Um Beatle no Paraíso

One day the fabulously wealthy Sir Guy Grand who is Peter Sellers with a much larger nose finds a young orphan kid in a park. On the spur of the moment he adopts young Ringo Starr, probably because Ringo has a well known honker in real life and Sellers sees something of himself in Ringo.

The idea is that Sellers has to have someone not just to leave his money to, but someone to impart his accumulated wisdom of the years which is boiled up into one single thought; that EVERYBODY has his price.

The rest of the film is a Monty Pythonesque group of skits in which Sellers tries to prove just that to Starr. They range from Laurence Harvey doing a striptease while doing Hamlet's soliloquy to a beat cop eating a parking ticket for 500 pounds. The title The Magic Christian refers to a Titanic like cruise ship that only caters to the upper crust. Sellers and Starr integrate that ship's maiden voyage in a most interesting fashion.

That the film is like Monty Python is no accident with Graham Chapman and John Cleese doing the writing. Ringo's former Beatle companero, Paul McCartney wrote The Magic Christian theme, Come and Get It which sums up the philosophy of the film.

After almost 40 years, The Magic Christian is acidly funny, but a still unsettling.

Terry Southern's novel, "The Magic Christian" is very different from the film. However the film, which was written by Southern, among other, still maintains the spirit of the novel.

The film is simply a series of vigniettes centering around Sir Guy Grand (Peter Sellers), and his adopted son, Youngman (Ringo Starr), who goes about "making things hot for people," by using his vast wealth to perpetrate elaborate practical jokes largely aimed at seeing how many of their principles people will give up for money.

The movie is very silly, fragmented, and horribly dated. > Now that you have heard the case against, I have to say that this is one of my favorite movies of all time. The movie destroys or humiliates all social icons, from the police, to "the old school," to the snobbish upper class, to the art world. Its great to see, and once you make up your mind that the movie is just a series of sketches, its funny, and immensely satisfying, albeit somewhat vicious.

Look for cameos by Yul Brynner (in drag), Spike Milligan (Sellers' partner in "The Goon Show"), John Lennon and Yoko Ono, among many others.

Other notes: The novel, "The Magic Christian" was banned for a time, because it was viewed as obscene. Peter Sellers loved this book, and after he read it, he sent copies of it to all of his friends. It might say something about his tragic and depressed personality, that he found this book, with its many vicious stabs against society, so appealing.

One of a succession of self-regarding flops typical of Peter Sellars' choice of projects by the end of the sixties when not performing as court jester at Clarence House and Windsor Castle.

As Spike Milligan - who plays a traffic warden paid to eat his own ticket - observed, "The whole thing could have been written ABOUT Peter instead of FOR him". We are never told the source of the fabulous wealth that enables Guy Grand to humiliate those less wealthy than himself (i.e. Everybody else), but he never seems to show any inclination even towards Christian Grey's nebulous ambition to "end world hunger" rather than just have fun at the expense of others.

Yul Brynner does look astonishingly attractive in drag, however.

This comedy passed me by when it was released in 1969. I had seen CASINO ROYALE and WHAT'S NEW PUSSYCAT? and automatically in my subconscious somehow roped this movie in with those two turkeys. I had always avoided it on purpose whenever the movie turned up on TV. The only reason I gave it a go this time was the fact that comedian Paul Merton gave it such a wonderful review on his recent "Paul Merton's Perfect Night In" show on BBC2. I am pleased I finally gave it a go, I actually laughed out loud on a number of occasions and didn't want it to end. I absolutely recommend this movie to anyone who enjoys the 1960's sub-culture. Peter Sellers plays an eccentric millionaire who adopts Ringo Starr, whom he fell in love with, but only in a 'paternal way'. Together they embark on a series of bizarre and degrading tests around London to illustrate the depths to which mankind will sink in pursuit of money: any man has his price and will do literally anything if the price is right. The movie makes less than subtle attacks on the establishment, including the annual Oxford-Cambridge boat race, that very British symbol of earnest endeavour and sportsmanship which is turned into a sea battle when referee Richard Attenborough accepts a bribe. The richest prize in sport, the World Heavyweight Boxing Championship, incites a riot when both protagonists actually kiss instead of punching the hell out of each other. The World Champ is played by that great character Nosher Powell, a former heavyweight boxer of the 50's. His challenger is none other than former European Champion Dick Richardson, a real tough guy who fought Ezzard Charles and Ingemar Johansson. This must have been an 'in-joke' by the film's director, having these two real-life hard cases acting as 'puffs'. "The Magic Christian" was a great surprise to me and I strongly recommend it.

The Magic Christian is a wonderful piece of film making. It targets fairly & squarely all parts of the establishment and its aim is always true. The main theme of the movie (that everyone has their price) is shown again and again, no more truly than when the Peter Sellars character throws money into a vat of excrement & urine and hordes of "city gents" jump in to retrieve it! I have never seen another film quite like it and although it must be almost 30 years since last my last viewing, its memory is still crystal clear. Sellars, Spike Milligan and Ringo Starr all turn in fine performances and the soundtrack is great featuring Something in the Air and Come & Get It. Make sure you see this film; its message is even more pertinent today than when it was made.