lee Van Cleef. Van Cleef is a blessing for any movie, and "Sabata" is, besides "For A Few Dollars More", "The Good, The Bad And The Ugly", "The Big Gundown", "Day Of Anger" and "Death Rides A Horse", one of the most important films starring this great actor. Although this film is was followed by only two sequels (one of them starring Van Cleef, the other starring Yul Brynner), the "Sabata" series could very well be described as the most important series of Spaghetti Westerns alongside the "Sartana" series starring Gianni Garko and, of course, the "Django" series (which isn't really a series, since "Django" of 1966 was followed by dozens of unofficial "sequels" that mostly had little to nothing to do with the original).

Sabata (Lee Van Cleef) is a typical antihero of the Italian Western, who longs for money and his own benefit more than for anything else. After killing a whole gang of outlaws and bringing their loot back for the money, Sabata stays in town for a while, in order to make some more money. He soon has two sidekicks, Carrincha (Ignazio Spalla) and Indio (Aldo Canti), and he furthermore runs into an old acquaintance, the constantly relaxed banjo player Banjo (William Berger)...

Lee Van Cleef is the perfect cast for Sabata, and delivers a great performance in the lead as always. Another highlight of this movie is William Berger, who is coolness incarnate as Banjo. Franco Ressel is great as the villain and Ignazio Spalla and Aldo Canti make two great sidekicks, especially Spalla is funny as hell. The movie is perfectly photographed in the Spanish Alméria, the greatest location for a Spaghetti Western, and very stylish from the first minute. The score is great, especially Banjo's theme, which he constantly plays on his banjo, is a great piece of soundtrack and a very catchy tune that I'll never forget. "Sabata" is an essential Spaghetti Western and a great film in any aspect, and fans of the Italian Western can not afford to miss this. Highly recommended.