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IMDbPro

Putney Swope

  • 1969
  • R
  • 1 h 24 min
AVALIAÇÃO DA IMDb
6,7/10
4,6 mil
SUA AVALIAÇÃO
Putney Swope (1969)
Official Trailer
Reproduzir trailer3:14
1 vídeo
80 fotos
ComédiaParódiaSátira

Adicionar um enredo no seu idiomaThe board of directors at a Madison Avenue ad agency must elect a new chairman. In the maneuvering to make sure that enemies don't get votes, all the members accidentally cast their ballot f... Ler tudoThe board of directors at a Madison Avenue ad agency must elect a new chairman. In the maneuvering to make sure that enemies don't get votes, all the members accidentally cast their ballot for the board's token black man, Putney Swope.The board of directors at a Madison Avenue ad agency must elect a new chairman. In the maneuvering to make sure that enemies don't get votes, all the members accidentally cast their ballot for the board's token black man, Putney Swope.

  • Direção
    • Robert Downey Sr.
  • Roteirista
    • Robert Downey Sr.
  • Artistas
    • Arnold Johnson
    • Stan Gottlieb
    • Allen Garfield
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,7/10
    4,6 mil
    SUA AVALIAÇÃO
    • Direção
      • Robert Downey Sr.
    • Roteirista
      • Robert Downey Sr.
    • Artistas
      • Arnold Johnson
      • Stan Gottlieb
      • Allen Garfield
    • 58Avaliações de usuários
    • 72Avaliações da crítica
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 1 vitória no total

    Vídeos1

    Putney Swope
    Trailer 3:14
    Putney Swope

    Fotos80

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    Elenco principal95

    Editar
    Arnold Johnson
    Arnold Johnson
    • Putney
    Stan Gottlieb
    Stan Gottlieb
    • Nathan
    • (as Stanley Gottlieb)
    Allen Garfield
    Allen Garfield
    • Elias, Jr.
    Archie Russell
    • Joker
    Ramon Gordon
    • Bissinger
    Bert Lawrence
    • Hawker
    Joe Madden
    • Mr. Syllables
    • (as Joe Engler)
    David Kirk
    • Elias, Sr.
    Don George
    • Mr. Cards
    Buddy Butler
    • Putney's Bodyguard
    Vincent Hamill
    • Man in White Suit
    Tom Odachi
    • Wing Soney
    Ching Yeh
    • Wing Soney, Jr.
    Spunky-Funk Johnson
    • Mr. Major
    Joe Fields
    • Pittsburgh Willie
    Norman Schreiber
    • Messenger
    Robert Staats
    Robert Staats
    • Mr. War Toys
    • (as Bob Staats)
    Alan Abel
    • Mr. Lucky
    • Direção
      • Robert Downey Sr.
    • Roteirista
      • Robert Downey Sr.
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários58

    6,74.6K
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    Avaliações em destaque

    8PWNYCNY

    Interesting, off beat movie.

    This movie shows that the free enterprise system and the quest for the almighty buck transcends all racial and ethnic barriers. Ultimately the market place determines the message that is sent to the public. This movie dramatizes that point. A conservative white-collar advertising company is taken over by a group of street-wise African Americans chaired by a no-nonsense black man who wants to make a buck and believes he can sell products by telling the the truth. But the movie shows that no matter how hard he tries to do something different, the market place and the political system demands that he conform, rendering him no different than his predecessors. Interesting, off-beat movie.
    wfgwilliams

    I don't know how to rate this film

    I heard about this movie when it came out but never got to see it. It must have played on the weekend I was busy. It finally was released to DVD and I bought a copy.

    There is no way to rate this film. I have no way of predicting how anyone will respond to it: love, hate, detest, indifferent. Should you watch this movie your response will be somewhere in there.

    I would have to say that it is a film for its time. A great deal of what it was satirizing at the time has changed so much that it no longer has any relevance in that sense. I remember at that time one of the demands of young movie goers was that films, indeed everything involving the culture, should be relevant. That was the 'buzz word.' This film was relevant alright, but almost forty years later I have to ask, "relevant to what?" I'm glad I finally got to see it. This film is touted as a comedy. I didn't laugh once while viewing it, though I did appreciate the acerbic wit. Some of it I found downright crude, though I'm sure that was intentional.

    I will wait awhile and view it again some time. I have a feeling that I will get different things from it. I may even laugh at the stuff that's intended to be funny.

    Would you enjoy this film? I don't know. Should you watch it? Oh yes, you should.
    8mozli

    That brief window of time: '67 to '74

    Putney Swope along with a number of other films: Uptight, Zabrieski Point, The Spook who sat by the Door, Easy Rider, Midnight Cowboy depicted the times of the big change of America like no other. No matter how much conservative America may want to pull the country back to the pre-60's these films show that the change became irreversible. Putney Swope has its problems(editing and much of the acting is amateurish)yet holds up well for being over forty years old. The topics still ring quite true. While viewing this one can't help but wonder if the folks that make the AMC show MADMEN are influenced by this film. The ending, though funny, has a politically horrific feel to it. A foreshadow of 9/11? The irony that Robert Downey is the father of one of America's best and most popular movie stars adds to the entertainment and poignancy.
    8D_Burke

    "Putney Swope" Is A Passionate Piece of Cinema History

    "Putney Swope" is a unique, low low low budget gem from the late 1960's which probably would have been forgotten in time if it hadn't been for two things: Paul Thomas Anderson (who named Don Cheadle's character in "Boogie Nights", Buck Swope, after the eponymous hero of this film) and the limited DVD release. Watching "Putney Swope" is like listening to hardcore punk rock: it may not make a lot of sense (at least to me it didn't upon watching it for the first time), but you have to respect the film for its passion and unabashedly rebellious message. I didn't understand a lot of things about "Putney Swope", but for the most part, I liked it. The more I think about the movie, the more it grows on me.

    The film is advertised as a parody of New York's Madison Avenue, best known in the 1960's as the advertising capital of the world. Members of Generation X and Y may be lost on this concept, but fortunately "Mad Men" is on TV to provide us with this otherwise lost piece of U.S. History. What you need to know before watching this movie is that these ad agencies were largely male, and even more largely white establishments.

    With this premise in mind, the movie opens up with an ad agency board meeting. The members are predominantly white except for Putney Swope (Arnold Johnson, who bears an uncanny resemblance to Dick Gregory in this film), the token African-American on the board. The board members are so self-absorbed and soulless that when their chairman falls dead in front of them, their only concern is who will become chairman next. Without even removing the body from the boardroom, they begin a paper ballot to elect the next chairman.

    Putney Swope is elected by a landslide, but not because the other members think Swope is qualified. Voting for Swope was an ill-fated attempt for these board members to sabotage any other member's chance of being elected chairman. With their plans backfired, Swope takes charge and "sink(s) the boat", firing all but one of the original members and hiring all people of color in their place .

    After this point, the film became (for me) very weird and hard to follow plot-wise. There may not have even been a plot, really. The whole idea of the film seems to be a "what if" scenario, with the result being that the new "Truth and Soul Inc." firm would be unconventional, but successful nonetheless. The firm ends up making so much money that the members build a huge glass case to keep the cash in for unexplained purposes. It could be because Swope doesn't trust banks, although that point is not touched upon or explained in the film. It could also be metaphoric in some way, but who knows.

    Most of the movie takes place inside the ad agency, with occasional scenes in the White House with a president who, for some unknown reason, is a midget. My assumption is here that some political joke was being made, but I can't figure out what. Were the filmmakers saying that the president is a small, insignificant part of American life? Were they saying that the latest elected officials (Nixon at the time) were insignificant candidates? I don't know. I found it a bit eerie, however, that the man playing the president bore a striking resemblance to future president Ronald Reagan. It is funny to make that connection 40 years after the movie was made.

    What this film may have benefited from is showing how consumers outside the ad agency reacted to the new ads. Of course, the ad footage possessed a strange, funny appeal for its unconventional creativity, but did these ads convince people to buy the product? If so, how? The movie hinted on the idea that the new ad campaign was successful through client interaction and the calls from the White House. However, it would have been revealing to see average people, since that demographic has always been most profitable for advertisers.

    Although the parodies and political messages this film may have made probably didn't stand the test of time, this film still had a lot of unique qualities. Arnold Johnson had a magnetic X factor to him that benefited him greatly in this film. Swope's rough voice was actually director Robert Downey, Sr.'s voice dubbed in, sometimes poorly, but fit the character so well in being an authoritative outsider. He hires and fires workers at random, but earns the respect of all but one of the employees for revolutionizing the ad agency and seeking out new ideas.

    The premise of the film was, and still is, incredibly risky, especially since the film was written and directed by a white man (Robert Downey, Sr.). However, this film declines to fall victim to negative black stereotypes which would lead to the rise and fall of the blaxploitation genre years later. Although some of the sex scenes may be a bit off-putting for some viewers, the main message is that a black owned and operated business can thrive through innovation and risk taking. Many people may not take a positive message away from this movie, but I just did.

    "Putney Swope" remains an overlooked movie from a strange era, and Downey, Sr. (even despite his son's recent comeback) never quite got the recognition as a director he deserved. However, if you find a DVD of this movie, buy it and watch it. If it's on Netflix, ditto. It's a movie that can be confusing at times, but is worth watching for its gusto, ambition, and its non-conformist stature even by today's movie standards.
    nuport

    Beats Blazing saddles, Groove tube ,Kentucky Fried movie And most others by miles

    Y'know I never thought I would say this, But Putney Swope may be the hippest ,coolest ,funniest ,thought provoking film of all times. I just can't get enough of this I've seen it about 30 times .I happened to spot it at the now long gone Woolworth dept. store in downtown Newark NJ. This is what film making is supposed to be.Mostly because after so many years ,much of it is still timely and relevant and so funny. I know you deep thinkers out there will "get it" after afew viewings.Hats off to the producers of this ,beats the crap outta most stuff that Hollywood has put out. thanks.

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    Enredo

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    Você sabia?

    Editar
    • Curiosidades
      Robert Downey Sr. redubbed all of Arnold Johnson's lines. According to Downey, he did this because Johnson had trouble remembering his lines and often flubbed them during filming.
    • Citações

      Idea Man: Putney! I've been supervising the war toy account for 12 years. And let me tell you something: deny a young boy the right to have a toy gun, and you'll suppress his destructive urges. And he'll turn out to be a homosexual. Or worse.

    • Cenas durante ou pós-créditos
      As the credit for Robert Downey Sr. scrolls up the screen, the words "(a prince)" appear next to his name.
    • Conexões
      Featured in Precious Images (1986)
    • Trilhas sonoras
      Let Me Tell You Something
      Written and Performed by Charley Cuva

    Principais escolhas

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    Perguntas frequentes17

    • How long is Putney Swope?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 10 de julho de 1969 (Estados Unidos da América)
    • País de origem
      • Estados Unidos da América
    • Idioma
      • Inglês
    • Também conhecido como
      • Bossen
    • Locações de filme
      • Nova Iorque, Nova Iorque, EUA
    • Empresa de produção
      • Herald Productions (II)
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • US$ 200.000 (estimativa)
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      1 hora 24 minutos
    • Cor
      • Black and White
      • Color
    • Mixagem de som
      • Mono
    • Proporção
      • 1.37 : 1

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